Showing posts with label darryl banks. Show all posts
Showing posts with label darryl banks. Show all posts

Saturday, January 26, 2019

Green Lantern (vol.3) #137 (2001)


Green Lantern (vol.3) #137 (June, 2001)
"The Bonds of Friends and Lovers"
Writer - Judd Winick
Pencils - Darryl Banks
Inks - Rick Faber
Colors - Moose Baumann
Letters - Chris Eliopoulos
Associate Editor - Michael Wright
Editor - Bob Schreck
Cover Price: $2.25

Uh-oh, it looks like somebody wants to end the romantic entanglement between Kyle and Jade.  I wonder what sort of monster that could be tearing up that photo?!

Ready to find out...

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We pick up where we left off last issue... which we haven't covered here, but stands to reason it would've been the cliffhanger... where Kyle has just proposed marriage to Jade!  She is taken aback, then hugs him... kisses him... and turns him down!  She calls him a stupid, stupid man, and tells him he's probably jumping the gun a little bit.  Ya see, they finally got this whole relationship "thing" right, and she figures the worst thing they can possibly do is "push" it.  Annnnd, she's probably right.


She clarifies that this isn't an outright rejection of marrying Kyle... it's more of a "not yet", which I suppose softens the blow... at least a little bit.  She still wants the (Power) Ring though!  Ya see, he was proposing with a Green Lantern Ring that had been in Batman's possession for a little while now.


He sheepishly hands it over, and the first thing she does is whip up a construct wedding dress.  Real jerk move there, Jen.


We jump ahead to later that day, Kyle's at work when his assistant Terry Berg pops in with some coffees.  T-Berg sees that Kyle's a bit out of sorts and asks him what's up... Kyle tells him about his proposal attempt to the green gal, and Terry doesn't really react all that well to the idea.  He actually throws a little tantrum.


He even goes so far as to refer to Jennie as a "green-skinned freak".  I'm not sure if that racist or speciest (is "speciest" a thing?).  I mean, she's human, right?  Just that her skin is full'a chlorophyll... which, I guess wouldn't make her a different race, necessarily.  Uh, I'm not sure I'm supposed to be talking about this.  Anyhoo, we'll just let T-Berg say it.


Terry apologizes, and clarifies that he's not mad at her... he just doesn't want Kyle to be with her... because, well... you know.


Shortly after Terry storms out, Kyle is joined by his Art Director, Andre Whatshisface.  Kyle (who is depicted as wearing his Green Lantern ring like all the time) tells Andre what just happened between he and Terry.  He believes that the kid might've just "come out" to him.  Now, here's where it gets a bit funny.  Kyle asks Andre how he handled "coming out".


To which, Andre comes out to him... as a straight man!  It's actually funnier than I'm making it sound... one of the rare times Winick managed to get a chuckle out of me.  Andre then flips the script, asking Kyle what he thinks people picture when they imagine an unmarried artist living in Greenwich Village.


Back at the homestead, Jennie razzes Kyle about being an offensive dipwad.  Another cute scene, that gets a smile.  I tell ya what, when Winick's on, he's really on.  Banks' facials here are spot-on as well.


But then, out comes the soap-box.  Kyle wonders aloud how he should handle the Terry situation.  His mind immediately goes to "the kid should speak to a therapist".  C'mon, Kyle... you don't make a good strawman.


Jennie lights into Kyle, and tells him that what Terry needs isn't a therapist, but a friend.  She insists Kyle talk this out with him... and so, next thing we know, Kyle is at the Berg residence in Maplewood, New Jersey.  Upon entering Terry's room... it's, uh... stereotypical.  There's a "Hunks" poster, as well as a Bette Midler one.  There's an rock poster behind him obscured by a word balloon which, we'll eventually... thankfully learn reads "Ferrets".


Kyle sits down and asks Terry if earlier that day he was trying to tell him that he's gay.  Terry says he isn't sure what he is.  All we know so far is he's just an ordinary teen-age Bette Midler fan.


Kyle then starts talking as though he were the "mentor" figure in a Public Service Announcement.  He ensures Terry that there's nothing wrong with him, and empathizes with how confusing this all must be.  He also tells him that he'll always be around to talk if he needs him.  Oh yeah, and that he's flattered...


... but that he's with someone.  Terry cuts through the B.S. and reminds Kyle that, not only is he attached... he's also, ya know, not gay.  Kyle volleys back with the fact that Terry's only 16... and the last thing Kyle needs is to be invited to "take a seat".  Note that he's not leading with the whole "not gay" thing.  More on my thoughts on that down below.


Kyle then rubs salt in the wound by asking if he can have a hug.  Seems like one of those "least I can do" motions that a rejector offers to a rejectee... not that *cough* I'd know anything about that... ahem.


We wrap up with Kyle and Terry sitting down and wrapping up their conversation.  Kyle tells Terry how brave he is by coming out.


--

This was a lot of fun.  I feel like I'm saying that a lot.  "This was a lot of fun"... say it so much, it almost feels meaningless.  Well, I hope it doesn't sound meaningless, because I'm bein' sinceeyuh ova heeyuh.

Let's jump right to the crux of this issue, Terry Berg coming out to Kyle.  I give Winick a lot of guff for some of his less-than-subtle writing... but, I really feel like this was handled about as well as I'd have liked.  Let's go to the initial argument.  Terry's a sixteen year old boy, who is dealing with his sexuality, and who happens to sorta-kinda but definitely be crushing on his boss.  A boss who can't seem to shut up about his knockout girlfriend.

Stands to reason that Terry might lose his cool and lash out.  It also stands to reason that Terry might not be as forthcoming with his emotions... disguising jealousy with anger, and disappointment with rage.  We can see that in his lashing out, he appears to regret the things he says just as soon as they leave his lips.  The "green-skinned freak" comment especially.  The kid's confused and angry... and isn't sure how to properly express it.  He isn't sure if he's even allowed to express it.  I really feel like this might have been the perfect scene for depict this situation.

From there... Winick pulls back the tension, and gives us a legit "laugh/chuckle out loud" moment between Kyle and Andre.  I hate using such a trite statement as "roller coaster of emotions", but the juxtaposition here is just so well done.  Kyle's basically an emotionally punch-drunk rope-a-dope here... and he's unwittingly insulting everyone around him.  I think many of us have been in that situation a time or two before... recreational beverages optional.

The soap-box does come out... but in a far more subtle way than it would had this issue come out during "current year".  Kyle doesn't make the best strawman here.  He really doesn't.  Since Winick himself alluded to the stereotype of the "unmarried artist living in the village", I feel like it's okay for us to use it too.  Now, being as though Kyle is an "unmarried artist living in the village", it stands to reason that he's (using Winick's own stereotype via Andre) been around plenty of gay men and women of varying ages.  You'd assume he'd be comfortable with that, and not call for a visit to the therapist straight out the gate... right?  This bit seemed to have been written just to facilitate Jade's speech... and doesn't do Kyle any favors.

I get that Kyle's being written as the good-looking guy who's oblivious to the fact that he's good-looking... but, that's a trait that can only be "charming" for so long.  I mean, within months of making his debut, he had Donna Troy and Jade fighting over him.  Dude should know by now that he's "in demand".  His obliviousness only comes off as his being aloof at this point.  Aloof... or extremely stupid.

Kyle's chat with Terry to close out the issue was well done, though perhaps a bit too "after school special-y".  I did take note of Kyle's glossing over the fact that he's not gay... which, back in 2001 sounds like he's just doing his best to let Terry down gently.  Discussing the other reasons why they can't be together, to make the orientation of the situation the least of those factors.  To my mind, he's doing what he can for Terry not to feel different.  I feel like in 2019, this scene would be all over social media as Kyle officially "coming out" as bisexual... because, we just don't do subtlety anymore.

Overall... this was a really fun issue, that tackled a serious issue about as well as I've ever seen it handled.  It wasn't done for shock, it wasn't done to bait USA Today into slumming it in the comics ghetto for a hot-minute... then again, last I looked, this isn't a Marvel book.  I feel this was done with an earnestness... this is clearly a very important subject to the writer, and I gotta say, he handled it with grace, class and most importantly, the respect it deserves.  I highly recommend checking it out... it is available digitally.

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Letters Page:


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Sunday, April 15, 2018

Green Lantern (vol.3) #118 (1999)


Green Lantern (vol.3) #118 (November, 1999)
"Women"
Writer - Ron Marz
Penciller - Darryl Banks
Inker - Anibal Rodriguez
Color & Separations - Rob Schwager
Letterers - Chris Eliopoulos
Assistant Editor - Harvey Richards
Editor - Kevin Dooley
Cover Price: $1.99

Just love this cover... I mean, look at Kyle's face as he tries to hold Donna and Jade apart!  That's kinda the very definition of an s-eating grin, ain't it?  It's like we can almost read his mind here.

--


We open with Kyle in fantasy mode... making out with his ex-girlfriend, Donna Troy.  In reality he's at a showing of his work at an art gallery with his current girlfriend Jade.  Ya see, Donna decided to attend too, and the very sight of her got our Mr. Rayner's old juices flowin'.  Jenny's not at all pleased, as you might imagine... not so much that Donna decided to show up, but for the fact that she knows Kyle's heart "skipped a beat" when he saw her.  Kyle claims he needs "closure" with Donna... so Jenny storms out.


Donna and Kyle then reconnect... and it's rather awkward, for reasons we're about to go into.  They run out of small-talk with the quickness... again, for reasons we're about to go into.


Donna seductively poses and recalls her time as a hero... which is a sorta clunky way to drop exposition, but it works in a pinch for folks unfamiliar with her character and story.  She mentions having blamed herself for the death of her ex-husband T-Long and son Robert.


As they walk through the Village, Kyle finds a book of Anton Corbijn (a Dutch Photographer) photos that he'd wanted to get Donna for her birthday while they were together.  He laughs about the lengths he went to to try and procure it... which is something that Donna has no recollection of.


Ya see, here's the thing... after a run-in with Dark Angel, Donna was stripped of all of her memories.  The life she's living now is based on a reconstruction of Donna Troy from Wally West's memories.  Kyle and Wally aren't exactly the best of buds here... so it's not really any surprise that the Kyle and Donna relationship might've gotten the short shrift when it came to the reconstruction info-dump.


Kyle attempts to give her the quick and dirty on their relationship... which kinda smells of desperation.  It's as though he isn't sure what he wants.  Does he want Donna back?  Does Donna even want to be back?  After all, she walked out on him.  Is he happy with Jade?  Is there any way he can have both?  What I'm trying to say is, we've got quite the konflicted Kyle.


Donna then tells Kyle that he's not the only one who "moved on", since she's now knockin' boots with Roy "Speedy" "Arsenal" Harper.  As you might imagine, this displeases Kyle greatly.  To which, Donna throws Jenny in his face.  This is such a weird scene... I mean, it's pretty great because it's so confusing.  It's as though both Donna and Kyle are dealing with all of these unexpected bubbled up emotions... and their only "release" is to get mad at one another.


Well, maybe that's not their only release.


When Kyle asks if the kiss stirred any old memories, Donna drops the final insult with a "no".  Donna suggests that the kiss was a mistake and suggests Kyle go find Jenny.


And so, Kyle proceeds to wander the streets... alone.  This is where the Day of Judgment tie-in occurs.  If you recall, Kyle had a brief run-in with Enchantress during the opening chapter.  Well, here it is again... in long-form.  For brevity's sake... they fight a bit, Kyle kvetches about getting home to his girlfriend... and Enchantress lets it slip that the End of the World is coming.


We wrap up back at Kyle and Jenny's apartment... where Jenny is waiting for her boyfriend to return.  When he doesn't, she leaves him a note... and leaves.


--

What a great issue... well, at least until the Day of Judgment stuff snuck in and ate up the last third of it.

I wanna talk about just how real the Donna and Kyle stuff felt... because, if we strip away the power rings and Gods and Dark Angels... we get some very human interaction here.  Least I think so.

We have a couple of confused young people... neither really knows what they're looking for... or if they're happy with what they have.  I mean, let's look at Kyle.  Donna walks out on him... he meets and falls for Jade, they shack up... then Donna briefly strolls back in to his life, and he's left questioning everything.  It looks like he's all but ready to drop Jade and run back to Donna... if only she were available.

Because, she's with Roy.  This is where it gets even more interesting.  There's this odd passive-aggressive repartee here... Kyle wonders why she bothered to show up if she was already spoken for... not that their "getting back together" was ever really back on the table.  Donna's defenses then kick in, and she calls Kyle out for shacking up with Jenny... when, really... she has no right to say anything about Kyle "moving on".  She's the one that ended things.

It's this intensity... this weird, irrational intensity between the two that makes this such an incredible scene.  All of these emotions bubbling to the surface... all of this regret... all of this confusion.  It's really just so well done.  They're mad at each other... but they're really grasping for reasons to be mad.  I think we've all been there.  Halfway through every sentence you blurt out, you ponder why you're even speaking at all.  All you're doing is making things worse... 

... or just dragging it out longer.  Ya see, when we opened this story, the watchword was "closure".  Kyle wanted closure with Donna due to the weird way their relationship broke down.  Perhaps neither Kyle nor Donna is/was quite ready to "tie a bow" on their relationship.  Closure... when you think about it, can be as drawn out a process as you allow for it to be.  You can literally be in perpetual closure for the rest of your life, without actually "tying that bow".

I feel like Donna and Kyle might not have been ready to put their baggage behind them at this point.  I mean, I'm no expert, but a romantic and passionate kiss (in the rain, even!) doesn't really say "we're done" to me.

But really, you guys... this was one hell of an issue, Marz and Banks deliver yet again... but then, Day of Judgment.  We've already discussed that event in long-form... so, you can get my thoughts on it elsewhere on the blog.  Basically, it didn't rock my socks... but I also can't get mad at it.  In this issue though?  It was most unwelcome.  I would have loved another half-dozen pages of Kyle and Donna hashing it out... but, the crossover gods demanded the post-staples sacrifice... and unfortunately, they got it!

Overall... I'd say, even in spite of the shoe-horned crossover, this was an amazing issue... and one I would highly recommend.  For your convenience, this bugger is available digitally.

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Saturday, March 17, 2018

Green Lantern (vol.3) #129 (2000)


Green Lantern (vol.3) #129 (October, 2000)
"Something Old, Something New"
Writer - Judd Winick
Penciller - Darryl Banks
Inker - Andy Smith
Colors & Separations - Rod Schwiger
Letterer - Chris Eliopoulos
Assistant Editor - Frank Berrios
Editor - Bob Schreck
Cover Price: $2.25

Happy St. Patricks Day, everybody!

Figured we'd have to cover something GREEN today... lest we get pinched... and I do so hate being pinched on the only day of the year I willingly eat raisins.

Also worth noting... this marks our "lucky" 777th Daily Discussion... which, by the luck of the Irish falls on this fine day.  Er, I mean... I planned it all along!  Yeah, that's it!

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We open with Kyle recounting the time in his life he was most scared.  He was on his father's boat, and fell off with a flat-back splash, which knocked the wind out of him.  He claims that's the most scared he'd ever been... until today!  He is currently floating through space, suit fairly well torn, and tangled in... some sort of mechanical tentacles.


We watch as Kyle attempts to wrestle himself free from the steely space squid for perhaps a few too many pages, before he attempts to "will up" a communication device with which he could call for help.  His efforts are futile.


We jump back to two weeks earlier... Kyle is at his drawing board, and screening calls.  One of the calls he is planning to screen turns out to be Feast Magazine... a trendy new rag, which he'd very much like to work for.  He excitedly answers and is immediately offered a job.  Yes folks, it's just that easy.


Next we know, Kyle's visiting with the Art Director/Fashion Nazi Andre Choi.  Andre is... yikes... a bit eccentric.  I mean, I can't say that I've ever hung around with any "fashion" types, but... I'm hoping they're not this forward.  Who knows, maybe they are?  Speaking of "fashion" stick around to the bottom of this post for something... er, special?


No sooner do they step out of Andre's office than he compliments Kyle's butt.  Now I feel bad... my butt's usually like the fourth or fifth thing to come up during a job interview... what's Kyle got that I don't?


He is escorted to the office of Rena Stone... who, judging from Kyle's reaction is a pretty big deal.  She takes one look, calls Kyle "gorgeous" and gives him a gig.


We jump to Kyle sharing the news with John Stewart... they make a few... Winickian music jokes, that I guess are kind of cute... overall though, John doesn't seem to grasp the magnitude of Kyle's new job.


Then... Kyle hears a strange voice... maybe?  The lettering could have made this clearer... it kinda looks like a shaky narrative caption, but could be something he's actually hearing.  Had to flip back and forth a couple of times... that might be more due to our "special insert" (see below) than anything though.  Anyhoo, Kyle's visibly shaken, and John asks what's up.  Kyle admits that he's just scared of screwing everything up.  The pair toast to the future with their coffee mugs... both of which, I really want.

A Radu's Mug... AND a Warrior's Mug?!  I've gotta find some clean logos and have these bad boys made!
Two days later, Kyle is visited by his new assistant Terry Berg.  Terry will become pretty important later on, and even have a widely (relatively speaking) known arc dedicated to him.  Our first impression?  Well he's... uh, kind of catty.  He immediately sets to insulting Kyle's furniture and sense of style.  No snide comment about his They Might be Giant Monkeys t-shirt though...


We jump ahead again... and Kyle's getting ready to submit his first strip for Feast Magazine.  Just then, he is attacked by the tentacle cluster from earlier.


Then... five (mostly wordless) pages of Kyle wrestling the tentacles.  Wonder what Winick's page rate was for this issue, because dude made the most of it.  We wrap up with Kyle being deposited right in front of............. the Manhunters.  Kyle's reaction is pretty non-plussed... more annoyed than anything.  Pretty fitting reaction.


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Really not the story one might expect from a book with a cover that features Alan Scott, Superman and Wonder Woman, is it?  Well, a non-representative cover is only one of the turn-of-the-century comic tropes we can attribute to this issue.  The other?  Deeeeeeecoooommmmpprrreeeessssiiiiooooon.  Nearly half of this book is a (mostly wordless) fight scene.

Before I start in... I want to make it clear that I did enjoy this.  Heck, I enjoyed most of Judd Winick's run.  For the most part, I feel as though he was able to curb his soapbox-style... though, in fairness, he was pretty new to the game at this point... maybe he just didn't wanna cause waves.

Let's start with the dialogue.  It's... cute.  A bit too cute at times.  Ya know when you're at the office or with family... and you make a funny observation that really knocks everyone's socks off?  Then you might think to yourself that those witty observations are universally funny?  Only... they're not, because they're only funny in the context of the current conversation?  I get the feeling that happens a lot with Winick.  The "jokes" really aren't funny... and they're written in that purposefully "banterish" kinda way?

It's like the Kevin Smith/Gilmore Girls thing, where it became fashionable to snark at each other rather than actually speak?  I mean, clearly that kinda writing has its fans... but, I think you actually need to be funny to pull it off.  Very few people on this planet are actually funny... and I'm not at all convinced that Winick is one of them!

The depiction of the fashion folks... er... I dunno.  Like I said, I haven't hung around "fashion nazis" before, and the only thing I actually know about fashion is what was written in the included four-page insert (see below).  I'd like to think they aren't all hormones n' snark... perhaps Winick knows 'em better than I do.  Maybe ol' Kyle just put on a double dose of his Axe bodyspray before heading in for the interview?

As mentioned, the decompression is strong in this one.  If I were reading it in trade, I doubt I'd even notice... however, since I'm not... and back in 2000 wasn't really expected to, I kind of feel ripped off.  I don't remember how I felt back then... though, in fairness, I was probably dropping $100 a week on comics back then... and likely didn't give this a second thought before jumping into the next book on my pile.

Overall... an enjoyable enough read, sadly one which will only last about five minutes.

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Letters Page:


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Fashion Insert:



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