Showing posts with label carlo barberi. Show all posts
Showing posts with label carlo barberi. Show all posts

Thursday, May 4, 2017

Action Comics #978 (2017)


Action Comics #978 (June, 2017)
"The New World, Part 2"
Writer - Dan Jurgens
Pencils - Carlo Barberi
Inks - Matt Santorelli
Color - Hi-Fi
Letters - Rob Leigh
Associate Editor - Paul Kaminski
Editor - Mike Cotton
Group Editor - Eddie Berganza
Cover Price: $2.99

It's not terribly often that I cover two brand-new issues back to back... in fact, this might just be the first time.  Guess it's not all that often that more than one book per week really call out to me like they have this week.

Wanted to cover this so we might continue to parse the somewhat-new, somewhat-different streamlined origin of the Man of Steel.  What's missing?  What's been added?  Let's find out together...

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We open with some archival footage.  It's Clark Kent's first day at the Daily Planet.  Lois Lane is plummeting from a helicopter to the ground below, when a never-before-seen man in a blue costume and red cape swoops in to save her life.  The next day, Lois names him "Superman" in the Daily Planet's cover story.  In the present, back at the Fortress, Superman confirms that the records jive with his memories... but he still feels like there's something not quite right.


He is bothered by a strange whispering voice... same as last issue.  He asks Kelex to continue... which takes him to his second day working for the Planet, when Lois "rescued" him from one of Steve Lombard's immature pranks.  It was at this point he knew he had feelings for his eventually-to-be wife.  His secret origin continues to unfold... we see his rogues gallery, including Imperiex (from Our Worlds At War), Manchester Black, and even post-Zero Hour baddie, Conduit.  We see various costumes he he had worn, including his gladiator-type suit from Exile, and Electric Blue.  Then, we look on as he both proposes to Lois... and tells her the secret.  Both occur pretty much like they did back in 1991.  This is a great two pages.


We shift scenes for a moment, to the Moon.  The Matrix-y Man from last issue uncovers the Eradicator, repairs him, and suggests they work together against their common foe.  At first the Eradicator ain't feeling it... but he eventually comes around.


Back at the Fortress, Kelex continues Superman's tour of his own past... with his death at the hands of Doomsday.  It continues through to the Reign of the Supermen... however, only shows Steel, Cyborg, and Eradicator as the "replacements".  Looks like poor Kon-El might not be joining us.  Of particular interest, there is mention of Coast City's destruction.  The two pages end with Lois and Clark's wedding.  I'm going to discuss the art with greater detail below, but I wanna say that Barberi's aping of the classic panels is really great.  Definitely scratching where I itch.


We next learn that Clark's parents, Jonathan and Martha had passed away before he ever met Lois... which really sucks.  I enjoyed Lois' relationship with the Kents, especially during Funeral for a Friend.  Those were some highly emotional scenes, and it's a shame they never happened.  We continue along to Lois telling Clark that they are expecting!  Which doesn't occur in Gotham City under a dome.  Fair enough.


Young Jon's birth also doesn't occur in Gotham City, but at the Fortress of Solitude.  Wonder Woman and Batman are on hand to ensure the event isn't interrupted.  Worth mentioning that Superman is wearing his collared New-52! duds during this bit.  After Jon's arrival, the Kents took a sabbatical from the Daily Planet and moved house to California.


Superman went underground (wearing the black Lois & Clark costume), and Lois published books under the name Author X.  Superman would eventually return to the public eye to battle Ulysses from the Geoff Johns/John Romita, Jr. arc.  In the present, Superman reveals that his history is just as he remembers it... and posits that they might need to dig deeper for whatever it was that fractured reality.  I think we're going to need some of Rip Hunter's blackboards.


Suddenly the visage of Mr. Oz shows itself.  He warns that Superman knows not the forces with whom he is dealing... then blasts the statues of Ma and Pa Kent.  Superman considers that he might need help... in the form of the slew of folks who currently wear the "S".  It should go without saying that he is also pretty concerned Oz was able to enter the Fortress.


We wrap up with the arrival of Metallo and Blanque to the Moon.  They initially do not seem pleased to have been drawn there... especially by someone with an S on his chest.  The Matrix-y Man arrives to settle everybody's tea kettles... reveals himself to be Hank Henshaw... then christens their group as the All-New Superman Revenge Squad!


--

Well... gotta say, between The Button and Superman Reborn... DC is doing some amazing continuity-dredging.  Now, don't get me wrong... I love it, and am greatly enjoying these stories... but, it's crazy to consider that six years ago these stories would just "be".  There wouldn't have to be any mental and narrative gymnastics to make them work... they would just be an understood part of the characters' histories.  That's probably not worth mentioning... but I can't help myself.  It feels like the New-52! was just such a misguided concept... and right now they're fighting just to get back to "zero".

On to the issue... let's discuss some of the retcons.  First, the death of the Kents.  It isn't outright said how they died... and I really can't remember how they wrote them out for the New-52!.  I guess we can just assume (for now) that they were taken out by a tropical disease while Clark was away at College.  That's how it went down in the Silver Age, right?  I wrote above that I find it disappointing that Ma and Pa never met Lois... I really think that's too bad.  As it is, Lois really has nobody she can confide in, or vent to about her husband's dual-life.  I think the Kents were just as important to Lois as they were to Clark, and it's definitely a shame they won't be sharing in young Jon's childhood.

I think about turn of the century Amazing Spider-Man when Aunt May learned about Peter's secret.  When Mary Jane found out that May knew... it was like she was hit with a wave of relief.  Finally, there was someone she could talk to about Spider-Man.  They became a little support group unto themselves, and the Spider family became richer for it.  I guess I'm taking the scenic route here just to say... I'd definitely prefer the Kents to be alive.  Or hell, just gimme Ma.

Another character I wish got a mention was Kon-El.  I guess with the new Superboy they may not want to muddy the waters by introducing the clone... but, if we're playing fast and loose with continuity anyway... we could just have him stay dead after Infinite Crisis.  Of course, that would involve the introduction of yet another Superboy (Prime)... so, okay... maybe they were right to leave him out... for now.  I still have a sneaking suspicion he might be locked in one of Mr. Oz's pods... I guess time will tell.

The reveal that the Matrix Man was Hank Henshaw... was a bit of a letdown.  With the mention of Cyborg Superman during the flashback, I wasn't sure if they were going to use Henshaw for that... or if they were going to use the Supergirl's dad version.  Still not sure, actually.  I think hopes were high that this character had something to do with the Watchmen plot... I thought for a moment it was Dr. Manhattan (not that I had any real reason to).  I guess when hopes are that high, just about anything can be viewed as a disappointment.  That said, I am hopeful for the Revenge Squad... and look forward to seeing Superman crack some heads.

Now, the art.  Gotta admit, when I cracked this open and saw Carlo Barberi listed as artist, I felt a bit disappointed... I'd have really liked to see Patch Zircher on this.  That being said, I think Barberi knocked this one out of the park!  The panel layouts and use of splashes was great... his aping of classic panels was damn near spot-on.  Really top notch work here.  His style has matured greatly since his days on Impulse.

Overall, Action Comics is one of my top books at the moment... and continues to deliver bi-week after bi-week.  I mentioned during our discussion of The Button that I am so grateful that DC is not going the route of Marvel in over-hyping and over-pricing these important "events".  I would figure that Superman Reborn would have been a six... then seven issue miniseries (plus tie-ins) that took 14 months to come out had it been done over at Marvel.  Oh, and every issue would be at least five bucks too.  I'm very happy that this is being contained in Superman's own books... and at Superman's own shipping schedule and price-point.  Highly recommended.

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Tuesday, November 8, 2016

Superman (vol.2) #164 (2001)


Superman (vol.2) #164 (January, 2001)
"Tales from the Bizarro World"
Writer - Jeph Loeb
Pencillers - Ed McGuinness & Carlo Barberi
Inkers - Cam Smith & Juan Vlasco
Letterer - Richard Starkings
Colorists - Tonya & Richard Horie
Assistant Editor - Tom Palmer Jr.
Editor - Eddie Berganza
Cover Price: $2.25

It's Election Day in Metropolis, what could possibly go wrong?  I think it's also Election Day somewhere in the real world as well... and it doesn't seem like anything can go right!  That's about as political as this post will get, hopefully.  I'm really not much of a political animal anymore.  At one point in my life, perhaps... but I just kinda got "over it".

If you ask me, DC did a great job in 2000 by ignoring the actual election and just throwing ol' Lex in office.  Again... if you ask me, this is the way politics should be handled in comics.  I don't read comics to get bombarded with political opinions or talking points... gimme a fictional Commander in Chief any day over a current sitting President either acting as a super-villain or fist-bumping with Spider-Man.

Annnnnnnnnnnyhoo, let's check in with the Super-gang as they prepare for a potential life under Lex.

--



We open up with Jimmy Olsen hanging precariously from a helicopter with hopes of snapping some pics of a Navy submarine that is running on LexCorp's (now) proprietary B13 viral tech.  Jimmy being Jimmy... he leans just a bit too far outside the chopper... and falls out.  Lucky for him, Superman Bizarro #1 is there to catch him before he falls too far.



All during the flight, Jimmy thinks it's Superman that's pulled his fat skin and bones out of the fire drink.  He flies him past the Daily Planet building and winds up dropping him into... an open grave.  That's not too morbid, right?  The tombstone reveals the grave to be the secret entrance for Jimmy Olsen... Gravedigger Lad!  Beats the hell out of Turtle Boy!



We then cut to Lois and Clark's apartment... and an unwelcome shift in art.  Normally I really dig Carlo Barberi's style... really liked his work on Impulse, but... c'mon, we just had Ed McGuinness.  Anyhoo, Lois and Clark are visited upon by Batman... who is concerned about the pending Presidential Election.  Brainiac's B13 virus wiped away all records concerning Lex Luthor's criminal activity... and to the layman, he's nothing more than a successful businessman and a model citizen.  Batman suggests digging up some dirt on the man, but Superman ain't feeling it.  He doesn't believe that it is their place to get involved with the democratic process.  He still believes that the American people will do what's right in the end.  'fraid I got some bad news, pal.



We rejoin Jimmy who is hanging out with a couple of his pals.  They're about to take in a movie, and as they walk they discuss the election and whether or not it's important to vote.  Before they can go inside, a gravely voice calls to Jimmy from an alley... why it's Bizarro again.  This time, he's got a golden shovel that he tosses to his sidekick/pal Gravedigger Lad.  He then scoops the boy up and prepares to take him to the JLA Headquarters on the Moon.



Speaking of the JLA HQ... Superman is there watching several video screens, all predicting a decent outcome for Lex Luthor in the election.  Martian Manhunter briefly pops his head in, and cracks Superman up with a comment about Luthor's really having the best interests of the people in mind.



Back with Jimbo, he doesn't quite get into orbit as Supergirl arrives on the scene and saves his bacon.  For some sick reason, Supergirl decides to swap spit with Superman's pal... ay yai yai.  Thankfully Bizarro is there to stop the madness!



A battle rages on over the next several pages.  Supergirl and Bizarro exchange blows... and Jimmy smacks the ground with his golden shovel... which does bugger all.


 

Suddenly Superman arrives on the scene... and man, he is not the man to mess with today.  He sternly tells Bizarro to stand down.  It's clear that this is a very different Superman... not one who will be reasoned with... Jimmy even comments that he feared Superman might actually kill Bizarro if he sticks around.



Without throwing a single punch, he causes Bizarro to leave... and run right into a big fella promising that the Great Darkness is on it's way.



We wrap up as the polls are closing.  Our regular cast is hanging about at the Daily Planet... looking at the two potential front pages for the following morning.



--

This was a pretty decent issue.  Not great or anything... but I suppose I enjoyed my time with it.  It's probably been... hmm, 15 years since I last read this, and I'd totally forgotten the Bizarro bits to this issue.  I really expected it to be completely Lex-lection centric... and I gotta say, I'm disappointed that it wasn't.  Not really sure what Bizarro added to all of this... though, perhaps they were just filling pages in order to get to the Superman: Lex 2000 Special where we find out the news.  Maybe they just wanted Jimmy to notice that Superman might've killed Bizarro had he not left.  I dunno...

I appreciate seeing Superman being really on edge here... while at the same time, maintaining his faith in the American people making the "right choice".  There's something deeper here as well... Superman knows that it isn't his place to sway the hearts and minds of the voters... he's not running for (nor is he eligible to hold) office.  It would be imprudent for him to stump for any political candidate.  That's another thing I really dig about this era.  While he knows what Lex is all about... knows how dangerous he can be... he still allows the democratic process to commence.

Looking back at this... it's interesting how tightly plotted this whole storyline was.  I mean, we start in No Man's Land... and go through Our World's At War... and ultimately conclude during the opening arc of Superman/Batman.  I know the "Berganza" era sometimes gets a bad wrap, but this was good stuff... if you ask me.  This (and Ed McGuinness' art) was what ultimately brought me back into the Super-books.

I'm guessing by now most folks know what the outcome of the DCU's 2000 Election was... and hell, time travelers will know the outcome of the 2016 United States Election by now.  Lex wins... I dig it... not sure if I'm going to cover the Lex 2000 special at this point.  We'll see...

For more electoral fun, check out one'a my best bloggy buddies and fellow Super Blogger Mike Carlyle's piece today where he covers Prez #1.  Mike's site is always a good time, do give him a peek!

Morning Edit:  Great (or addled) minds think alike.  Another one'a my best bloggy pals Walt Kneeland covered this same issue of Superman this morning.  Give it a gander!

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Letters Page:



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Friday, February 12, 2016

Superman/Batman Annual #1 (2006)


Superman/Batman Annual #1 (December, 2006)
"Stop me if you've heard this one..."
Joe Kelly - Story
Ed McGuinness, Ryan Ottley, Sean Murphy, Carlo Barberi - Pencils
Dexter Vines, Cliff Rathburn, Sean Murphy, Don Hillsman II, Bob Petrecca, Andy Owens, Rodney Ramos - Inks
Guy Major - Colors
Rob Leigh - Letters
Jeanine Schaeffer - Asst. Editor
Eddie Berganza - Editor
Cover Price: $3.99

"Hey you ever read that issue of Superman/Batman that had Deadpool in it?" said the guy behind the counter at one of my local comics haunts sometime in 2009.

"the hell are you talking 'bout?" was my reply, head wrinkled, eyebrow cocked (though "hell" may be the PG version of what I had actually said).

During the mid-2000's I found myself with a very serious debilitation, it was one so heinous and extreme that I would find myself violently ill, and cursing the fact that I'd even woke up each day... I had... a mortgage.  It was almost a full-blown case of adulthood, for which there is no cure.  Well, at least not a socially acceptable one.  That having been said, I trimmed much of my perceived "comic book fat" from my weekly hauls... dropping from about $50 a week to about $50 for an entire month.  I had to make many difficult decisions in regards to my pull list, and one of the books I found myself dropping was Superman/Batman.

Don't get me wrong, it was an enjoyable book.  Ed McGuinness' art is never a let-down for me, and contrary to what the current fashionable internet hive-speak is in regard to Jeph Loeb, there's very little of his work that I don't like.  Superman/Batman started out big and bombastic, it was like reading a summer blockbuster cartoon in comic book form, if that makes any sense.  It was just a book that, when push came to shove (and it did) that I could drop without feeling too many pangs of collector-guilt.

I have since revisited the series, finding it a fun romp through the latter part of the post-Crisis/pre-Flashpoint DC Universe, and almost a sanctuary from some of the ultra-violent, ultra-serious books of the New 52.  This issue is a perfect example of such a romp, and it's got Deadpo... er, Deathstroke the Terminator's Earth-3 counterpart in it to boot!  I figure to commemorate the opening of the Deadpool live-action movie, I figure it would be a good time to revisit some-guy's lone sorta-kinda DC Universe appearance...

--

Billed as a Re-Imaginary story, Superman/Batman Annual #1 takes us back to a time where Superman and Batman did not know each other's secret identities.  They work together as partners from time to time, and seemed to view their attempts to discover each other's secret ID's as something of a game or contest.

The two, in their civilian form, find themselves aboard the same cruise to the Bermuda Circle, Lois Lane in tow only to find that the ship had accidentally booked Clark and Bruce into the same cabin.  The dynamics between Clark and Bruce here is something that absolutely must be read.  Bruce is 100% billionaire playboy jerk, and Clark is 100% mild-mannered.  They clash upon check-in, and their conflict only intensifies from there.

During dinner, Lois (who at this point does not know the secret ID, and is wildly curious) and Clark are sharing a dance.  Clark timidly asks if he can share her cabin, rather than stay with Wayne.  Bruce then cuts in, much to Clark's chagrin, swooping Lois to his table for them to dine.


While all of this is going on, Deathstroke the Terminator is preparing to make an attempt on Bruce Wayne's life.  He was hired in the opening pages, and I believe this is written to be his first "costumed" outing.


Bruce and Clark retire to their room for the night, where the attempt is made.  A dart is fired, and bounces off Clark's neck.  Batman and Superman put two and two together, and come to the realization of just who they are sharing a room with.


Suddenly Deadpo-- er, some guy barges in to save Bruce Wayne's life, just before he can say his name, he is shot multiple times in the chest.  I am assuming this is intended as Deathstroke's Earth-3 counterpart, due to some characters that show up in a few pages.  He is very clearly intended to be... well, another Wilson, who's first name rhymes with "Slade".

Okay, screw it... joke ain't funny anymore (if it ever really was)  It's clearly intended to be Deadpool.  Writer, Joe Kelly and artist, Ed McGuinness were the creative team for the first bit of Deadpool's first ongoing series in the late 1990's (highly recommended, by the way, and has been collected in an Omnibus), and have rekindled a bit of that magic in this here issue of Superman/Batman.

Lois notices the silhouettes of Superman and Batman on deck, and begins to make some connections herself in regard to their secret identities.  She is shocked to find that she wasn't seeing Superman and Batman... she was seeing Ultraman and Owlman of the Crime Syndicate!  She is taken hostage, and is kissed by Owlman, who is surprised to find out that this Lois Lane is not Superwoman.


Meanwhile, Superwoman is below deck fighting with "our" Bruce Wayne.  With lasso tied around his neck, and little hope of survival... Wayne is saved, once again by Deadpool!  Right before 'pool can introduce himself, he is stabbed through the head by Deathstroke.  This being Deadpool, he naturally does not die.


The Bruce Waynes fight, and Lois overhears some discussion that tips her off to Owlman's (and by proxy, Batman's) secret identity.  Just before she can verbalize it, Bruce (our Bruce) gives her a nerve pinch, and puts her to sleep.  Owlman is about to shoot Bruce, when he is once again saved... by Deadpool.  Bruce is able to escape, jumping overboard to a Bat-Submarine he had placed down below.  'Pool is again about to say his name, when Superwoman breaks his neck.

The World's Finest team fights their Earth-3 counterparts, while Deadpool narrates.  It is all very entertaining, and wildly overblown.  Thanagarians and Blackhawks in a beak-on-beak dance, Ambush Bug beating Darkseid in a game of chess, even Green Lantern, Mogo (who was not usually brought up during this time) gets a mention.  The ending of the battle is a bit out there, and concerns a space-time rift.  Ultimately, the Earth-3ers are sent home, and the day is saved.  Our mystery man gets one more opportunity to introduce himself just as he's about to blink out.  As far as we now know, his name is "Deaaaaaa--"


As we close, Lois is just about to confront Superman and Batman on their secret identities.  Before she can, Clark undressed them both at super speed, and redressed them in their civilian clothing.  Their secrets are safe, for now... plus Clark was able to get one last dig in at Bruce, saying he had found him "cowering in his closet".

The final page shows who took out the contract on Bruce Wayne.  It was Mr. Mxyzptlk and a Bizarro Editor.

--

Insanely fun issue.  Definitely recommended.  Books this fun are a rarity, especially of those published since the turn of the century.  The writing is actually funny, which, it being Joe Kelly should be no surprise.  The art, fluctuates from fantastic to passable.  There are four pencillers on this over-sized annual, and for the most part there is consistency... there are, however, a few more staggering pages to behold.  The only thing that would have made this issue better (beside having Ed McGuinness draw the entire thing) would have been the addition of colorized word balloons for the Deadpool-alike.  In his Marvel books, 'pool has yellow dialogue balloons.  Perhaps that would have been a bit too on the nose for a DC publication to include, however, I don't think it would have caused all that much harm (but what do I know?).

Mile High Comics has this issue listed at $12.00 for a near-mint copy (though, there are none in stock).  This appears to be the going rate for hard-copy online.  Comixology is offering the digital version for $2.99.  If digital is your thing, this is well worth a purchase*.

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Was never financially secure enough to "invest" in Legos, though
I suppose the Lego Batman video games were pretty fun (at first).
I had forgotten about these "Secret Files and Origins" pages
I remember folks being rather excited for this.
I have still never seen a single Superman movie.
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