Showing posts with label peter b. gillis. Show all posts
Showing posts with label peter b. gillis. Show all posts

Monday, May 11, 2020

Strikeforce: Morituri #1 (1986)


Strikeforce: Morituri #1 (December, 1986)
"Though Some Have Named Thee So--"
Writer - Peter B. Gillis
Pencils - Brent Anderson & Whilce Portacio
Inks - Scott Williams
Letters - Jim Novak
Colors - Max Scheele
Edits - Carl Potts
Chief - Jim Shooter
Cover Price: $0.75

It's Monday... and, for me... that means it's Morituri.  For the better part of a year, Chris Bailey and I have been talking Strikeforce: Morituri on the air darn near every single Monday (we did take a break around the Holidays).  As of this writing, we've covered the first 19 issues in great depth.  This is a very important comic to me... and, if you've followed my audio-exploits, you'd probably know that.  I shoehorn it into any conversation I can, after all.

This will be... yeesh, the third or fourth time I'm discussing this issue... though, the first time I'm doing so in writing, which will be an interesting experience... ya know, talking about it with visual aids.

Here are some of the other times I've talked about this one, if you're interested... which, you're not... but, what do I have to lose?







During the above Chris is on Infinite Earths episode (#24), I discuss, at length how and when I first heard of Strikeforce: Morituri... and how, the first time I read it I was able to draw a lot of sorta-kinda parallels between the basis of the story... and my own real life at the time.  It might be a bit of a reach... at least insofar as the "mortality" of it all... but, suffice it to say, I feel like I first read this at exactly the right time in my life.

I suppose this also gives me the opportunity to share some "hype videos" I made to promote the show:



So yeah, this is a very special property to me... and, I'm hoping that through the work we're putting into it, maybe some folks will "discover" it.  Unfortunately, at the end of the day... it's still Strikeforce: Morituri... and the only time people actually seem to care about it is when they think they've discovered it.  Once the novelty of that "discovery" wears off... and they get their 15 Twitter or Facebook "likes" from sharing a picture of the cover they found on Google Images... it's forgotten once again.

Well, here's me trying again to promote this wonderful book as best I can!  We who are about to... read the same damn comic for the eleventy-hundred skatey-eighth time... salute you!

--



Our story opens in 21st century New Roanoke, Virginia... a former thriving port now decimated my an alien invading hoard.  We discover that a group called "The Horde" took over the Earth... plundering stores and factories, took slaves and killed millions melting half the city with their engines.  Earth was woefully unprepared for the attack. 



As a result we next observe the "Paideia Emergency Volunteer Unit", as they're looking for survivors.  They don't find any... but take solace in the fact that they can now, at the very least, bury the dead with dignity.  We catch up with the central character of the story, who is on his last day of duty with the volunteer group... he is nicknamed R.B. by his colleagues or Rabid Beaver for short.  His civvie name is Harold Everson, and he's just about to leave in order to undergo something called the Morituri Process.  His pals note that he is moving on to become a superhero and a celebration ensues.  We could assume this is gonna be one heck of a going away party!



Later, we rejoin Harold while on a train headed home to Alexandria, Virginia.  It's here we get to eavesdrop on some of his true thoughts and discover that he feels that being part of the few individuals selected to be involved with the Morituri Process is like hitting the jackpot... at the same time, however, he struggles with the fact that others disagree... namely his parents.



He arrives at the station and meets up with his parents who take him home to relax before he leaves to join The Morituri.  An argument ensues as his parents try to convince Harold that he is making a mistake and that maybe he should stick to writing for “The Local Net”.  Harold says he is tired of hauling bodies and wants to do something about the Horde himself.  His parents quibble as he storms into his bedroom that their son is off to "become a dead man".



As Harold rushes off to his room he grabs “The Book” which we see is a comic called The Last Stand Of The Black Watch.  The Watch, as we would discover, were the fabled original superheroes of the Morituri Process.  We see three futuristic looking soldiers dressed in traditional black leather style uniforms, complete with metal shoulder pads and pouches.  They are Clint, Bruce, and Woody... and they're riding on top of a space cruiser flying directly into the heart of Horde territory looking to bring a fight.



Their superpowers and bravery are evident as they easily combat the monstrous horde armies with their bare hands,and super strength.  Worth noting, this is just a comic book... but it really does a great job motivating Harold to be just like his heroes of The Black Watch.



We jump ahead some time later, and rejoin Harold as he's being driven into a gated compound named “New Haven”.  Upon arriving Harold observes the well manicured gardens and iron wrought gates and compares it to... a cemetery.



Immediately, Harold notices that the air is filled with flying crafts, which he calls “Contrails”... which he recognizes as part of the Alien Hordes flying fleet.  Harold and his driver are about to leap into action but discover that these are actually some Paideia on patrol... and, instead head inside the large compound.  It's here that Harold meets the Morituri Commander, Beth Luis Nion (lookin' a lot like Brotherhood of Evil Mutants era Rogue) and the creator of the Morituri Process Kimmo Tuolema. Harold is introduced to the other recruits...  



... Robert Greenbaum, Jelene Anderson, Louis Armanetti, Lorna Raeburn, and Aline Pagrovna... who appears to have already undergone the first stage of "The Process", as when she shakes Harold's hand... she nearly crushes it with her super-human strength!



Harold tried from his journey retires to his room where he curls up in bed with his issue of The Last Stand Of The Black Watch... yes, the same issue.  The only issue, in fact!



As he continues through his comic, he gets to the part where it shows the final fate of those three original members.  They are surrounded by the Horde legion who are rather ticked at all of the damage the Black Watch had done them... and so, the Watch is killed!  Though, not before warning the Hordians that there will be more to replace them... ie. the Strikeforce: Morituri.  Hmm... feels like this innocent little comic book might just be a propagandist brochure, dunnit?



Lorna is watching Harold from the hallway, but he is way too caught up in his comic book to notice.  It's here that Lorna sorta plants the seed of doubt in Harold that the story he just read was not how this scene actually played out.



As the night rolls on, the Compound is stirred awake by some terrible noise and clatter.  We see fellow Morituri recruit, Aline who is absolutely terrified and crying for help.  It's as though she just now realized what she's given away in order to join the team.  She is taken away by Dr. Tuolema, while Harold watches on in confused horror.  This is our first real indication that there is a certain "sacrifice" involved in undergoing the process.  It's been "in the air" for much of the issue, but this is where it really hits.



The following morning, Commander Nion interviews Harold for the process... by asking him the simple question of “--Why do you want to die?”  Harold struggles to answer the question before finally saying he wants to use his life the best way it can be used...in defense of the planet.  Beth, like Harold's parents earlier on, reminds him that he is a writer and this is dead serious and not just some “story”.  She continues... and drops the big bombshell on the readers, by telling him that once he starts the Morituri Process... he will die within one year.  Harold doesn't seem all that phased and suggests that he will write his memoirs regarding his Morituri Process experience in order to share with the world.  This way, he'll sorta-kinda become immortal.



A bit later on Beth gives Harold the nickel tour of the lab facility where Louis Armanetti is about to undergo his initial Morituri Process.  While Harold, Commander Beth and Dr. Tuolema look on with Armanetti's procedure they decide to show Harold the actual video of what happened to the real members of The Black Watch.



While the heroic battle appears to have been not unlike what had transpired... it's the ending that is dramatically different from the pages of Harold's one-and-only comic book.  Instead of going out in a blaze of glory from Hordian fire... Woody the team leader spontaneously combusts and burns to death as a result of the Morituri Process. Harold is rather shook.  It is explained that the human body is not compatible with the Morituri Metabolism... and is eventually bound to reject it and kill its carrier... which explains why those who undergo the Morituri Process are doomed to die within a year.



It is also revealed here that people will react differently to The Process, and will likely develop radically different power sets.  Beth reminds Harold that this is the price the Morituri are being asked to pay (hmm, just like that Twisted Sister song I've heard a few times)... and he she implores him to truly think this over before crossing the Rubicon.



Moving into mid-day, it's lunchtime at Camp Morituri.  Harold and Aline are talking shop over some non-descript foodstuffs.  Aline reveals that she is taking the Morituri Process because... get this... she has been overlooked by men her entire life and The Process will make her strong and give her purpose.  Otherwise, she would have likely committed suicide a long time ago.  Yikes.  Now, she's stronger... her skin's cleared up, she has a bigger bustline... and she's gonna be a superhero. The makeshift meal is interrupted by the emergency alarms.  The Horde are attacking! 



Our new recruits leap into action and are immediately sent underground to a bunker where they're told not to engage the combat.  Remember, the majority of 'em don't have any powers yet!  Harold is stompin' mad about being left out of combat.  It's here that Aline stumbles upon a newly manifested element of her Morituri-Power Set!  She transmits an odd energy through her hands and melts the locks off the bunker's doors, allowing the recruits to escape.  Disobeying orders, they... get this... steal several land ships and fly into the shock zone.



Aline the only one with developed powers leaps out of the ship and joins the battle.  Harold and the rest land their ship and bust out of the tub guns a'blazing!



Harold is taken by surprise by a Horde warrior by surprise and is very nearly killed!  Before that can happen, however, Commander Beth Nion makes the save... which reading this idiot the riot act for disobeying orders. but not without chastising the new recruits for disobeying their orders to remain on base.  While Beth is busy, ya know, saving lives... she herself gets hit by a "parting shot" by the fleeing Hordian!  She survives... they all do.



Back at base, Commander Nion continues to berate the newbies for their stupidity and informs them that the place the Horde was attempting to rob was... a chocolate factory.  So, they all put their lives in jeopardy... for chocolate.  She, rightfully calls them all morons... and boots 'em from her office.



We join Harold back in his room as he... once again... flips through his one and only comic book... The Last Stand of The Black Watch.  It's now where he realizes that everything he thought he knew regarding the Morituri Process was... a lie.



Harold drops the comic... and heads over to the Commander's office.  Beth, who is in the middle of writing up her days report, is more than a little surprised when Harold brazenly enters and proclaims that he's decided to sign on after all!



--

Man, I've talked about this issue so many times... it's starting to feel like I'm turning into Harold with his stupid Black Watch comic!  Still though... I love it!

It's very hard to talk about in a vacuum, however... ya know?  I've been so embedded in Marvel Earth-1287, that it's difficult to just talk about this one singular issue... but, I'll do my best.

Let's start with The Last Stand of the Black Watch.  It's weird... the Black Watch even gets the cover of this first issue.  We don't see Harold, or any of the Morituri... it's three dead guys!  It really sets up a strange expectation, dunnit?  We might expect an issue rife with firefights and intergalactic yadda-yaddas... but instead, it's a (relatively) "grounded" and almost soapy affair.

I do love that Harold's lone comic gets so much "play" here... as it really informs us as to the propagandist angle of the Paideia-approved Black Watch "lore".  This comic wasn't made to top the Diamond Top 300... it was made to foment Earthen "jingoism" (if that's a thing) and ultimately result in a new generation of recruits.  Harold bought the propaganda... hook, line, and sinker!

I mean, this wouldn't be the first time comics tried to inform a generation as to how they ought to think.  Comics from way back in the Golden Age would feature our "enemies" as not much more than evil caricatures... and, would also promote things like "war bonds"... with the message that in order to be a "Good American", you'd support the war effort.  Pretty clever stuff here from Gillis.

Harold finding out "the truth" was also very well done.  I appreciate the lengths the go to show Beth Nion as... I dunno, sympathetic to Harold's naivete?  She knows he "came in" via the propaganda brochure... and rather than just scoop him up, and push him through The Process, she makes sure he understands exactly what he's getting himself into.

The bombshell that those who undergo The Process are doomed to die within a year was very well handled... and we get the impression that this may... or may not be known by the public.  Sure, the Eversons referred to their son as "becoming a dead man", but... that could mean many things.  Think about military parents who aren't exactly "on board" with their child's decision to sign up.

That spotlight gets a bit brighter when Aline wakes in the middle of the night in a panic over dying... but, again... that could be taken in a few different ways.  Again, think of a new military recruit who has just found out they're being sent into battle.  I can't speak from experience... but, it stands to reason that might cause a bit of anxiety and stir up some mortal fears, no?

It's not until Harold is told, in no uncertain terms, that... this is a one-way trip.  Once you're part of The Process, your clock starts tickin'.  It's a heavy prospect... and, it was dealt with here incredibly well.  Harold struggles... he's got a lot to mentally digest... but, ultimately, after tasting just a little bit of battle, comes around to the idea.

I tell ya... this is a very special book.  Oh, and the art... oooh... Brent Anderson absolutely kills it!  Just awesome stuff!  The characters aren't like "TV pretty"... they're just normal flawed folks... and it's that normalcy juxtaposed with the extraordinary situation they're in, that keeps these characters relatable... and cheer-on-able.  Whilce Portacio delivers the art for the Black Watch bits, which... I like.  It drives home that these are two different stories... one "real", and one... less so.

Now, one thing about Strikeforce: Morituri that I sort of tire of hearing is that it would "make a great movie/TV show".  I get that... that's where a lot of folks' heads are right now.  But, here's the thing... Strikeforce: Morituri already exists.  The comic is here... and isn't hard to find (check your Marvel Unlimited).  Don't "wait for the movie", because you can experience the whole story... right now.  It ought to go without saying, that I recommend ya do so!

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Monday, February 20, 2017

Tailgunner Jo #1 (1988)


Tailgunner Jo #1 (September, 1988)
"The curve of binding energy"
Writer - Peter B. Gillis
Penciller - Tom Artis
Inker - Ty Templeton
Letterer - John Workman
Colorist - Adrienne Roy
Editor - Barbara Randall
Cover Price: $1.25

Here's a weird one... Tailgunner Jo.  This bugger has been staring at me from the cheap-o bin for so long... and yet, I never picked it up... because, I thought I already had it!  I'm sure my fellow quarter-bin hunters have similar stories... books we see so much, it's almost impossible to consider that we don't already have (at least one copy of) it in our personal libraries.

I picked up Jo a little while back.  I had it in my stack, and quite honestly... forgot to put it back.  When I got home I figured, hell... I'll just throw it in my dupe box... but, as luck would have it... this one was new to me!

Let's check it out!

--


We open with the fella from the cover.  He stands before a mural depicting some movers and shakers from the 20th Cent... um, 20th Rivera/Orozco Revival Period.  He is communicating with his daughter... Jo.  It would appear he is doing so via a radio link.  He is infiltrating a compound of some sort, and is wiring it to blow.


He heads out, and runs right into a fleet of drone patrollers.  He tells his daughter that it's about to go down... and moments later a patroller is struck down by a beam from our man's cybernetic-shoulder-arms.  It would appear that Jo is able to control those arms.


Well, one patroller down... many more to go.  Our man flees down the road using a pipeline as his cover.  He fires off a blast, hoping to cause an explosion... unfortunately, the pipe was full of sludge and not flammable goodness.  He asks Jo to generate and download a video of him fleeing, to trick the patrols while he doubles back.


Safe-ish and sound-ish, Dad dismisses Jo back to play with her friends.  And so she does... but here's the thing, she appears to be in some sort of fantasy world full of princesses and talking teddy bears.


Jo heads to a castle to have a tea party with her estranged friend, Princess Anara.  While there, Anara tells her about everything she'd missed during her absence.  It's a bunch of silliness... perfectly fitting for a young girl's fantasy world.


Jo and Anara walk the castle grounds.  They talk about a potential romantic entanglement for the princess, however, before they get too far into it Jo is called back to "work".  It is here that we learn that Jo and her father share a body, as she is surprised she felt no distress to their shared form.


Dad is chowing down on some pink mush.  He just called Jo to apoligize for getting her wrapped up in all this.  Jo is understanding, and thankfully angst-free.  She seems happy to be part of something... Dad still feels pretty rotten, however... even to the point that he cries.  I think it's time for an origin story!


Dad takes us back, but before he does, it's made clear that Jo's fantasy world is of his own design.  He thinks back to a job he and his wife were doing for a man named Allardyce and the Telemachus Telecommunications-Machinery Corporation.  The project was in cybernetics, which was of interest to dad (Lars) and Maire (mom) because their child (Jo) was born with severe birth defects.  She looks sort of like a Thalidomide baby... which is a result of a project the parents did for S'atrap Ltd. which exposed them to teratogens.


The couple toiled away on this new project... however, it would seem they were beaten to the punch by rival S'atrap and their Improv-X mass production cyborg package.  Allardyce demanded immediate results, and wanted to test what they had so far with human subjects.  Lars and Maire refused.


And so, Lars and Jo were in a "mysterious" car accident.


And, Allardyce convinces Maire to conduct a human test.  It isn't until it's too late that she realizes that she just operated on her husband and child.  Upon realization, she is punched in the back of the head.


Lars lets out a scream which shakes even the fantasy world.  Jo speaks to him... and reaffirms that she loves him.  With his head cleared, Lars hears some bogies overhead... Jo is already tracking them.  They're going to take down those responsible... together.


--

I know it's not wise, or arteesty to judge a book by its cover... but, I must admit that that's exactly what I had done with Tailgunner Jo.  This cover looks... well, it doesn't look good.  I know art is subjective... but I think this bugger is almost aggressively ugly.  It has no polish... and comes across (at least to me) as extremely low-rent.  It's probably why I never actually pulled the trigger and bought the thing!  Imagine my surprise when I crack this sucker open and find myself really enjoying the art inside!

The art inside is a real treat... and fits the tone of the story incredibly well.  This is a New Format book... so the coloring is a bit flat, which happened from time to time.  It's bright and colorful, don't get me wrong... just feels and looks like something of its vintage.  It suits the art (and tone) and so, I'd say it works.

The story we get here is pretty interesting.  I've long been a fan of Peter Gillis... ever since my first encounter with Strikeforce: Morituri.  I remember revisiting that gem during the semi-recent recession, while "temping", and made the comparison between members of Strikeforce: Morituri and people who work temp-jobs. It's like you sign on... but any day might be your last!  We'd watch as our co-temp-workers would be "exed out" as projects wound down... and we would all wonder when our ticket would be punched... because we knew it would be!  Anyhoo, he is really good at these futuristic sci-fi stories where it feels like all hope is lost.

While the concept... at least on the surface, is pretty well-trodden, there is enough novel about this to make it worth checking out.  I mean, usually when I'm given the rebel against the evil corporation/government... I groan.  I feel the strange addition of Jo's fantasy-world may be just the thing to keep me engaged.  The dynamic between Jo and her father is also welcome.  It feels like in most cases where a couple occupy the same space, their relationship is almost always contentious.  I appreciate Jo and her father getting along.  We're still early on in this miniseries, so your guess is as good as mine if this remains true throughout.  We'll probably check back in with this book somewhere down the line.

Overall... I enjoyed this.  This first chapter gave enough action, exposition, and questions to keep me interested... and make me want to actually continue on with the series.  This one, to my knowledge, is not available digitally... nor has it been collected.  If you're interested, you're stuck with the singles... which, are ubiquitous cheap-o bin citizens.  I think it's worth the dive.

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(Not the) Letters Page:

 

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