Thursday, November 3, 2016

Green Lantern (vol.3) #81 (1996)


Green Lantern (vol.3) #81 (1996)
"Funeral For a Hero"
"Telling Tales"
Writers - Ron Marz & John Broome
Pencillers - Darryl Banks & Gil Kane
Inkers - Romeo Tanghal & Joe Giella
Colorists - Pamela Rambo & Rick Taylor
Letterers - Chris Eliopoulos & Albert De Guzman
Associate Editor - Eddie Berganza
Editor - Kevin Dooley
Cover Prices: $3.95/$1.75

How do you celebrate the life of a man like Hal Jordan?  Especially in following the events of Emerald Twilight... and Zero Hour?  Well, your mileage may vary but it can be (and will be) argued that while Hal lived out his last days as a villain... he died a hero.  During The Final Night event, Hal Jordan... as Parallax, sacrificed himself to reignite the Sun... and save the universe.

Today we are going to discuss the memorial service for our man Hal... which, despite the way he described it during Blackest Night, was quite the touching and heartfelt affair.  Let's get right to it.

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We open with Donna Troy and John Stewart arriving at the ruins of Coast City.  In the distance they see an emerald energy construct in the form of a lantern-themed cathedral as a veritable who's who of the DC Universe arrives for the big event to come.


Guy Gardner pops into the scene and and pulls John away for some catching up, which leaves Donna the opportunity to reconnect with her old friend Dick Grayson.  They embrace, and Donna expresses a bit of discomfort being around the super-set now that she is a civilian.


After a bit of consoling, Dick and Donna approach Donna's current beau... and our current Green Lantern, Kyle Rayner.  He's chatting with Jack Knight, Starman about some old books when Dick and Donna run into him.  This is the first meeting between Dick and Kyle... which surprises me.  By this point, Kyle's been around for about three years.  Just goes to show that the books weren't nearly as intertwined in the 90's... despite thoughts to the contrary.


Dick gives Kyle the "big brother" talk... ya know "you'd best take good care of her" and the like before breaking away.  Donna and Kyle survey the landscape and check out all the folks who came into to pay their respects.  We see former members of the Green Lantern Corps, Hal's friends from Ferris Aircraft, John Constantine and Swamp Thing, and even a smattering of old GL foes.


After a deep breath, Donna and Kyle enter the cathedral.


Up in the rafters, the Bat family (and Deadman) show their respects their own way.  Batman refuses to excuse Hal's transgressions, regardless of whether or not he "went out a hero".  This appears to vex Time Drake some.


The first person to deliver a eulogy is the man himself... Superman.  He makes it clear that while he knew Hal better than many... he didn't know him as well as some, referring to the Green Lantern Corps and the folks from Ferris.  He laments the fact that this is the second such event in short order, as Oliver Queen had passed not too long before this.  You really get the feeling that the heroes get the gravity of what they do during a situation like this.  It's really interesting to consider... 


Guy Gardner and John Stewart take turns at the podium next.  Guy states that while they never saw eye to eye, that he considers Hal Jordan to be the "best of us"... the best Green Lantern, and the best hero.  John shares a story of how Hal trained him to be something more than himself when he inherited the ring.


Next up is Black Canary.  In two panels... just two panels she makes me miss Hal (and Ollie) more than anything else that happens during this issue.  She just comments on their friendship, and her involvement with them... it makes you think about times long passed... those moments that you'd give anything to revisit... but you can't.


Wally West is next, and shares a few words about Hal's friendship with his Uncle Barry.  His message is "it gets better", which, like... I know where his heart is, but it's one of the last things people mourning a passing want to hear.


Carol Ferris takes the podium, and talks through her tears.  This, I feel, was the only misstep here.  I would have preferred her to be a bit more upset.  Hal's been gumming up her life for years now... and now he's just gone.  What we get are some tears and a soliloquy... I don't think I needed her to collapse and bawl her eyes out... but I was expecting a bit more.


Finally... the replacement steps up to the mic.  Kyle Rayner, who at this point, is such an awesome point of view character, tries to share his feelings... but seems to be confused by them himself.  He has an immense feeling of loss... for a fella he didn't really know.  He makes it clear that he's not here to replace Hal... that's something he'd never try to do.


He expresses regret that he never knew the Hal the others did.  His only encounters with him were contentious... and nearly fatal.  He lifts his ring toward the sky, and opens the roof of the emerald cathedral.  The inhabitants are suddenly bathed in golden sunlight... sunlight that is only possible because of Hal Jordan.  While it's not quite an Emerald Dawn... it is still a new dawn that, without Hal's final act, would never come. 


Outside, the first Green Lantern Alan Scott has some words to say about his sorta-kinda successor.  A monument has been erected in memorial for Coast City.  It is a giant spire with a ring of fire at its base.  Alan gives it a blast, and turns the flame green... signifying that Hal Jordan and Coast City are forever joined.


Superman gives Swamp Thing the "okay", and he proceeds to fill Coast City with lush green vegetation... including a lantern-shaped topiary.


Finally, Kyle Rayner uses his ring to forge an emerald Hal Jordan statue to stand in his honor.  Of course, Kyle can't get the last word here... no, that honor goes to Batman.  Batman does the whole "I'll forgive, but never forget" thing, and gives Hal the a-okay to R.I.P.  Gee thanks, bats...


Following the main story, we get a backup which is kind of like The Final Chapter from Amazing Spider-Man #33 (1966).  Hal is trapped under wreckage and questions why the ring ever chose him... we then go to a six-page reprint of S.O.S. Green Lantern from Showcase #22 (1959), which proves to be enough to get Hal to free himself.  Not a whole lot more than that... but pretty neat for what it was.


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This was a beautiful issue... in more ways than one.  On one hand, it's gorgeous to look at.  From both versions of the cover, to every panel inside... just wonderful.  Keeping with the cover for a bit, just look at that "deluxe" version.  It's mottled just like marble... and it's textured to feel like it as well.  Just lovely... I know the gimmick covers get a lot of guff from we discerning comics enthusiasts... but, c'mon... that's how ya do it.

Now... on the other hand, this issue perfectly illustrates something DC does better than anybody else... depicts their pantheon of heroes as a family.  When you look at the Marvel heroes, you get the impression that they're a group of coworkers... and hell, these days most of 'em are on S.H.I.E.L.D.'s payroll, but with DC... they're a family.  There's legacy... there's lineage... it's apparent just from looking at them that they care for one another.  The loss of Hal Jordan, regardless of what his constitution was at the time... was still a loss to the superhero community.

Just like when we discussed the issue of Guy Gardner: Warrior where he opened up his Planet Hollywood-alike, we get a veritable who's who of the DC Universe (circa late 1996) here.  Just like then, we also get some rare mainstream DC appearances (for the time)... Swamp Thing and John Constantine.  The turn out truly depicts Hal Jordan's passing as the huge deal that it is.

In my various rereads of DC's late nineties... it's hard not to notice that there was change in the air.  Having both Ollie and Hal off the table... even for just a bit, really changes the entire dynamic of the Universe... at least to me.  You got the feeling that none of the... for lack of a better term, second stringers... were safe back then.

The eulogies, to me, were the clear high point here.  I really liked how Marz made it so one kind of ran into the next.  They didn't go on too long, and didn't get too "purple".  They tugged at the heartstrings the perfect amount, and all the right folks had their chance at the podium.

Superman belonged there, as kind of the statesmen for the caped-set.  It just wouldn't have been right without some words from him.  On the other side of the coin... we've got Batman.  He showed his respects by attending... but couldn't bring himself to sit among his contemporaries.  At first I thought it was due to his "urban legend" distinction post-Zero Hour... but he does join in at the end, so he was just being a grudge-y jerk.

Dinah's bit was pretty tough.  In such short order she finds herself losing two folks close to her in Ollie and Hal.  I'm so happy she was able to speak during the service... it really drove home that the Hal that went out wasn't always a bad dude.  In fact, when compared to Ollie, Hal was a straight arrow... no pun intended.... well, maybe.

Kyle wraps up the eulogies... and, at this point... he's just the perfect point of view character for the reader.  He's just some kid swept up in something so much bigger than he is.  He's been given this power, and this designation as Hal Jordan's successor... imagine the pressure.  The eyes of the superhero world are squarely on him as he tries to muster the words to discuss his predecessor.  I gotta say, it took me a little while to warm to Kyle... not that I was that hot on Hal when I was a kid, but in all of my rereads, I can't imagine not digging ol' Kyle.

Ron Marz used to get a lot of H.E.A.T. (hurr hurr) for "hating" Hal Jordan.  Not sure how anyone can read this issue and come away with that.  This is truly a celebration of the character... and a fitting way to shuffle him off to his brief stay on "the other side".

Overall... if you're askin' me, this is definitely a must-read.  Luckily this bugger's available digitally if you are so inclined.  Great writing, great art... a proper send off for a true hero.  Some of the best DC Comics of the late 1990's.

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Letters Page:


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Variant (Newsstand) Cover:


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Wednesday, November 2, 2016

DC/Marvel All Access #3 (1997)


DC/Marvel All Access #3 (Late February, 1997)
"In the Doctor's House"
Story - Ron Marz
Pencils - Jackson Guice
Inks - Joe Rubenstein
Colors - Lee Loughridge
Letters - Bill Oakley
Separators - Digital Chameleon
Associate Editor - Chris Duffy
Editor - Mike Carlin
Guiding Force - Mark Gruenwald
Cover Price: $1.95



Welcome everyone to Super Blog Team-Up #9 MAGIC!

This is usually where I engage in a bit of self-depreciation about how my stuff will probably pale in comparison to the other great folks taking part... but I'll spare you all this time around.  So, no self-depreciation this time, got it?

So, this week it appears we've got yet another comic book movie that I'm not going to see opening in theaters.  Anyone who has followed my blog for any amount of time knows that the flicks ain't my thang.  I'm all about the comics, however, if you dig the movies... that's cool.  I really hope you enjoy Dr. Strange.

Speaking of the good doctor, today we're going to be discussing a run-in he had with a certain Caped Crusader of Gotham City.  This occurred during the All Access series that spun out of the Amalgam Universe clusterschmazz.  If you wanna get up to speed on this one, I did discuss the issue that came before it a few months back.  Long story short, Access... the only (to my knowledge) DC and Marvel co-owned character, has the power to travel between the universes.  He has been tasked with keeping them separate, as for whatever reason, they really seem to want to merge.  During this series, the universes appear to be doing just that.  Marvel characters are popping up in Gotham City, and DC characters are making the leap as well.

What follows is my normal spoilery synopsis, a review, a smattering of interesting ads from the issue, and finally a listing of all the other great blogs taking part in the "hop".  If you've found me through one of them, I want to sincerely thank you for taking the time to check me out... and I hope you enjoy, and decide to pop back in from time to time!

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Picking up where we left off at the end of last issue, the Scorpion looms over Robin and Jubilee... Access is there too, being just as useful as we've come to expect.  Lucky for the tots, Batman just happened to be swooping by.  He knocks Scorp off his feet, and proceeds to engage in some Batmanny tough talk.



Scorpion, having not ever seen a Batman before, isn't terribly impressed.  If he knew any better he wouldn't come at the Bat with sass... but, he doesn't... so he does.  To quickly take him out, Batman THAK!'s him on the head with a batarang.  Makes me glad this didn't happen post-2000, or else the 'rang might have sliced the top of his head off... or at least cost him an eye!



With the threat neutralized, Batman looks to his sidekick to find out just what in the hell he walked into.  He lectures Tim a bit on engaging Two-Face all by his lonesome before turning his attention to the garishly dressed mutant girl and the shoulder-padded goofball who brought her here.  Access gets all "hommina hommina" and tries to tell Batman that folks have been appearing in the wrong universe.  Batman... wishes him luck figuring it all out.  Wow, that's cold Bruce.



Access pleads with Batman to help him get to the bottom of this... claiming he needs a detective rather than a powerhouse.  His appeal is met with... well, zero resistance.  Batman decides to throw in with our hero.  He informs Jubilee that it's time to go... but she don't wanna... she asks for just a moment of privacy with Robin... and makes Batman (and Access) turn their backs.  Okay, that was pretty cute.



What follows really makes me feel bad for Jubilee.  I mean, she's really hung up on the Boy Wonder, and he... well, he just doesn't seem all that into her.  Anyhoo, they kiss... though, I think Robin's just being polite.  To further drive the point home, a flyer for the Gotham City Playhouse production of Romeo & Juliet blows by in the breeze.  Oy...



Okay, with the goodbyes said... it's time to go.  Batman has Access transport him into the Marvel Universe.  Upon arrival, Access offers to take Jubilee home, however, she has another destination in mind.  We get a pretty neat shot of Batman thinking he's seen Catwoman... but it's really just the Black Cat.  Wonk wonk.



Access returns and shares with Batman the story of the Amalgam Universe.  Batman doesn't remember... which makes sense, because as far as Access can tell, he himself the only one who knows.  He tells Batman about the most powerful being in the Amalgamated Universe... Dr. Strangefate!  Now, Strangefate was so powerful that he was actually aware that the Amalgam U wasn't supposed to exist!



Access thinks to himself, and recalls recognizing the window of a certain Bleecker Street dwelling... and so, he escorts the Batman there.  Batman being the master detective and all-around shadowy fella that he is... decides to crash through that very same into, right into the home of Doctor Strange!



The two prepare to engage in spiritual and physical warfare.  Batman informs him that he believes Strange to be the key to saving both of their universes.  Before a single punch or magical blast is thrown/fired, Access pops his head in to ruin all the fun.  Jeez, this dude is a buzzkill.  



He shares his suspicion with Strange... but Steve is steadfast in his innocence.  Batman tells Strange that he's "comin' with him" back to the DC Universe for further observation.  The Doc really ain't feelin' that.



There is a sudden burst of light... and we find that the X-Men are now on the scene.  Not really sure which X-Man has the power of teleportation in this scene... but, we'll just allow it.  Batman tries to plead his case, but Cyclops has another plan in mind.  Jean Grey, the Phoenix can see if Strange is hiding any nefarious secrets.



Strange is cool with this option, and allows Jean into his mind.  She read him... and gives the "all clear".  There is nothing sinister lurking in the good Doctor.



Access is shocked!  Shocked, I tell you!



Batman takes Access' surprise as evidence that this mind-reading wasn't quite as extensive as he'd like.  He still insists on bringing Strange back to the DCU.  This ticks off Bishop, who throws a punch... and gets his be-hind knocked out for his troubles.



We've now got Batman vs. the X-Men... kinda.  Cannonball launches in Batman's direction, despite Cyclops' command to the contrary.  Batman uses Sam's momentum against him, and sends him flying directly into Storm.  It isn't long, however, before the numbers game catches up to the Bat.  He soon finds himself staring into the business end of Bishop's guns.



What the X-Men (and me, as the reader if I'm being honest) didn't notice was that during the fracas, Access left to seek reinforcements.  What he returns with is the JL-freaking-A.  This is the magnificent sev... well, six... and they ain't happy.  Clearly, this is... [to be continued...]



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Well... this sure was an issue of a comic book.

Ya see, I purposely didn't read this one until this past week.  I wanted to save it for the Doctor Strange film release... imagine my surprise when, despite being prominently featured on the cover... Doctor Strange is only in this issue for a handful of pages!  Despite my own X-Men origins, it's still sometimes hard to remember a time when they were so prominent in Marvel events.

As we've come to expect, Ron Marz' script is quite good, and Jackson Guice's pencils are very nice as well.  Anyone who has been with me for a while knows my dislike for the coloring of this era.  Just so muddy... and really does a disservice to the pencils underneath.  Looking at any given page of this book, it looks as though I can drag my finger across it, and come up with color.  In my opinion, this glossy paper/digital coloring marriage came far too soon to look good.

Now the "stars" of this issue.  Being a big 90's comics fan, I never felt as though we were clamoring for a Batman/Doctor Strange crossover.  I mean, last issue's Robin and Jubilee, I get.  The combos for DC vs. Marvel (or Marvel vs. DC) all made sense, and helped solve several comic shop arguments... while igniting a whole bunch more... but this just seems kinda random.  I mean, I get that it progressed the story the way it needed to go, just didn't do a whole lot to tickle me "what if?" itch.  Let's look forward to the next chapter... the JLA vs. ... the X-Men?  I mean, the Avengers are right there (relatively speaking)!  Now that's a team-up/battle we wanted to see.

Overall... not a bad issue, but one that's hard to recommend.  It's an issue that... if you missed it at time of release, you probably don't need to seek out... however, if you were there in late 1996, you were likely foaming at the mouth for it.

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No Letters Page... but we've got CREDITS!



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Super Blog Team-Up Continues Below...


Between the Pages Blog
The Wondrous Worlds of Doctor Strange

The Crapbox of Son of Cthulhu
The Makings of a Sorcerer Supreme:Optimism and Sacrifice

Coffee & Comics Blog
Review: Dr. Strange #84

Longbox Graveyard
Doctor Strange vs. Dracula

Superhero Satellite
Strange Magic

DC in the 80's

The Unspoken Decade
The Daily Rios

Chris is on Infinite Earths
Batman Visits the Sanctum Santorum
Heyyy, that's me... you made it!

Tuesday, November 1, 2016

Booster Gold (vol.2) #5 (2008)


Booster Gold (vol.2) #5 (February, 2008)
"52 Pickup, Chapter 5: No Joke"
Writers - Geoff Johns & Jeff Katz
Penciller - Dan Jurgens
Finishes - Norm Rapmund
Colors - Hi-Fi & Lee Loughridge
Letters - Nick J. Napolitano
Assistant Editor - Harvey Richards
Editor - Michael Siglain
Cover Price: $2.99

Been saving this one for after the big Boo Haunted Blog "event".  Hope anybody who stuck with me dug it.

Reggie and I discussed this issue on The Cosmic Treadmill a few weeks back (Episode 94 for time-travelers).  We had a great time going over not only this issue itself, but all the controversy surrounding its source material.  I was really proud of the way it came out, so definitely... if you are interested, please give it a listen.  You should listen to the whole show, but if you're just wanting to hear the Boosterific bits, it starts at time-stamp 6:47:12.

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We open some years back.  Batgirl, Barbara Gordon is dealing a finishing blow to the Scarecrow atop a Gotham City building.  A bit later, we see her talking to Commissioner Gordon.  She almost slips and calls him "dad".  She quickly corrects herself, and refers to him as "detective", which he's not... but that doesn't matter all that much.  He appears to be rather taken with her... which tells me he either knows she's his daughter... or that things might get a bit weird.


Back in the present, we visit Rip Hunter's time lab.  Here Rip is keeping a man who referred to himself as Rex Hunter prisoner.  I'm assuming they'd caught him in an earlier chapter.  What's awesome about Rip's lab is the cryptic notes scrawled across his several chalkboards.  Each one is a potential hint about things that are about to happen in the DC Universe.  I remember being obsessed with these things.


Rip tells Booster that he's got another time-gig for him.  This time he is to stop Barbara Gordon from becoming paralyzed at the hands of the Joker.  It's funny... for such a huge event in not only Bat-history, but comics-history... they're both pretty nonchalant about this.  It's like... "Okay, save Babs... no big."  Anyhoo, Rip promises that as soon as Barbara is saved, they can turn their attention toward bringing back Ted Kord.


Booster gets Quantum Leaped, leaving Rip to interrogate his "brother" Rex... and by interrogate, I mean poke and prod him with all matter of pointy things until he cracks.  Rip Hunter don't mess around when it comes to procuring information.


Booster arrives at the carnival from The Killing Joke.  He confers with Skeets until some oddly-shaped shadows appear.  Before he can act, he gets jumped by a clan of carnies.  They hit him with a paralysis dart before pummeling him, de-masking him, and kayoing him with some gas.


Now, for something completely different... we join the current Blue Beetle Jaime Reyes as he takes in a lucha libre show with Mr. Smith.  Before they get too comfortable, the Black Beetle appears a row behind them, and advises Jaime that he is needed.  They both vanish in a burst of light.


Back at the carnival, Booster returns to consciousness... that's the good news.  The bad news is, the Joker is standing before him.  The Joker doesn't appear to recognize Booster... which is kind of the joke of this volume... and decides to dispose of him by having one of the, ahem, larger carnies drive a novelty rail-car into him.


We rejoin Rip and Rex.  Rex looks much worse for wear at this point... but he's still not talking.  Well, except for threatening to go back in time to snuff out Booster in the crib.  Rip fears that someone may have found out Rex's real name, and refers to him as Jason.  Just when it appears that he may be getting somewhere, Rex vanishes.


We shift to somewhere... and somewhen... the Ultra-Humanite, Per Degaton, and Despero... who appears to be the pre-Crisis variation are standing in a nursery.  It appears as though they just snuffed out a child... named Jason... in the crib.


Booster wakes up hanging in a cell.  Skeets cuts him down, but it's clear that he is likely too late to successfully complete his mission.  At that very moment, Barbara Gordon is serving a tray of coffee for her and her father... and the Joker arrives at an apartment building.


What follows is an incredible take on "the" scene from The Killing Joke.  Dan Jurgens absolutely nails Brian Bolland's style... and the panels are juxtaposed with Booster's (failed) attempt at rescue.  Barbara still gets shot... and goes through the glass table.


Although he's too late to save Ms. Gordon, Booster still jumps into action.  He makes quick work of a pair of Joker-cronies... but the man himself gets the better of him.  Just when the Joker is about to blow Booster's brains out, he gets pulled back to the present.  As Reggie pointed out during the podcast, the Joker does pull the trigger here.  This wasn't just him taking aim.  He would have killed Booster, had he not "leaped".


Booster wakes up back in Rip Hunter's lab.  He is informed that the mission was a failure... and so, he begs for another shot.  What follows are several more shots... each failing in different ways.


He returns to Rip's place again... and this time, Rip refuses to send him back.  Ya see, he was doing this to make a point.  There are just some moments in the past that are "fixed".  They will never change no matter how hard Booster tries.  He was doing this to inform him that Ted Kord's death is, in fact, irreversible.


Booster shoves Rip... he quits the time-mastering biz and proceeds to walk out... and then... the Black Beetle, Blue Beetle... and even the original Blue Beetle arrive in the lab... they have need of Booster... the mission: Save... Ted Kord?


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Just like we discussed on the Podcast... this was one hell of an issue.  Such a great way of using the Booster character... and the current Time Mastery gimmick.  Really felt like this series "mattered", even though it didn't make any sweeping changes to the continuity.  Booster's tagline of being "The Greatest Super Hero You've Never Heard of!" is wonderfully fitting during this era.

This is probably the closest thing to a dream team for me creatively.  I don't think Geoff Johns nor Dan Jurgens have disappointed me yet.  I've enjoyed just about everything they've done.  Gotta say, Jurgens doing Bolland was incredibly impressive... looked awesome!

Like I mentioned on the show, I appreciated that this used The Killing Joke to illustrate that there are fixed points in time that simply cannot be changed.  Granted this is at least a continuity ago... but, dammit... it was my continuity, and as far as I'm concerned it's still the "real" one.

Booster and Rip's relationship... which, at this point in time was still on the nebulous side.  There were hints here and again as to a familial link between them, but if I'm not mistaken, no cats were let outta the bag just yet.  Seeing Booster being led by the carrot on a string of bringing back his best buddy is pretty heartbreaking.  We get the impression that it's all he can think about.  It's been some time since I've read Countdown to Infinite Crisis, but I seem to remember their last words to one another weren't terribly cordial.  I believe Ted was hot on the trail of the OMAC Project, and Booster was too wrapped up in his own sponsorships and what-not to give a brother a hand.  Gotta figure the guilt is driving him mad.

As for The Killing Joke itself... I feel it's a... story.  It's not my favorite... but I don't hate it either.  I have some problems with it... especially the way it ended.  It may not be a popular opinion, but I really dislike that Batman laughed at the Joker's joke.  I'm not sure if that was some Moore-ian symbolism that I missed, but I didn't dig it.  Now for the Batgirl-to-Oracle facilitation... I don't have any problem with it.  I quite like it, in fact.

To me, Barbara Gordon was never more heroic than when she was Oracle.  This best illustrates her strength and character.  She overcomes a debilitating injury, and somehow turns it all around to become the most inspiring and vital character among DC's pantheon of heroes.  Again, it may not be the popular opinion, but I feel that returning her to the Batgirl togs did her a true disservice.  She's now just another costumed hero, when we all know she can be and has been so much more than that.

I guess I'll leave it at that... just so I don't grow this tangent to planet-sized status.  Suffice it to say, there's still a ton of things we can discuss about this... but, this is a Booster piece... I'm sure The Killing Joke will raise its head again at some point.  This is an issue that, regardless of where you stand on the source material, gets my highest recommendation.  The post-52 Booster Gold volume was... well, gold.  It's been collected and is available digitally if you are interested.

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