Showing posts with label night force. Show all posts
Showing posts with label night force. Show all posts

Monday, December 30, 2019

BONUS BOOK - Night Force (1982)


BONUS BOOK - Night Force (July, 1982)
"The Night Force"
Writer - Marv Wolfman
Pencils - Gene Colan
Inks - Bob Smith
Letters - John Costanza
Colors - Michele Wolfman
Editor - Ross Andru

Another day, another Insert Prevue from the pages of New Teen Titans... I think, counting Masters of the Universe, this makes three... with more to come!  One thing's different here though, in that not only does this appear in an issue of New Teen Titans... it's also written by the very same fella who gave us New Teen Titans!

For today we're taking a look at Marv Wolfman reuniting with his Tomb of Dracula partner Gene Colan to create a sorta-kinda horror title in Night Force!

Now, it's been ages since I've read any actual Night Force comics... and my most recent exposure to the concept was, err, not the best.  It was the 2018-2019 Raven: Daughter of Darkness maxi-series that attempted to reimagine the Night Force as a team of teen-age mystics and whatnot... and it was even worse than it sounds.  With a teen-age cast came Marv Wolfman's need to... err, engage in "teenspeak"... Baron Winters even makes a "swipe left" reference.  It was cringy as hell.  Even Winters' Cat Merlin utters out some unironic and sassy "Grrrrrrll"s.  I reviewed every issue of the thing for the folks over at Weird Science DC Comics if you're interested in going along for that ride.

I covered the first issue of Night Force here at the blog nearly four years ago... and I'm pretty sure I didn't even realize at the time that a "Prevue" proceeded it.  To me, that's a good thing.  I don't think people who buy a #1 issue should be punished because they didn't do their due-diligence in buying some other title altogether to be introduced to the concept.  As we will soon find out, this Insert Preview does add to the lore, but it is by no means required to understand the events of the first issue.

Let's get to it...

--


We open "somewhen" where Baron Winters is taking in a jousting tournament hosted by a Lord Bedford in his honor.  Apparently, Winters was vital in saving the Lord's people.  He also bought some at-the-time worthless London real estate... knowing full-well that it would appreciate in some six hundred years.  After the event, Winters walks through a door... and winds up back at his palatial mansion, where his jolly mood is interrupted by the ringing of a phone.  On the other end, a man named Jack Gold... with whom the Baron has an interview the following day.  Worth noting, Winters already knew it would be Gold on the line.


Now, just who is this Jack Gold?  Well, we soon learn he is a tabloid news reporter who somehow talked his way into getting a look at some Top Secret Pentagon files on "Psychic Phenomena".  Jack's... well, kind of a jerk to the Major showing him around... and isn't all that keen on being given access to only a single file.


As luck would have it, the Major gets called away.  Despite not liking or trusting Jack... he, get this, leaves him alone in the file room!  Unsurprisingly, Jack takes this opportunity to dig a bit deeper in the drawers... and happens across a file labeled PROJECT SATAN, written by a Georgetown Professor named Donovan Caine.


Major Whatshisface pops back in, and catches Gold in the act.  He has his assistant escort the reporter out... and also tells her to make sure he never returns.  She makes a phone call... to a shadowy individual.


She then catches up with Jack to apologize for the Major's brusqueness and offer to take him out for a cup of coffee so they can talk.  He takes her up on the offer, but doesn't care to stick around all that long.  After the cuppa, Jack heads into the garage to procure his rental car... only to find that a security guard appeared to be paying special attention to it.  Writing it off as paranoia, Jack hops in and takes off.


Only... he doesn't get very far.  The ol' hooptie is rattling like mad and spewing exhaust like it's going out of style.  He pulls into a gas station and asks the Attendant to take a look at it while he makes a phone call to his ex-wife.  Well, the Attendant shifts the gears a few times, and... boom.


Back at Wintersgate, the Baron is talking to his sassy cat about his latest recruits... not only is Jack vital to his plans, but that very same Donovan Caine also factors in!  Speaking of Professor Don, he's currently guiding a class through a... Satanic Baptism?  Okey doke.  His students strip off their clothes and join hands while he babbles about somethin' or 'nother.  Before long, the entire place is bathed in flame.


The students are, well more than a bit freaked out, and nearly trample one another to get out.  Caine manages to calm them all down by suggesting that this was all a good sign... a sign that they're "narrowing in on their target", whatever that means.  During a subsequent five-minute break, one of the students heads into the hallway to make a phone call... to, perhaps that same shadowy individual.


We jump back to the Baron as he's informing sassy cat about the final (at this point) recruit... a young woman named Vanessa Van Helsing.  A woman tortured by visions and whatnot, currently being held at in one of Potomac Psychiatric Hospital's finest padded rooms.


Van Helsing starts throwing a fit, prompting some orderlies to bust in and try to calm her down  She's thrashing all about as a Dr. Rabin enters the scene, resigned to the fact that there's only ever been one treatment for this behavior... and it involves a visit to Wintersgate.


And so, that's exactly where they go.  Rabin and Winters exchange some unkind words, with the former insisting that the latter only provides a "placebo cure"... which, c'mon, any old port in a storm, right?  If it works, it works.  Before we know it, Winters has Vanessa back to "normal" so she can be taken back to the Hospital.  He promises that he will be able to help her in a more permanent way once she turns 21.


We wrap up with the Baron retiring for the evening, realizing that tomorrow is going to be quite a busy day indeed.


--

I'm not sure what it was, but I came into this completely prepared to crap all over it.  If I were to guess, it's probably residual disappointment stemming from that Raven: Daughter of Darkness garbage-fire.  I was half expecting the Baron to bust out with a "Talk to the Hand" or "Cash me outside" or something here.  He (and his cat) was just so damn sassy in that cringy maxi-series!

What we get here, however, is... really good stuff!  I'm not even a fella who considers himself a fan of horror comics, and I found myself highly entertained and intrigued by this short offering.  On that subject, has anyone reading this ever read a horror comic that actually scared them?  I know I haven't... but, I'd love to if anyone has any recommendations!

Baron Winters comes across here as quite the enigma.  We can't tell at first blush whether or not we ought to be rooting for him.  In fact, if not for the cover-copy (which reads: "To Save Mankind...") we might assume we're actually reading about a super-villain!  I like just how much of the Night Force "lore" is included right off the bat.  Things like Wintersgate Mansion being something of a dimensional hub is established in the very first page.  Not only is that highly interesting, it also subverts our expectations going forward.  I mean, the "cover" and opening scene take place in Medieval England... then suddenly, in passing through an ordinary door, we're in current day!  It really illustrates the amount of possibilities that can be explored in this series... and it's a lot of fun.

We're not-quite introduced to the anti-Winters (if that's in fact who the shadowy fella getting the phone calls winds up being, I can't for the life of me remember who that is... it might just be the Baron himself playing both sides!).  I dig the level of urgency that threat brought to the story... and the confirmation that there is actually something sinister going on that needs to be uncovered and dealt with.

Really, I just don't have enough good things to say about this one.  From story, to characters, to... good lord, the art... this was a really well put together piece... and to think, we got it for free between the pages of another awesome story appearing in New Teen Titans #21 (July, 1982).  It was a good time to be a fan of DC Comics.

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Wednesday, March 9, 2016

Night Force #1 (1982)


Night Force #1 (August, 1982)

"The Summoning, Chapter One: Genesis"
Writer/Editor - Marv Wolfman
Artist - Gene Colan
Inker - Bob Smith
Letterer - John Costanza
Colorist - Michele Wolfman
Co-Editor - Ross Andru
Cover Price: $0.60

Justin over at the wonderfully fun DC in the 80's blog recently put together a great piece discussing the first volume of DC Comics' Night Force.  This is a series I'd picked up in bits and pieces, however I've never actively pursued it.  I guess I only grabbed them because I knew Marv Wolfman was the writer/creator.  Due to Mr. Wolfman's amazing work on the New Titans he will always have my readership, and I will pick up most anything I can that he'd written.  I have not yet established a full enough run to give the entire series a fair read-through, but I can sure give #1 the ol' once over.

In a half-hearted attempt at blog-synergy, I figure this is as good a time as any to subject Night Force #1 to my inimitable and unfortunate discussion and review style... Hold on tight, here we go...

--

It's nighttime.  Two men, Kerry James and Trevor Simmons are driving unaware they are being trailed by a helicopter.  As their car crosses a bridge, the chopper opens fire.  Both men are killed, and the car careens into the waters below.

Our scene shifts to the Potomac Psychiatric Hospital, where a young woman is being held.  She is haunted by visions who threaten that they will soon "have" her.  She lunges toward the apparitions, and falls to the floor of her padded room.


Former Time Magazine reporter, Jack Gold, who is now working for the Enquirer-esque National Chronicle approaches a large Georgetown estate.  He is set to talk to the master of the house, Baron Winters about his involvement with the occult for a story he has been assigned.  Winters greets him at the door... Gold is surprised to see that the Baron keeps a large wild cat as a pet.  Winters introduces the cat as "Merlin", and claims that he was a gift from the man himself, and the name is in tribute.

The two men share a somewhat contentious meeting.  Jack doesn't believe anything the Baron is telling him, and this appears to tickle Winters somewhat.  The Baron excuses himself to take a phone call and Jack heads toward the back door of the estate.  Upon opening the door, Jack is shocked to find himself in front of a scene more akin to nineteenth-century Paris than twentieth-century Georgetown.  Everything returns to normal when Winters returns.


Still not on board with the occult angle, Jack takes his leave... returning to the motel the Chronicle has put him up at.  While there he receives a call from his ex-wife who is questioning the whereabouts of his latest alimony check.  Defeated and knowing he desperately needs the cash, Jack returns to the Baron to continue the assigned occult piece.

The scene shifts to something of a demonic ceremony.  A man stands in the middle of a pentagram, torch held high... around him, several nude individuals dance in tribal formation.  This ritual appears to have a possible connection to the visions the young woman at the sanitarium had experienced.  Apparitions similar to hers's are now terrorizing a nearby affluent neighborhood.


While this is occurring, the young woman, now identified as one Vanessa Van Helsing is having a severe episode.  Clinical staff attempt to subdue her, yet she breaks free.  She desperately heads toward the doors, running headlong into the apparitions she collapses.  At the same moment, the demonic ceremony's conductor, Dr. Donovan Caine ends the ritual... the people stop dancing, and the demons vanish.

Dr. Rabin at the sanitarium attends to Vanessa.  She is informed that she was covered in fresh blood, however, not her own.  It is clearly stated that this is something of a regular occurrence.  Rabin knows that if she wants answers, she must contact "that charlatan" Baron Winters.

Winters and Gold are continuing their discussion when Rabin's call interrupts the proceedings.  The Baron claims to be unavailable to intervene on the Van Helsing case, and refers the doctor to one Dr. Donovan Caine... the same Caine who was conducting the earlier demonic ritual.

We rejoin Caine, finding that his ritual was a Georgetown University experiment that hopes to tap into some sort of "energy source" at the behest of the Pentagon.  Caine and a woman I presume to be his wife leave the University for the evening.  While in the parking lot, they somehow bump into the men from the opening scene, Kerry James and Trevor Simmons.  Alive and well, they claim to be from the Pentagon.

Before they leave, Mrs. Caine(?) alludes that she noticed one of the doctor's students appears to have a bit of a fixation on him.  Shortly after, we observe that same student reporting to a shadowy someone via telephone about Caine.

Jack Gold arrives at the Psychiatric Hospital to meet with Ms. Van Helsing for more Chronicle story fodder.  The two share a brief visit before Dr. Caine arrives.  Caine volunteers that his doctoral discipline is parapsychology, and advises Rabin that he has arranged for Vanessa's release, effective immediately.


Dr. Caine takes Vanessa back to Georgetown University, and Jack follows.  In order to prove that Vanessa is a victim rather than "crazy", Caine seeks to conduct a test.  The three stand in the pentagram, and Vanessa is suited with electrodes.


Eighteen minutes later we are on a nearby Georgetown street.  Ethereal smoke pours out of a manhole, and victimizes a passing motorcyclist.  As that occurs, the Baron relates to Merlin that "It begins".  With that, he blows the seeds of a dandelion and retires to his home to await what is to come.


--

Now I'm not a horror comic fan (or at least I don't think I am), but I found myself really enjoying this issue.  I suppose it stands to reason that if I like Wolfman, I'll probably like this.  This issue served as a great introduction for the (current) cast.  The letters column makes mention that there are regular characters in this series, but at the same time, there aren't.  Of the ones met in the inaugural issue, I feel we were given just enough about their plights and personalities to whet our appetite for more.

Letters Page
The characters were given something of a motivation, however, Marv appears to be playing their true ends close to the vest.  We learn very little about the Baron, yet... what we are told makes me want to know more.  I always dig getting a "point of view" character in non-superhero tales.  Reporter, Jack Gold acts as our eyes into this strange and mystical world.  His reactions may well be our own, and his skepticism is refreshing, I feel he will likely struggle with his disbelief even when he witnesses something unexplainable firsthand.

This was as good an opening issue as I could hope for with a story of this kind, and I now look forward to tracking down the rest of this volume (and beyond).  I have the first three volumes of Marvel's Essential Tomb of Dracula, which boasts a very familiar creative team to this.  I'd picked those up years ago as part of one of my infamous "reading projects" that I never get around to.  You know, those meticulously stacked piles in that one corner of your home?  Makes it look as though you're boarding the world's most obsessive-compulsive hoarder?  Yeah, it's in there.  In reading Night Force, I think those Tomb of Dracula collections have moved up a hair in the rotation... meaning I'll probably get to them within the next five years rather than ten.

The art was as to be expected, great.  Clean and gritty all at once.  During the initial scene with Jack and the Baron, I swear I smelled cigarettes... I take that back, every time Jack is on panel, I smell cigarettes.  During Vanessa's scenes, not only her face... but her whole body depicts such sadness... such defeat.  It's as though she has completely given up hope of ever living normally.  Even if you were to take her out of context, the art does an amazing job telling Vanessa's story.

Most definitely recommended if you're in the mood for something just a little bit different, though, with a familiar voice.  DC Comics' digital store has the first four issues of this volume in one handy and affordable package.  Even if horror books aren't your thing, I'm thinking there's lots to dig in Night Force.

Thanks to Justin at DC in the 80's for this inspiration on this one.  Check out their stuff at  dcinthe80s.blogspot.com/ on Facebook and on twitter @DCinthe1980s

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