Blue Beetle (vol.6) #9 (February, 1987)
"Legends, Chapter 11: Timepiece!"
Writer - Len Wein
Pencils - Paris Cullins
Inks - Dell Barras
Letters - John Costanza
Colors - Gene D'Angelo
Editor - Karen Berger
Cover Price: $0.75
Hard to believe we're going on three years at this blog, and I've yet to cover an issue of Blue Beetle. Well, there's a reason for that... and it has to do with my persnickety-ness.
Ya see, I couldn't decide what "volume" to give this. I could just say it's the "first DC volume" and call it good... but, you know me... if there's a way to make things more complicated, you can be dang sure I'm going to do it.
Since I don't want to necessarily preclude us from discussing the Charlton era Beetle books, I've decided to do a deep dive into the volume minutia. I concluded that this, the first DC volume of Blue Beetle, is actually Volume 6... I think... I hope.
Anyhoo... let's get to it!
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We open with a rather aggravated Blue Beetle getting ready to take on a bunch of "Cyberpunks". He's so annoyed and bored with these geeks, he mentions that he could beat 'em all up... with both arms tied behind his back. When one of the punks suggest he put his money where his mouth is, Ted does just that. He proceeds to pummel the punks, with both arms behind his back!
We see that he only confronted the Cyberpunks because they were hasslin' an old lady. When Ted goes to check on her, she lashes out and takes a swipe at him with her pocketbook. Ya gotta remember, this issue is a Legends tie-in... and superheroes had lost the trust of the common folk. Ted collects himself, and hops a ride on the Bug before the police show up.
We shift scenes to the home of Angela Revere, an employee of Kord Industries. She's been stealing little bits and bops from her employer over the past little while for her Uncle David... who we know better as Chronos, the Time Thief! Hey, stop laughing back there. Anyhoo, when Angie starts having second thoughts about this arrangement, he shocks her silly... leaving her "frozen in time".
Ted returns to his garage, all the while thinking about the damage being done to the superhero community thanks to one G. Gordon Godfrey. As he begins running maintenance on the Bug, he wonders if he's wasting his time.
We shift scenes to Death Valley, California... where a Geologist named Cassandra Sharp finds herself swept up in a sudden sandstorm. Time passes, and she is discovered by a pair of shadowy folks in a black helicopter. Uh-oh.
Back at Kord, Incorporated... Ted and his assistant, Mel watch the news. What they see is... if I'm honest, a pretty poorly rendered Ronald Reagan. He is delivering a message on an executive order. Costumed superheroes are to "cease their public activities"... which is to say, the heroes have been outlawed!
From here, the report shifts over WHIZ-TV anchor, Gwyneth Tate. She proceeds to conduct an interview with the fella who foments... G. Gordon Godfrey. He rattles off his usual spoo about superheroes not being the best role models... their resorting to violence, yadda yadda yadda. Ted flips the set off.
Mel's a bit annoyed... she wanted to hear more of what Godfrey had to say. Ted's... well, Ted's pretty annoyed himself. He wonders what might be in store for he and the rest of the superhero community if the President sticks to his guns.
We shift scenes back to Chronos. He's got a pair of nudnicks loading a box truck full of clocks. When one of them suggests they get a cut'a da action... and threatens to spill the beans if they don't... Chronos, well... Cronos kills them. Whoops. What a stupid way to die... impaled by a clock hand.
After a stop at the Kord Metallurgy Lab, where... something happens... we hop over to the Chicago Police Department, where officers Fisher and Frank argue about the President's superhero ban. It gets heated quick... and actually feels like the way people usually discuss real-world politics.
Back at Kord, Ted is informed that Angie Revere hasn't shown up for work. This is quite unlike her, and therefore raises some concern. Despite Mel's arguing, he decides to head out for a breath of fresh air to check in on her.
Next stop for us... Pago Island, where a fella named Conrad Carapax is trying to dig himself out of a collapsed tunnel. During this dig, he comes across a steel door. Inside that door... a red suit of armor?!
Back in civilization, Ted arrives at the Revere home. Worth noting, Ted's convertible is... kinda precious! I mean, dude barely fits in the thing! When there's no answer at the door, Ted decides to do a little reconnaissance work... and, ya know... peek through the windows. He sees Angie all frozen in time, and busts in to check on her.
Once he's able to shake her back to her senses, she comes clean about stealing Kord Industries equipment... and continues to reveal that the equipment was used by her Uncle to create a weapon.
We wrap up with the reveal (to Ted, anyway) that Angie's Uncle is actually Chronos, the Time Thief. Ted realizes that, superhero ban or not, the Blue Beetle is about to be back in action!
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If you've taken PSY101, you're probably familiar with the concept of "transference"... oversimplified, it's when you assign attributes to a person because they remind you of someone else. It could be due to looks, or quirks... whatever the case, you find yourself imposing unfair expectations on them. That's kinda how I feel whenever I read a non-bwah-ha-ha appearance of Ted Kord.
Yeah, it's not exactly transference, since... this is still Ted Kord... but, due to his depiction in the JLI, I cannot help to expect a silly story whenever I see him. It's an unfair expectation, sure... but, it's always my first instinct.
That being said... this was definitely a story with a more serious tone... and despite it not being "bwah-ha-ha silly", I loved it! It's been ages since I've taken a look at Legends, and issues like this remind me why I really ought to prioritize a reread of the event in the near future.
We've got Ted caught between a rock and a hard place here. If he stands down and complies with Reagan's superhero ban... Chronos stands to get into some pretty bad stuff. If he rises up as the Beetle... well, that puts him at odds with the United States Government... which could leave him in an even stickier spot. It's really well done.
The art here is also really well done. Cullins is like a near perfect blend of comic book and cartoon... I find his style to be a great fit for this book.
All told, this was a great time. Even if your only frame of reference for Blue Beetle is of the more lighthearted "bwah-ha-ha" sort (like mine was), there is still a whole bunch to dig here. This story has been collected in SHOWCASE Presents: Blue Beetle and is available digitally.
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963
Batman #401 (November, 1986)
"A Bird in the Hand..."
Writer - Barbara J. Randall
Artist - Trevor Von Eeden
Letterer - John Costanza
Colorist - Adrienne Roy
Editor - Denny O'Neil
Cover Price: $0.75
Wouldja look at that? It's Magpie! In my mind, perhaps the quintessential 1980's DC Comics villain. She doesn't get all that much play, but she always pops into my head when I think of this era. Hell, she even made an appearance in Man of Steel... not the movie, folks... well, maybe she did, I never saw it. I'm talkin' the 1986 John Byrne miniseries here, which was a pretty big deal.
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We open as a well-to-do couple gets ready to attend a hoi-poloi event. The woman latches her wildly opulent necklace around her neck. Unfortunately for her, a miniature Wolverine appears to be inside it. With a SNIK(t)!, a(n adamantium?) blade cuts into her throat... and she bleeds out while her husband talks to himself about how much he hates these kind of affairs.
We shift scenes to the Gotham City Police Department... more specifically, outside the window of Commissioner James Gordon's office. The Batman is listening in to a conversation between Gordon and Detective (?) David Estevez. We learn that they know Magpie to be responsible for the recent jewelry-related crimes because... get this, she left a note. Despite letters from Batman, Superman, the behavioral health and law enforcement world... Magpie is out on bail. By this point, she is already responsible for the deaths of (at least) ten people. As Estevez leaves, Gordon waves Batman in. The bat has deduced that Magpie is going after pendants named after birds... the Eagle's Heart, the Robin's Egg, and Stanley's Turtledove being the last three. He decides that the best course of action might be setting a trap... using the Wayne Collection of precious stones (he claims that Bruce Wayne "owes him one")!
We advance to the event itself. Bruce is acting all "brucey" and aloof. He is introduced to the undercover officer who will be posing as his date for the afternoon, the potentially-not-long-for-this-world Detective Roberta Valle. She is set to wear the Falcon's Eye around her neck.
As more VIPs and socialites shuffle in, we see that among the guest list is G. Gordon Godfrey, the evangelical fellow who is on an anti-superhero crusade. He has a contentious exchange with Ms. Valle which results in his wildly flailing his arms and knocking a waiter (who is carrying a tray of drinks, natch) into her... spilling the delightful green beverage all over her dress.
Bruce waves over a waitress to escort Valle to the washroom to get cleaned up. You'll never guess who the waitress is... c'mon try and guess... okay, times up... it's Magpie in a blonde wig!
She swipes the Falcon's Eye and replaces it with a copy... that spews poisonous gas! So, Valle does what one would do when equipped with a death-maker... she runs through a crowded room to "share the wealth". Gordon gets on evac-duty with the quickness, and Bruce loosens his stylish white bow-tie.
Moments later, the Batman swoops in. Like, literally... he swings in on a line. What that line is connected to, I haven't the foggiest. In the mad rush, a rich-folk riot has broken out. Batman does what he can to keep the peace, and removes the faux-Falcon's Eye from Ms. Valle. She expresses regret for jeopardizing the lives of those around her by... ya know, almost poisoning them.
After the dust settles, and the rich folks and police alike catch their breath... G. Gordon Godfrey decides to, get this... climb up on a table to continue his pontificating. He tries to spin Batman's sudden appearance as an attack rather than anything heroic. C'mon dude... chill out a bit, we've lumbering into cartoon villainy here.
Speaking of cartoon villainy... we got some more of that on the way! But first, we have Robin... who must have just been hanging out in the Batcave waiting for the party to end. He and Batman hop into a decidedly old-school looking Batmobile, dual bubble-windshields and all... and go on the hunt. It doesn't take them long to find their destination... the warehouse of the party-caterer.
Inside we've got Magpie acting all goofy. She's standing among her collection of "pretty birdies" and singing.
Batman and Robin enter by... ya know, walking through the door. Magpie's henchmen hop-to and start blasting away. Luckily, they're all a pretty bad shot. In one of my favorite panels in a long while, one catches a batarang in the face... and just states "Uhhf, that hurt!" Gotta love it!
The battle rages on. Batman starts tossing fools into Magpie's glass-cases of pretty-shiny-things, which vexes her. She attempts to flee, and so Robin does a flippy-do snapmare type move on her... however, rather than grabbing her body... he manages to pull down her top, exposing her Magpie-Mammaries... whoops. As Robin shields his eyes from the birdie-boobies, Magpie gets away. Smooth, Jason... real smooth.
Magpie exits the room, and closes a panel of glass behind her. She then triggers a pretty cartoony death trap, which is set to kill not only our heroes, but her henchfolk as well. Nozzles appear from atop the room... and from them, lasers shoot out. The nozzles begin to lower, promising to slice the room's inhabitants as though they were cheese.
Thinking on his feet, Batman pulls a mirror out of Magpie's display set up to use as a shield. He then nabs a super-multi faceted gemstone to use as a prism of sorts. We follow Magpie as she runs up a flight of stairs... when she reaches the top, she trips and drops her newly-stolen necklace. Whoops.
Back inside the deathtrap, the lasers continue to descend. Batman and Robin hide behind the mirror... neglecting to protect the henchmen, because... ehh, why bother. As the lasers get low enough, Batman holds up the gemstone. This catches one of the beams and redirects it into the glass door... weakening it enough so that Robin can shatter it with a well-placed kick.
While this is going down, Magpie is still laying on the ground after tripping. Okay. She crawls over, ever so slowly, to the Falcon's Eye... and as soon as she grabs it, she finds herself sitting at the foot of the Batman!
She pulls out, not just a gun... but an explosive dart gun... and aims it at the man. Bad move, bird-girl... Batman lifts the window blinds and holds that same super-faceted gemstone into the light. The resulting explosion of shininess dazzles poor Magpie.
Rather than fight on, she proceeds to throw a temper-tantrum about wanting all the pretty things. From here she's easy pickin's, and Batman escorts her out.
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Well... wow. This was kind of a dud. Definitely not the best outing for the Randall (later-Kesel) and Von Eeden here. I've seen this book cited around the internet as being the first "official" post-Crisis issue of Batman, and if that is true... we're kinda stumbling out of the gate here. Oh Magpie, I had such high hopes for you!
The writing went from feeling natural to being stilted almost from panel to panel, and the art... this is definitely not Von Eeden at his Thriller best. That's not really fair... there are some really impressive pages here... it's just not terribly consistent. We get some incredible panels... and one's that kind of feel unnatural, and static. Definitely still love Trevor's work though.
The whole thing kind of feels like a rush-job filler. Both writer and artist here are not the regular creators on this title... and as far as I can tell, this is their only issue together. Max Allan Collins would take over from here... minus a certain Year One tale a few months down the line. Maybe they just didn't know exactly what to do with the character at this point... or were just killing time before Frank Miller righted the ship. Either way... this just didn't do it for me.
This issue is an official tie-in to the Legends crossover (which puts it squarely post-Crisis), and features an appearance from G. Gordon (Glorious) Godfrey as he rather theatrically spreads and foments his anti-superhero propaganda. I mean, the fool was pontificating while standing atop an opulently set table here, for cripes' sake!
I'm guessing the Robin who somehow materializes during this issue is Jason Todd... though in his decidedly pre-Crisis friendly incarnation. Dick was already Nightwing at this point, and had been for a good couple years. I always get a kick out of seeing the non-jerk-ass Jason... just so weird for DC to put Dick Grayson in the ditto-machine and just run with the character that popped out the other end.
This issue also features what may be young Jason's first eyeful of boobies. Truly a coming of age for the nouveau-Robin... Magpie will always have a special place in his heart... as she does mine.
The bit where our dynamic duo had to escape the deathtrap felt like something out of the 1966 TV show... which, is a good thing. This issue does exercise Batman's physicality, detective skills and intellect... I'll definitely give it that. That brought my opinion of the overall package up a few ticks right there.
Breaks my heart to say this, but... you don't really need to seek this one out. If you're in the mood for a (relatively) lighthearted romp... relatively because as you can see there are deaths... and a fair amount of bloodshed... I suppose this isn't the worst thing you could pick up. The Legends bit is really just more of the same from Glorious Godfrey... if you've been following the event, you've surely seen his antics before... and this doesn't deviate from the formula.
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