Thursday, October 27, 2016
Detective Comics #517 (1982)
Detective Comics #517 (August, 1982)
"The Monster in the Mirror"
"A Tale of Two Serpents"
Writers - Gerry Conway, Paul Levitz & Cary Burkett
Pencillers - Gene Colan & Jose Delbo
Inkers - Tony DeZuniga & Joe Giella
Letterers - Annette Kawecki & Janice Chiang
Colorists - Adrienne Roy & Tom Ziuko
Editor - Dick Giordano
Cover Price: $0.60
Well, we ended last issue with Batman gettin' the bite... now let's check in on him in all his Vampiri(c) glory!
--
We open with an awesome first-person perspective. We are the Batman, and we are frantically heading through the brush on our way back to Wayne Manor. Of particular interest, Batman enters through the front door... not something you'd expect. He heads to the washroom and splashes a bit of water on his face... checking the mirror, his fears are realized. Batman is a vampire!
Alfred hears his master's scream, and heads in to find out what's amiss. Batman swats him away... tells him to leave, before he kills him! Ya see, he's got needs now... dirty, horrible needs... needs he can't control. I'll just leave the panels here without comment... maybe I'll just snicker a bit.
Perhaps realizing the only safety is in solitude, Batman runs off to the Batcave via the entrance behind the grandfather clock. Alfred tries to collect himself before giving chase, however, before he can there is a ringing at the door. Why, it's our old friend Father Green from St. Jude's! The same fella who helped Robin. He appears to know that the Batman is there, and offers Alfred something of a salvation. He claims to be able to salvage "endangered souls".
We shift scenes to the WGBS News studio. Newscaster Olivia Ortega is wrapping up this evenings broadcast, and is about to be met by (former) Commissioner Gordon and his partner Jason Bard. They are looking for doctored photos of a maskless Batman. From here they can pop in to the photo studio for follow-up.
This scene leads into another scene wherein Bat-photos are being perused. "Boss" Thorne is poring over the photos stolen from Vicki Vale last chapter, and checking out Batman's Bertillon facial measurements to compare with Bruce Wayne's. That doesn't sound good, right? Seems almost too easy.
Back at Wayne Manor, Alfred is humoring Father Green. He is still playing coy about Batman being there, however, that does not stop Green from sharing a history lesson with him. He speaks of a Louis DuBois... a plantation owner, circa the United States Civil War. Even post-war, he was a jerk... keeping slaves and all that.
One night, after being an all-around prince to his hired help, he is drawn from his home by the rhythmic sound of drumming. He ventures deeper and deeper into the woods, he comes to a bayou where he finds the source of the beat.
There is an old woman there. A basket sits in her lap. She invites DuBois to reach his hand inside, claiming that he will receive the gift of a long life... and so he does.
Inside, there is a large snake... that plunges its fangs into DuBois' arm. He throws the snake off and flees, heading back in the direction he came. He collapses over a fallen tree, and his wife rushes to his side. For her troubles, she gets the love bite of her life. Father Green concludes his tale by stating that DuBois was the man who attacked the Batman, and refers to his "type" as Vampiri.
Elsewhere, they say there's no rest for the wicked... and Batman proves it by going out on patrol. He comes across a would-be jewel thief clumsily fidgeting with a jewelry stores alarm. Batman swoops in, recognizes the thief as a Mr. Marley, who he gives a fate worse than jail. From all appearances, he just "fed" off of poor Marley, however, it is not entirely clear from the art. Ya gotta figure, even when Batman gets cured... having actually "fed" on another human being is kind of a bridge-too-far. Gotta figure there's more to this scene than we're seeing... least I hope there is!
We head toward our conclusion with Vicki Vale... still at the party, questioning where her date went. Before she can leave, her arm is grabbed by Dick Grayson. He advises her that Bruce had to split, and that he was to take her home. He leads her to a car while Dala and DuBois watch with large-fangy smiles on their faces.
This chapter ends with Batman sitting on a rooftop... weeping. The sun begins to rise... which doesn't seem to affect him. Maybe the Vampiri and vampires aren't quite the same? Who knows... either way, he faces the dawn with a newfound resolve to reattain his mortal soul.
We start our backup strip with a snake-tailed Batgirl. We learn that she had been bitten by Lady Viper shortly before, and her new bottom-half must have been some sort of parting gift.
Batgirl recalls that Lady Viper has the power to shift from her snake form back to human, and so... she concentrates really hard, and whattayaknow, gets her legs back! Unfortunately, she appears to still have her serpentine lissssp.
Later, she visits a toxicologist in hopes of finding an antidote... gotta wonder what the co-pay on that might be... anyhoo, the Doc tells her he will need a sample of the venom in order to create an antidote... and before he can even finish his sentence, she is on the trail.
Batgirl checks in with her street-level contact, a bag lady... who puts her in touch with a fella called Charlie Trainer. As luck would have it, he just happened to come across a "snake-woman" in an old boxcar out at the train yard. Talk about convenient! Of particular note, during the conversation, a cat seemed to get Chuck's tongue... which caused Babs to really give in to her sssnakiness. Grabbed the poor doofus by the collar and everything!
In the boxcar... well, whatta-we-have here... it's Lady Viper. The two engage in battle until Barbara is able to "konk" the snake-lady out. She takes the sample, and quick as a cricket, it's synthesized into an antidote, and Babs is back in business.
She heads back to the boxcar... for some reason, maybe to arrest Lady Viper... I dunno. Anyhoo, she heads inside, and finds that Lady Viper is changing into a full-blown snake... as in, no longer a snake-woman... just a snake. Perhaps a woman-snake... but no longer humanoid... ya dig? This is due to her having been in her snakey form too long without changing back into a human... something she (rightfully?) blames Batgirl for. The bit ends with Barbara making a gag that rather than sending Lady Viper to jail, she may just have to send her to the Gotham Zoo... man, talk about kicking someone when they're down!
--
Another fun issue of Batman. Not perfect, or even as good as the opener, but fun nonetheless.
The actual Batman bits were great. I enjoyed seeing him have to cope with his new dental situation. It's not often that we see Batman truly at a disadvantage. Usually, even when the odds are completely stacked against him, he still maintains his cool. Here, not so much. Hell, we even see him go so far as to... feed. That's definitely not something I expected. You'd figure there's no going back from that... however, for all I know we'll learn that he didn't actually "take a bite" next issue.
Where this issue dragged a bit was Father Green's history lesson. It just went on too long... could've been told in a page, and went on for a half-dozen. Thankfully, Gene Colan's art came along for the ride... and was glorious throughout.
We follow-up a bit on the subplot from last issue having to do with the stolen Batman file. It's funny that it's taken so long for someone to do the ol' Bertillon on Batman's facial measurements. I think you walk a fine line when you introduce things like this into superhero comics. This can be done for any hero with a secret identity... and if it is actually a "thing" in the DC Universe, there's no reason why people wouldn't.
The backup feature... was a backup feature. Nothing Earth-shattering... just felt like page filler. I do enjoy that Batgirl and Catwoman get a bit of love in the back-half of the Batbooks of the time, but have difficulty getting invested in either. At least the Catwoman one was funny... in an odd kinda way. This Batgirl story was pretty boring.
Overall, I enjoyed this quite a bit (no pun intended, maybe). We'll check in on our caped-crusader again tomorrow (same bat-time, and all that jazz) to see if there's a cure in his future...
--
Interesting Ads:
Wednesday, October 26, 2016
Batman #350 (1982)
Batman #350 (August, 1982)
"Nightmare in Crimson"
"Those Lips, Those Eyes"
Writers - Gerry Conway, Paul Levitz & Bruce Jones
Artists - Gene Colan & Tony DeZuniga
Letterers - Ben Oda & Adam Kubert
Colorists - Adrienne Roy & Tom Ziuko
Editor - Dick Giordano
Cover Price: $0.60
Now I gets ta' askin' myself... I says "Self, why should Soopaman have all the fun fighting... and becoming a vampire? Whattabout Batman?"... and so, here we are. Batman takes a walk on the vampiric side.
Of note... being a big 90's comics fan, I'm both surprised and disappointed that this big "350th" issue isn't covered in foil and hologram stickers!
--
We open with Robin, Dick Grayson running for his life away from an outstretched hand. There appear to be several upside-down crucifixions in his path. He runs into the waiting arms of a woman called Dala, who I'm assuming is his current love-interest. She flashes a smile full of pointed teeth and her arms turn to wings... and next thing we know, Robin wakes up.
Was the entire thing a dream? Well, I'm sure we'll find out before long. He wakes up to find a priest watching over him. He claims to have found Robin darting out into traffic earlier that evening. He almost struck him with his car, but luckily that was not the case... Robin collapsed, and the kindly priest decided to take him back to... wherever they are. He offers Robin the bed for the night, but Dick declines. Of interest, he glances in the mirror, and the reflection is fuzzy... whether that's his eyes playing tricks on him remains to be seen.
We shift scenes to Batman returning home from an adventure at the Headmaster's Crime Academy (which sounds like something we'll have to check out sometime soon!) He is remarkably upbeat... but that's probably just my post-Crisis talking. He lands his newfangled batplane and taxis into the barnside entrance to the Batcave.
He greets Alfred, who is quite pleased to see him. Ya see, he's got something on his mind... something disturbing. But before he can explain, Dick Grayson wheels on in. He's acting like kind of a jerk here, which is not lost on Bruce. Bruce also notes that Robin's motorcycle sounded "almost ghostly". Oohhhh...
Up in the manor, Dick informs Bruce that Dala invited them both to a big soiree at her place that night. It is apparently very important to Dala that Bruce attend. Bruce is rather agreeable, and says he'll be there. Robin removes his domino mask revealing blood-red eyes.
We hop to Vicki Vale's office at the Picture News. There's a fella in there rummaging through her files. I'm sure if I were more familiar with this era I'd know who this guy is... but I gotta plead ignorance. He finds the file labelled "Batman" and pockets it. He escapes the office just as Vicki enters. Her phone rings, and it's Bruce! He asks her to go to Dala's party with him, and she's down with it. We (or at least, I) learn that at this point in time Vicki Vale knows that Bruce Wayne is Batman! Wasn't expecting that.
That night at the party, Bruce watches as Dick is led away from the group and into the house by Dala. He gets the feeling that something's not quite right about this. Taking advantage of his date Ms. Vale chasing a story, Bruce ducks into house himself... until he gets to a locked door.
Yeah, like that's gonna stop him. He picks the lock with the quickness and enters... an empty room. There is nothing but wooden beams in the room, however, upon further inspection, with use of the bat-flashlight, Bruce finds bloodstains on the floor. He peeks out the window to see Dala leading Dick further away. Time to suit up.
Now caped and cowled, Batman hops out the window and swings down to the ground. The priest from the opening pages is here, and recognizes the Batman. Vicki Vale, now done with her chat with the Sheik is looking for her date. Batman reaches his destination and hears laughter... and assumes he's just overreacted and Dick and Dala are just... ahem, enjoying each other's company. That's not the case, however... a purple clad vampire leaps from the shadows and onto our man.
The vampire... who Batman totally doesn't believe in, by the way... grips him by the throat, then sinks his fangs into Batman's neck. Batman, still not believing in vampires, kicks the creep away... and bashes him over the head with a branch... I mean, he really gives it to him here. This is like a killing blow... if Batman really doesn't think this dude is supernatural... then this was meant to kill! Bruce reaches for his neck... and finds that he's bleeding. The definitely-not-a-vampire coldcock's the Bat, and we are... [to be continued...]
We start our backup feature with a shot of Selina Kyle in bed. Seems like she had one helluva night... she's achy, and can't remember anything.
She gets up and notes that her dress is all sticky... outta the gutter, you! It's nothing like that... in fact, it's blood! But whose? Oh, it's probably from the dead prostitute in the living room.
Selina gets all noir-y and finds a matchbook with the lamp from A Christmas Story on it.
Not a finguh! |
She's still too foggy to know what's going on. There's a noise from the bathroom, and so she decides to throw on her Catsuit and investigate. What she finds is a goony individual trying to climb out the window. She ain't havin' that... and so she jumps headfirst into the fella!
This doesn't work so good... seemed to have hurt her more. The goon runs away, and Selina has a flashback. Looks like Burt Reynolds is putting the dead girl (before she was dead, natch) into the backseat of a cab.
Selina decides her best course of action would be to buy a short blonde wig and pose as the dead girl for her shift at the address on the matchbook. As she walks in, she is called Candy, and is told that she "goes on" in fifteen minutes.
As she gets on stage for her strippy dance, she recognizes the goofball from the hotel... and so, she jumps headfirst into the fella.
If at first you don't succeed... |
This is just as successful as it was the first time, as the dude gets away. This time, however, Catwoman is able to give chase... but winds up doing her best "Hang in There" impression rather than catching the crook... we are [to be continued...]
--
Gotta say... I loved this issue. Really wasn't expecting to be so taken with it, but it really scratched an itch for me. I wanted a sorta-kinda scary story, and this was just that. And it was a different kind of scary... more like uncomfortable, I guess. Having Bruce be our point-of-view character for the second half and watching him follow a very spaced out Dick Grayson was really fun... even a bit tense.
Gotta plead ignorance on much of Batman's place in the world during 1982. I was surprised to see him so upbeat... really not used to that. Definitely not the Batman I was brought up on, but I must say I enjoyed it. I could get behind a Batman who smiles every now and again. Seems like a much healthier dude in these pre-Crisis days.
Gene Colan's art here was pretty much just what the doctor ordered. He just seems to be the go-to guy for all things vampire... not a bad reputation to have when you do what you do so well!
The backup feature was just kind of there. Decent enough filler, and it was drawn quite well... fun to write about, I'll give it that! Being that this is a serialized backup, there were bits that didn't quite explain themselves... like Selina being mistaken for the blonde dancing girl for instance... unless I just missed something. I did learn one thing from this... when Catwoman wants to attack someone... she falls back on her ol' reliable "collide with their body head first" offense.
We'll continue our coverage of Batman's trip down vampire lane tomorrow. I'm already looking forward to it!
--
Letters Page:
--
Interesting Ads:
Tuesday, October 25, 2016
I, Vampire (2011)
I, Vampire #1 (November, 2011)
"Tainted Love"
Writer - Joshua Hale Fialkov
Artist - Andrea Sorrentino
Colorist - Marcelo Maiolo
Letterer - Pat Brosseau
Associate Editor - Wil Moss
Editor - Matt Idelson
Cover Price: $2.99
Many people took the late-2011 launch of The New-52 as an opportunity to try out a whole bunch of new DC books. Others, like me, saw it as the opportunity to drop out. I went from buying more or less the entire DC line to... having only 3-4 on my pull-list.
More experimental titles like I, Vampire were ones I'd missed out on the first time around. I wound up finding the first few issues in the cheap-o bins over the past couple of years, figure Boo, Haunted Blog is as good a time as any to give it a peek.
--
We open in Boston... a man named Andrew is scaling a pile of bodies. When he reaches the top, he plunges an oaken stake into the vampire above. He expresses regret with having to do so, Andrew being a vampire himself. He'd much rather have locked the poor guy away, but alas... it's plungy plungy chop chop time.
From here, we (I'm guessing) jump back in time. Andrew is with a woman named Mary who expresses an interest in starting a revolution against... I dunno, non-vampires? She compares herself to a few revolutionary types from the past, and attempts to justify her murderous ways. Andrew attempts to reason with her... he believes there is a way in which everyone can live harmoniously. Mary ain't hearing it... in fact, she doesn't wanna hear anything from him. She lunges in for a kiss, and playfully flies off while teasing him to follow.
Back in the present, Andrew continues expecting the pile while recounting his conversation with Mary in his head. He comes across a young lady. He advises her that there was an attack... and she was unlucky. She is now a vampire. She doesn't believe him... the Sun is rising... and everyone knows Sunlight kills vampires. Andrew corrects her, and explains that Sunlight only cancels out their powers... it doesn't outright kill them. He promises her that her death will be quick.
Well, she ain't too keen on all that noise... and as such transforms into a wolf... which I didn't know vampires could do... and lunges for Andrew's throat. To which, Andy himself changes into a bestial form... and now holds the young lady by her throat.
Back in the past, Mary and Andrew sit in a cemetery... not too cliche, eh? She is still trying to convince him that revolution is the only way. We learn, through Andrew's rebuttal, that this series takes place in the DC Universe proper. He suggests that her "army" won't have much of a hope against a group of Green Lanterns and Wonder Woman.
Back in the present, the girl in the goozle begins to laugh. She says that "Mommy" told her that he (Andrew) was stupid. Suddenly hundreds of full-blood vampires swarm the scene. Andrew has no choice but to flee, and he does so by heading down a flight of stairs into the subway.
In the past, Andrew and Mary are now standing atop a building. She continues her coercion and turns to seduction to try and sway our man. She winds up shifting her face into one that was very familiar to Andrew... which he does not appreciate. From here, Mary goes full-Queen of Blood... and tells Andrew that she is only able to do so because he set her free.
Back in the subway, Andrew watches as the army of vampires slaughter dozens of innocents on a train-car. He pleads with them, but it is to no avail.
Andrew returns home, and goes to sleep. When he wakes up, he finds a rose and a note addressed to him next to him. It is Mary's declaration of war on the humans. She almost dares him to try and stop her... even saying that if he does, she'll only love him more.
--
Definitely not my usual cuppa'tea... but perfectly fine for what it is. I'm not sure if it's just me, but I felt absolutely no connection to these characters. I know, I know... this is just the first issue, and we're in the age of decompressed storytelling... but still, going by this chapter, I am not overly excited to see how it all turns out.
My experience with writer, Joshua Hale Fialkov is pretty limited. I know he wrote one of those stories for Marvel a few years back, when every few months they were teasing us with the end of the Ultimate line. I remember not digging that... I will say that I enjoyed this outing far more. I will say, the skips back and forth in time were a bit tough to follow on my initial read. Not sure if that's due to clunkiness in the storytelling... or in my head.
Andrea Sorrentino, current artist on one of my favorite Marvel ongoings, Old Man Logan is probably the perfect choice for a book like this. Love it on Logan... love it here! I've said it before when reading/reviewing Old Man Logan for Weird Science's Marvel Mondays, I don't know how Sorrentino can turn in such amazing work and still maintain a regular monthly (sometimes bi-weekly) schedule. Truly wonderful work... Marcelo Maiolo, who also works on Logan, provides the colors... and they are fantastic.
Although this didn't really engage me, I must admit that there is likely a solid, if not great story here for folks more into the vampire scene or mythology. I cannot outright un-recommend it... I will suggest, however, if you are interested in this series... maybe look for the trade paperback rather than the single issues. This read in a flash... I'd have to assume getting the whole thing in one gulp would be far more satisfying.
--
Interesting Ads:
Subscribe to:
Posts (Atom)