Showing posts with label hex. Show all posts
Showing posts with label hex. Show all posts

Monday, October 22, 2018

Hex #1 (1985)


Hex #1 (September, 1985)
"Once Upon a Time... in the West?!?"
Writer/Editor - Michael Fleisher
Artist - Mark Texeira
Colors - Bob LeRose
Letters - Peter Iro
Logo Design - Ed Hannigan
Cover Price: $0.75

Haven't talked about Hex in ages here!  I wanna say that the last time we did was... probably my first sorta-kinda negative "review" on the site!

Since I finally found the last issue of the series that I needed to complete this run yesterday, I decided... ehh, why not give ol' Jonah another look?

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We open with Jonah waking up in a saloon... and he's rather surprised that his old associates are nowhere to be found.  Ya see, last he can remember, we was 'bout to slap leather with a damned Owlhoot... which, with my best guess, either means fight, or make love to.  Just then, an hombre called El Papagayo bursts through the doors promising to prove that he's the fastest gunfighter north of the Rio Grande.  Jonah blasts him in the belly, revealing Papagayo as being... a robot?!


We can see that this entire event is being played on a monitor a few rooms over.  Looks like Jonah's being observed... for one reason or another.  Hex drops his flimsy piece and leaves the saloon... winding up in very strange surroundings indeed.


Jonah is immediately swarmed by a few armored geeks.  He goes to make an escape, but is unsuccessful.  After received a few blasts to the back, he is taken before... some guy, in a flying saucer-shaped, uh... office?  He introduces himself as Reinhold Borsten and informs Jonah that he is currently in Seattle.  Borsten makes it clear that he's a fan of "fighting men" and considers himself a student of the "art of war".


Looks like the Borsten has collected "fighting men" from all throughout time.  As his story continues, Jonah begins to... in their words, "overload".  He is then sedated and placed in a pod.  Not long after, Jonah bursts out of said pod... and discovers that there are dozens of pod people around him.


On his way out of the area, he finds a glass case with weapons from all throughout time... including a pair of sidearms.  He kicks in the case and takes 'em.  This, unfortunately... but predictably, sets off an alarm.


He is soon descended on by a bunch of geeks.  Jonah manages to kayo the first one... then, he places his hat on the feller's head, so the other guards might get confused (for all of a few seconds).  Lucky for him, it's enough of a distraction for him to escape to the outside!


Jonah hitches a ride underneath a garbage truck that's taking radioactive waste to be dumped out in the wastelands.  When far enough out, he drops off.  The garbage men spot him immediately, and attempt to run him down.  Hex pulls his piece... and pops'em both in the head!


After flipping the trash-truck, Jonah continues his wasteland tour... immediately coming across a young woman being accosted by a trio of sorta bionic fellas.  Hex interjex and rescues her from the baddies.


The young lady introduces herself as Stiletta... and after an awkward motorcycle ride (Jonah's used to horses, duh) the pair arrive at the camp of the Reapers.  It looks like something out of Mad Max... which, is almost certainly part of the inspiration.


Before getting his bearings in his new surroundings, Jonah takes part in a... rather strange barbecue.  Looks like the Reapers are about to chow down on a gigundus cricket.


While eating, Hex is approached by a fella named Falcon.  No sooner does he introduce himself than Stiletta plant a big kiss on Jonah's face.  Seems there might be something personal between these two.  Meanwhile, that Borsten guy is being brought up to speed on all things Hex... and we learn that they've got someone on the "inside" with the Reapers.  Hmm... who's that guy we just met?


Back with the Reavers, Stiletta is telling Jonah about their next mission.  Looks like they have to convince another group to share their water supply... which Jonah doesn't quite understand.  He's not sure they need to tromp the entire Reaver Army to their neighbors' doorstep to achieve this.  Stiletta disagrees... and so, it's time for a wasteland rumble.


During the melee, Jonah and Falcon wind up paired off.  They hop on a "hog" with a sidecar and soar off into the acid rain of the wasteland... at which point, Falcon... punches Jonah!  Gasp?  I mean, c'mon... who didn't see this coming?


Jonah then... beats the holy hell out of Falcon.  The acid rain is still pelting down on them, and so, Hex swipes Falcon's special protective outfit... and abandons him!


Falcon... dies!


We wrap up the issue with Hex being attacked by a helicopter!  Holy Freaking Hannah, indeed!


--

Now, Hex (and western comics) really aren't my thing... but, taking Jonah out of his element makes for some darn fun reading.  This feels like something out of an old Twilight Zone... the grizzled gunfighter waking up in a saloon he doesn't recognize, only to be attacked by, of all things, a robotic man.  Really well done to open.

The Borsten stuff... ehh, I guess we need a puppet-master baddie to facilitate some conflict, but I think I'd have preferred just having Jonah out exploring his new environment.  I get why they didn't go this route though.  I think if this were to come out today, they might've had Jonah "play" for a bit before introducing the bad guys... then again, today we'd probably get 6-8 issues of Jonah just traipsing through the wastelands talking to himself.

The Reapers are a fun little group to associate Hex with... these folks have only known war and the wasteland for the past little while.  Relatively speaking, Hex is a wide-eyed naive innocent.  For instance, not understanding why the "tribes" can't just share water.  Gotta say, there is a lot of potential here.

Some great visuals... sure, there's the Mad Max stuff, which doesn't come across all that badly.  It's just a very early-80's idea of the post-apocalypse... lotsa bad mohawks and denim vests.  Looks like Texeira is having fun with the concept, and at no time does it really feel like "too much".  Also, loved the Reapers barbecuing a giant cricket!

The internal conflict with Falcon... well, who didn't see that coming?  Especially after learning that Borsten had a "mole" running with the Reapers.  Though admittedly, for all I know, Falcon is a red-herring... and his attack on Jonah could just be jealousy over his perceived closeness with Stiletta.

Overall, a pretty fun first issue... though, I gotta say, I don't know how DC Comics thought this concept would be long-lived.  Just seems too far out, at a time where everything was about to be getting pulled into "formation" post-Crisis.  A series not long for the world, but one I certainly wouldn't tell you to avoid.  Worth a look!  This issue is unfortunately not available digitally... probably because it doesn't have Batman in it.  Shouldn't cost ya more'n a buck in the wild though!

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Tuesday, February 16, 2016

Hex #18 (1987)


Hex #18 (February, 1987)
"Thanksgiving"
Writer/Editor - Michael Fleisher
Penciller - Keith Giffen
Inker: Carlos Garzon
Colorist: Bob Lerose
Letterer: Milt Snapinn
Cover Prce: $0.75

Following the Crisis on Infinite Earths many of DC Comics' franchises were reimagined for a new generation of readers.  Old-Western Jonah Hex's transformation into the post-apocalyptic Mad Max inspired Hex was among the more striking changes following the Crisis.

I have very little (okay, okay... none) history with Jonah Hex , be he in the old West or in 2050 post nuclear war.  This series was one that I always kinda kept in my peripheral vision, as it was just such a strange take on an established character.  I wondered how long-time fans of Jonah and DC's western offerings felt seeing what had become of one of their favorites.  This is such a strange experiment for one of the major comics companies.  I am reminded of Marvel's X-Force being morphed into the X-Statix, or the Thunderbolts turning into a Fight Club comic.  The shift was so jarring, however, whether you liked it or hated it... you were still somewhat interested.

I miss companies taking risks.  Actual risks, not just throwing a new #1 on an issue, or rebooting (or constantly threatening to) every time they have a bad month.  Jonah first appeared in the early 1970's, so by this point he had well over a decade of history.  Definitely a daring and interesting way to revitalize a (reportedly flagging) property.

--

It is Thanksgiving, 2050.  Hex and Stiletta are ambushed.  The art throughout this issue makes it somewhat difficult to follow the action.  Hex talks Stiletta into leaving him behind, under threat of him having to "whup [her] raw".  Stiletta obliges and says she will leave to find help.  Injured, Hex flees, leaving some bloody footprints in his wake.  His pursuers are able to follow him to a cabin, which Hex had already rigged to be set ablaze.


Here is another instance of the art being difficult to follow, It appears as though Hex passes out from his injuries, and has a flashback to a boxing match his father forced him to take part in.  The next several pages feature more tracking and confrontations with his pursuers interspersed with more flashback scenes of Hex and his father.  It is all terribly confusing, I imagine a less abstract artist would have made these flow much better.

It appears all is lost as Hex collapses in a shed.  Just as he is about to be taken out, Stiletta returns with reinforcements,  and Hex is saved.

We check in on Jonah later on.  He is wearing a restorative body stocking and is seated in a sorta-kinda 1990's Professor X style hover-chair.  His rescuers have brought him to an abandoned warehouse they had fixed up.  The warehouse is full of odd antiquities and curiosities of times past.

While Hex peruses the warehouse he stumbles across what he believes to be a life-sized statue of himself.  The doll has white hair and is wearing old western gear.  Upon getting a closer look, Hex discovers that this is no statue, and is in fact his very body stuffed and mounted.  This gives Jonah hope that one day he will be going home again... and we are [done.]


--

What a strange ending for this series.  Ultimately, Jonah does return of the old west, however, to my knowledge we never see just how he did so.  This was an interesting issue, and although I've spoiled the ending for myself, I look forward to checking out earlier issues.  Fleisher's writing style feels quite out of place in a late-80's book, however, it is still very good.

What really hurts this issue is the art.  I usually really enjoy Keith Giffen's work, however, this appears to have been crafted during a very experimental and abstract phase for him.  I have no problem with non-traditional art in comics... I enjoy Ted McKeever's work greatly, Bill Sienkiewicz' art during the Demon Bear Saga in New Mutants was fantastic, and one of my favorite comics artists of all time is Chris Bachalo.  I'm fine with experimental art styles... when they work.  During this issue, I kept feeling as though I was misunderstanding what was going on (and, hell... I might have been).  The action scenes were fairly brutal to behold.  They actually ran several letters in the "Hex Communications" letters column addressing the dramatic shift in art.


If you can snag this on the cheap, I'd recommend it.  It is such an oddity, and definitely worth a flip through, even solely for curiosity.

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I enjoyed this story so much more than Dark Knight Returns
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They really were firing on all cylinders back then
If only they could do something to find that old magic today.
This is one that has been on my "to read" list for many years.
One of these days...
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