Saturday, July 23, 2016

Aquaman (vol.3) #2 (1994)


Aquaman (vol.3) #2 (September, 1994)
"Single Wet Female"
Writer - Peter David
Penciller - Martin Egeland
Inker -Brad Vancata
Colorist - Tom McCraw
Letterer - Dan Nakrosis
Assistant Editor - Eddie Berganza
Editor - Kevin Dooley
Cover Price: $1.50

Haven't talked much Aquaman on here... haven't talked much nineties either... haven't talked much PETER DAVID either... three birds, one stone!

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Aquaman and Dolphin have been taken captive by a fella called Charybdis... that's gotta be tough to say.  Online pronunciation websites say "cherub-dee"... dunno if that's right.  Anyhoo... he reveals that he is draining them of their powers through an instrumentation process.  He wishes to add their powers to his own.  He reveals that his power-transfusion is only temporary, meaning that his "guests" will be permanently there to be siphoned from at will.



We also meet Charybdis' wife Scylla.  We learn that they were freelance terrorists who would do the dirty-work for interested parties who couldn't risk getting their own hands dirty.  Now, his goal is to... well, blow up the entire world by setting off every sunk nuclear submarine on the planet.



In a scene that really shows how disturbed Charybdis is... he blasts "Scylla" through the head with his badass gun.  This woman was just somebody he'd hired to dress up like his wife, who in reality died a year prior "on the job".



Aquaman uses this moment to break out of his bindings... Charybdis casually pulls a tranq gun off the wall and fires one off into Arthur's chest.  He then makes light of blowing the head off his "wife" while looking at Dolphin.



We shift scenes to join Garth... who I believe is still going by Aqualad at this point.  He's been injured and is convalescing in an underwater cave.  A shadowy female figure swims up to guide Garth to where Aquaman is being kept.  Garth believes this to be his former squeeze Tula, who I think we'd last scene during the Crisis on Infinite Earths some eight-years prior.  She swims off before Garth can get a good look at her.  Per her directions, he follows a one-eyed shark called Cron One-Eye.



Back with Aquaman... Charybdis is putting his inherited "powers" to the test.  He drops a mouse into a tank full of piranhas and commands the hungry fish don't sketetonize the poor rodent... it doesn't go so well for "Mickey".



Charybdis walks over and backhands Arthur... demanding to know why the fish didn't listen to him.  Much to Aquaman's credit, he doesn't roll his eyes and say "again with the 'talking to fish' crap???", instead he lays it all out... he can make suggestions... but a fish is gonna do what a fish is gonna do.  Especially a piranha!



Back with Aqualad, he's trying to cut a deal with a pair of knucklehead dolphins to get inside the fortified structure.  This is a cute scene where we can see what the dolphins think of the frantic "swimmer" standing before them.



Back inside, Charybdis is holding Dolphin's (not the fish... er, mammals... well, she's probably a mammal too... er... the "person" I guess) head precariously over the piranha tank... she's so close to the buggers that her hair is in the water with them.  Just before the baddie can give her a "dip", the alarms begin to sound.



Outside, the dolphins have helped Garth get the attention of Monstro the whale... who is able to ram through the underwater fort's door... this causes the facility to begin to flood.  In all the confusion, Aquaman breaks out again... this time Charybdis doesn't have any convenient tranq guns nearby!



Chaybdis makes haste and tries heading to his armory... only to find that Garth's discovered it (and the nineties!) first.  Garth starts blasting his newfound BFG causing all sorts of wonderful havoc.



The baddie's got no choice but to flee.  After an awkward introduction between Dolphin and Aqualad, Aquaman gives chase... ultimately finding his foe on a nearby landmass.



Aquaman and Charybdis enter into battle with neither really getting the better of it.  At one point they are wrestling by the river, and Charybdis grabs Arthur's left arm and holds it underwater... this just happens to be the same river he'd found his piranha pets in.  There's a bubbly stirring under the water... that quickly turns red.



Charybdis stands up to mock our man some more, however he is stopped in mid-sentence... by a bullet to the chest.  Across the river, Dolphin is holding a smoking gun.  Before he can act, Aquaman trips Charybdis into the river... rendering him into a mass of bloody bones in no time flat.


Dolphin heads over to Arthur to check on him... and it's here we learn that during its dip, Aquaman's hand was gnawed down to the bone.



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Even some twenty-odd years later, this is what pops into my head when I think of Aquaman... and admittedly, I haven't done enough research on the fandom to see whether or not that is the popular stance.  Despite enjoying arguably his most contemporary popularity in recent years, this is still *my* guy.

This was a pivotal issue, and one of the few that I actually remember there being something of a stir over at the shop.  DC was really going all out altering their main characters during the early nineties... Superman died, Batman got broke, and Hal Jordan lost his damned mind... Aquaman?  Well, he gets his frickin' hand eaten by piranhas!  This, along with his long hair and beard really helped form my impression of the character.

This issue was a great one!  I probably should have started at #1 if I was going to review this one, but whattayagonnado?  Peter David does a great job of catching us up, and really sets the tone for what's to come.  He interjects his trademark humor into this deadly serious situation... awesomely done!

Martin Egeland is an artist that I only know from his time on Aquaman... or at least that's all I can think of.  His style is... soft-nineties.  Like, there are many of the 1990's trappings here, but not to the point of being "holy cow, 90's!!!".  I really like his work here... it reminds me of Adam Pollina when he was on X-Force during their road-trip era, and to me, that's a good thing.

If I were to pick any nits, and it's a really silly one... I'd have preferred a less "giving it all away" cover.  Though, if I'm being honest... it may only be "giving it all away" to people who already know what's inside.  Hard to say... I could be speaking outta my backside here.  Wouldn't be the first time!

Worth noting... I love what DC did with their lettercols heading into Zero Hour!  That fading effect is just so cool!  I remember we were all nervous about what was to come... we all thought this was going to be "our" Crisis on Infinite Earths... the way DC handled their "big guns" leading up to it really made it feel as though all bets were off!

Overall... this entire run is a beaut!  Well worth a read through, if you ask me.

UPDATE: 7/25 - The man himself, Peter David offers up the proper pronunciation of our baddie via twitter.  Thanks so much, Sir!


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Friday, July 22, 2016

Superman #307 (1977)


Superman #307 (January, 1977)
"Krypton--No More!"
Writer - Gerry Conway
Penciller - Jose Luis Garcia-Lopez
Inker - Frank Springer
Editor - Julius Schwartz
Cover Price: $0.30

Got us a real humdinger today.  A crazy as all get out late-70's issue of Superman.  I mean, just look at that great Neal Adams cover.

Supergirl ain't butterfinger'ing Kandor either... she's smashin' those suckers on purpose!  Let's find out what this is all about!

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We open with Superman destroying a Vinyl Chloride plant.  He's literally punching the machinery inside!  We see that he is being pursued by a flying fella who looks as though he's wearing a glowing-white version of a Kree uniform from Marvel Comics.



Vinyl Chloride production was discovered as having a carcinogenic effect on factory workers in the late 1960's.  Sometime during the mid-70's, BF Goodrich Chemical released information about how even with limited contact with the stuff, several of their workers developed cancerous tumors on their livers.  This story being written (or at least published) in 1977 tells me that this was still a newsworthy issue... in fact, it still is to this very day... OSHA has very strict guidelines in regard to exposure to the compound.



Anyhoo... the two engage in battle, and we learn that the pursuant Kree is actually a mutant called the Protector (not that one), and he has the ability to change his body's chemical make-up.  When attacked head on, he transforms his body into a diamond.  Oh, and he can also fire "light-lances" from his crotch!



Superman is down, but not out.  He takes a moment to gather his thoughts, flashing us back to yesterday, when he'd first heard about this chem-plant.  A factory worker by the name of Slotvik approached news anchor, Clark Kent to whistle-blow on his company.  Clark offers to "tell Superman" to check it out, and Slotvik leaves happy.



We get an odd scene where Clark is approached by "tv-star groupie" Terri Cross.  She entangles her arm and Clark's, while Lois looks on sternly.  She was going to make Clark some Beef Bourguignon (with ketchup?) for dinner.



The scene gets odder yet, as Clark and Terri get into the elevator.  While inside, Clark begins feeling really sorry for himself... his internal monologue is wildly unpleasant.  He thinks about how he's an alien outsider, and how he is destined to forever be alone.  Weird stuff here.  When they reach the ground floor, Clark just... walks away from Terri, without a word.  Leaving her (and the reader) standing there like "huh?".



We bounce to the following morning where Superman hits up the Chem-Plant for a tour of the facilities.  He is greeted by a Mr. Kalmbach (don't call it a kalmbach?), the President of Metro Chemical.  They talk up the potential cancer risk their plastic production causes... and Kalmbach's kind of a jerk about it, claiming that he's pleased by the bad press they've received of late... and referring to the cancer as an "acceptable risk" that insurance will take care of.  Now, I wouldn't consider myself a hardcore environmentalist... but even I'm furrowing my brow at this clown.



Superman reacts... how should I put this... strongly to this conversation... bashing desks, flying through walls and heat-visioning some machinery.  This is where our flashback ends.  He bids the whistle-blower adieu, and takes his leave.



He heads to a summit in the Rocky Mountains, where he sits and thinks about how he's already had one home-planet destroyed in his lifetime... he will not allow history to repeat itself.  He's shouting to the heavens... I mean, he really feels strongly about this.



Moments later, Superman flies over an oil tanker... uh oh... He snatches up every last passenger and plops them off on a nearby island... if we can even call it that.  It's like one of those cartoons... tiny mound of land peeking out of the ocean with a couple of palm trees on it.  Wonder if they brought any reading material...



With the passengers safely out of the area, Superman turns his attention to the tanker itself.  Since tankers could cause oil spills that would disrupt the marine (and other) life... he's just gonna chuck the thing into orbit.  I'm tellin' ya... he feels pretty strongly about this.



With the tanker hoisted above his head, he is blasted by the icy ray of the Protector!  We learn that Pro is powered by pollution!  Is that kinda like renewable energy?  If so, he just might be more environmentally-minded than Superman!  Anyhoo, the battle rages both under and over the sea until Protector bores a tunnel at the bottom of the ocean.



Rather than giving chase, Superman again turns his attention to the tanker.  When he emerges from the drink, he is surprised to find his cousin, Supergirl there waiting for him.  He is even more surprised when she refuses to help him hoist the tanker... and he's even more surprised when she tells him, now get this, there's no such thing as Krypton... and there never was.



Supergirl takes him to the Fortress of Solitude to set him straight.  Upon arrival she takes it upon herself to destroy the statues of Jor-El and Lara... and the Bottle City of Kandor!  Before she does, though, she makes sure to show Superman that there were never any people in Kandor... just miniature dolls!



She then directs him to the video screen, and shows him footage of Jonathan Kent and Fred Danvers working together in an atomic laboratory.  Kara and Clark aren't aliens... they are in fact, mutants!  Children of the Atom, even!



Before Clark can truly process the news, the doors are blown off the Fortress by our old friend, the Protector!  Superman grumbles about how this clown picked the wrong time to reengage and proceeds to hit him with everything but the kitchen sink.  He x-ray visions his chest, and finds that Pro's heart emits a slight glow just before he adapts his molecular state, and uses that to his full advantage.



After the battle, Supergirl (who suddenly appears to care about Clark) asks him how he's doin'... Superman looks as though he's about to cry... he's no longer an orphan, but he still doesn't feel as though he has a home.  He questions if his nightmare is just beginning... and I'm hoping that there's more to this story than it being a bad dream... and we are [to be continued...]



This story has a one-page second feature about child abuse... truly a relic that must be shared!



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Was that crazy, or what?  Such a strange story.  Of course, hindsight being what it is, it doesn't really have all that much impact... but, wildly fun and "out there", nonetheless.

I would have to assume that Superman is under some form of mind-control... or he's dreaming (or attached to some sort of projection machine).  I'm almost glad that the resolution isn't included in this issue... it allows it to stand on its own weird-wobbly legs.

Superman actions throughout the first half of the issue were pretty extreme.  I'm not surprised he'd be for a cleaner environment (it's not like he's gonna be anti-environment), but his reactions here are crazy severe... which kinda lends to him being under some sort of control or this all just being in his head.  Supergirl being written as so cold and aloof adds more to that speculatory end as well.

Our villain here... whoo... the powered-by-pollution Kree lookin' Protector... who can shoot beams of light from his crotch, no less.  Nuts!  I think I saw the word "mutant" more in this book than any other DC books I've read!  Not only is the Protector a mutant... but so are Superman and Supergirl!

This was an incredibly fun read... kind of like if Superman somehow wound up inside an episode of the Twilight Zone.  I love the way he attempts to process the information that Krypton is nothing more than a figment of his imagination... his defense mechanism against dealing with his true parentage and history.  I bet some twenty-odd-years later, this would have made a really fun springboard into an Elseworlds story!  There's just so many ways you can go from here.

Definitely worth checking out if you happen across it.  This was one that I just happened to snag from the cheap-o's some years back.  Not sure if it's collected anywhere, and honestly I really couldn't imagine that it would be... **UPDATE** It has been brought to my attention from our pals over at Bronze Age Babies (who reviewed this issue in 2013) that is issue has in fact been collected in an amazing looking hardcover!  Adventures of Superman: Jose Luis Garcia-Lopez collects this story and many more awesome Bronze Age Superman tales!

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