Friday, June 9, 2017

Robin Annual #1 (1992)


Robin Annual #1 (1992)
"The Anarky Ultimatum"
Script - Alan Grant & John Wagner
Pencils - Tom Lyle
Finishes - Scott Hanna
Colors - Adrienne Roy
Letters - Tim Harkins
Assistant Editor - Scott Peterson
Editor - Dennis O'Neil
Cover Price: $2.50

Heyyy, it's the #BestEventEver, and it's finally time for my "official" contribution to the blog-cast crossover!  But Chris, I hear you saying, haven't you been talking about Eclipso all damned week?  To which I say, um... look directly into this diamond.



So yeah, Eclipso: The Darkness Within... one of the events that brought me into the DC Universe as a fan.  I'd be lying if I said speculation had nothing to do with it... but, I also felt like this could be a great way to learn a little bit about the DC heroes.  That idea would be, as many passions of a twelve-year old might be, short-lived.

It actually lasted until I saw, get this, the price tag.  I mean, $2.50 was a lot of money... that's like two-days of lunch money.  If I was gonna starve for two days, I'd damn sure better be able to buy more than one book.  This was actually the only tie-in I bought 'off the rack'... and you can see the reason why... if you look at the top-left corner of the cover.  Ya see that?  Yeah, I used to love the way a #1 looked on the cover of a comic book.  Of course, this was before a time when two-thirds of an average comic fan's collection would consist of #1 issues.

So yeah, I was bit by the speculation bug.  Never saw this as an "investment" issue, for whatever reason... perhaps because I was planning to buy all the Eclipso stuff anyway.  As I've discussed here (and elsewhere), it wouldn't be until November that I started buying some DC with regularity... but that was for something that might actually warrant the unironic use of the #BestEventEver hashtag.

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We open with... sigh, Anarky climbing up the side of a building.  This is the building of famous sculptor Sergio Pantalone, who (I would assume) in earlier installments of the Eclipso annuals released some sculptures into the world with Black Diamonds on them... as black as a capitalist's heart, says Anarky... edgy.  Either way, our long-necked geek villain wants any diamonds Sergio has left!  I oughta mention that Sergio was watching the news when Anarky arrived, and the report discussed a "car of the future" powered by solar energy... and if you don't think that's gonna be important later, I dunno what to tell ya.



It just so happens that Robin is swinging by... well, okay he doesn't "just so happen" to swing by, he's on the job.  He sees that Pantalone's skylight has been busted up, and knows someone's beaten him to the punch.  Inside the artist explains that under the threat of face-melting, he handed over his remaining five black diamonds.  Robin glances out the window and, whattaya know, Anarky hasn't made it all that far!



Tim gives chase, and throws a Robin-rang at Anarky's swing-line... severing it... causing the baddie to plummet to an alley below.  Luckily there was garbage to break his fall, otherwise Robin might've just killed someone.  On the bright side, it would have signaled the end of this issue!



Robin swings down so they might have a chat... to which, Anarky drops the cutest, tiniest little smoke bomb.  He easily evades the Boy Wonder by leaving him in a... very tiny, cloud of smoke.  Like seriously... if Tim leans six inches in any direction, he's out of the cloud.



We follow Anarky down the street where he runs into a man who has recently lost everything.  His job, wife, car... you get the picture.  He's swigging some booze shouting at the Gotham People's Bank... blaming them for all of his problems, or at least drunkenly attempting to point out the hypocrisy of a bank being named after "the people".  Anarky sees him as an easy 'mark' for a black diamond.



It's not long before the man emits several plumes of black smoke which converge in the form of a beast-man with familiar Eclipso-ian word balloons.  Luckily, Robin meandered his way out of the four cubic feet of smoke to arrive on the scene.  Further, it's lucky he is armed with a solar flashlight... which drops the beast, unfortunately after it levels the bank.



Robin checks on the angry dude, and manages to reclaim the black diamond.  One down, four to go.  On his way to juvenile hall to follow up on Anarky, aka Lonnie Machin... who acts like a 14-year old because he is a 14-year old, he checks in with Batman to give a status update.  Once there he goes to log in to the baddie's computer, only to find it guarded with a dreaded passcodeword.  Whodathunkit?



Elsewhere Anarky is hiding out.  He stashes three of the four remaining black diamonds behind a false brick before readying a package for the mayor.  It's as though this fool is going for his junior-anarchists merit badge or something... the package is actually marked with the classic A-O anarchy symbol.  Yeesh.



Back at juvie, Robin is attempting to crack-the-code by trying to use names of famous anarchists... and when that doesn't work, he takes the chance-in-a-million shot of entering "codeword" as the codeword.  It works!  Which makes me realize that Anarky utilizes the same level of computer security as I used to when I worked in an office!  Good to know.



We rejoin Anarky as the Mayor is leaving a function.  He drops his package and flees.  The Mayor's security detail deduces it ain't a bomb by... well, opening it... great detective work there, slick.  No friends, it's not a bomb... it's actually a video tape.



Meanwhile, Tim's still a'typing and a'snooping.  We see that Anarky has access to Commissioner Gordon's files, and also that he is planning something he calls "the citizen's charter".  At the very same time, the Mayor is loaded into his limousine... where he pops the tape into the deck.  Why, it's Anarky!  And he's got himself some demands.  First: outlaw cars, second: double welfare payments, third: give homeless people houses, fourth: Commissioner Gordon fired and replaced by an elected citizen's committee.  I'd ask "What is he, fourteen?" but we already know the answer to that.



If his demands are not met, he promises to drop Gotham to its knees... and, as a sneak-preview for his powers, he intends to level the East Side Bridge that evening.  This takes us to... well, the East Side Bridge, which Anarky is sitting atop, black diamond in hand.  He says that he's been "careful" to hold in his feelings thus far... which seems a bit suspect, but we'll allow it... and now it's time to "really let rip".  He Eclipso's up (the moonface on his gilded mask is a nice touch) and destroys the bridge!



In a shocking demonstration of forethought, Anarky sets a solar flare to go off ninety seconds after he "lets rip".  It goes off just in time, and returns our boy to his non-Eclipsed self.



Back in juvie, Robin is copying all of Anarky's files.  Batman calls to check in on his progress, to which, Tim says he still doesn't know where Anarky might be.  Batman's all, "hey, maybe check the bridge that was just destroyed" and off he goes.  On the way out, Tim does notice some odd grains on the windowsill... and yeah, this will be important.



At the remains of the bridge, Batman and Robin plan their next moves.  Batman asks Robin to take a look around the Bradford Heights area, as that's where the Machin family stayed.  The morning comes, and before Tim can scadoo he must wait for his father to go away for the weekend.



With Pop out of the way, Tim hops on his ten-speed and heads to the heights.  He asks some of the locals if they know anything, but nobody's seen the family since they left the area five years earlier.  Nearby, young Lonnie is wandering the streets annoyed that, believe it or not, cars haven't yet been outlawed... and, there are still homeless people on the street!  He calls the Mayor to complain.



He reiterates his threats while the Mayor's staff traces the call.  One of the staff mentions the call is coming from Bradford Heights, causing Lonnie to tell them that if they're trying to trace the call... they can forget it.  B-b-but, they just did... right?  Anyhoo, Lonnie's annoyed, and hangs up the phone while a transient cheers him on.  Man of the people, that Lonnie!



Back with Tim, as he's about to give up the chase... he calls in to Alfred to inform him of all the "nothin" he found in Bradford Heights, when he happens to ride past Orlando Grain Millers.  Hmm... didn't he just find some grains on Anarky's windowsill?  The Boy Wonder Robins up, and wouldn'tcha know it, stumbles into Anarky's lair... which is helpfully marked with a giant A-O anarchy symbol.  He spots a marked map, and knows Anarky's next stop.



It's the Robinson Park Carnival!  And it's here we meet some teen-agers (tm. Bob Haney) who are engaging in some teen-age drama.  Ya see, Jimmy was dating Dinah, but then left her to be with Cindy.  Dinah didn't take this all that well, and when she confronted the couple, silver-tongued Cindy referred to her as a Dinah-saur (sick burn!) and pushed her into a garbage can.  I suppose I should mention here, the "dinosaur" thing's gonna come back around... 



Anarky is on a nearby tower plotting his next move.  He brandishes his black diamond, I suppose to look menacing while he monologues internally... and definitely not to set up the next scene.  Robin swings in, and kicks the baddie in the head, causing him to drop said black diamond, directly into the pocketbook of the irate Dinah-saur... which causes her to evoke a, sigh, dinosaur.



We rejoin Jimmy and Cindy as they are about to enter the tunnel of love.  They see the dark-dino and can hear Cindy's name being called out by its bestial voice.  Cindy's obviously a bit shaken, but Jimmy still wants to make out.  Ay yai yai.



The Eclipso-construct-dinosaur attacks, which causes Jimmy to flee... like ya do.  Before the beast can take a bit out of sweet Cindy, Robin swings in (I feel like I'm typing "Robin swings in" a lot) to save her.  He tosses some smoke pellets at the monster... and announces it, like he's an anime character pulling off a special move.



It's at this point that Anarky realizes he's going to have to work alongside Robin to take down the dino.  His attempts are rather less than successful at stopping the monster, but I suppose we can give him points for slowing it down.  The whole mishegoss wraps up at the roller coaster.  The dinosaur has Cindy in its mitts, Anarky is... somewhere... and Tim has commandeered the solar-powered car of tomorrow!



Which finally takes the beast down.



Robin rescues Cindy... and "thwips" Anarky.  As the pair of costumed-types leave the park, they comment on how they didn't make a bad team... ay yai yai... 



--

Well, for all the fun I poked at this during the synopsis, I didn't dislike this.  I suppose I oughta concede that I do consider this issue somewhat special due to nostalgia, remember where I was when I bought this, and what-not... but at the end of the day, it was a decent story.

The character of Anarky... for as annoying as he is... and, he most definitely is... he's a great example of a villain whose heart is in the right place, however, does not grasp the scope of what he'd demanding.  I think we all knew people like this in school... maybe you were like this in school.  You can see all of the problems in the world, and realize that there's an immediate and exacting solution for them... but don't think much further than that.  It's like sure, if all cars were taken off the road, the air would be cleaner... but then what?  If all homeless people were given homes, that'd be wonderful... but then what?  It's hard to swallow that sometimes things (and I hate this saying, because it usually feels like a cop out) "are what they are".

I am glad that Anarky is, in fact, a child.  It allows the writers to explore these concerns with a measure of naivety.  It's not subtle, but so few things are when you're an angry teen-ager out to fix the world.  I don't think I'd wanna go and seek out that short-lived Anarky ongoing DC put out in the mid-late 90's... but, as a one off villain, I'd say we could do far worse.

The Eclipso bent was central to the story, which is nice to see... it didn't feel "tacked on" in the slightest... which might be due to this being a special "on off" Annual.  Robin's own ongoing series hasn't even started yet (and wouldn't for over a year... though, there were miniseries') so this is very much a specified Eclipso special... starring Robin.  Pretty cool.

Overall, this is a silly story... but worth checking out.  I did give it a few jabs here, and it does drag here and again, but it's not bad.  I wouldn't pay cover price for it (again), and luckily, if you're interested... you probably won't have to.  This is almost always in the cheap-o bins (at least in my neck of the woods).  Can't imagine you'd have to pay more than a buck for this... unless of course, you want it digitally... then you're paying two bucks.

This wraps up my contributions to the #BestEventEver blog-cast crossover.  Before I go, I wanna thank them for including me... it's been a lot of fun, and I look forward to our next community-collaboration!

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Interesting Ads:




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The Darkness Continues...












Also remember you can follow along on Twitter using the hashtags #BestEventEver and #EclipsoTDW25



Thursday, June 8, 2017

Starman #45 (1992)


Starman #45 (April, 1992)
"Star Shadows, Part Four: Starlight, StarBRIGHT!"
Writer - Len Strazewski
Penciller - John Calimee
Inker - Roy Richardson
Letterer - Bob Pinaha
Colorist - Tom McCraw
Editor - Paul Kupperberg
Cover Price: $1.25

Last stop before #BestEventEver!  Tomorrow's piece will be the blog's "official" offering to the crossover, and we'll be checking out one of the Annual tie-ins... actually the only one I bought off the racks during the Summer of 1992.

But that's for tomorrow... Today let's focus on putting Starman to bed.

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We pick up with the arrival of the Solar Jet at S.T.A.R. Labs where a confused Kitty Faulkner looks on.  She watches as her new associate Bruce Gordon de-boards... and de-helms, revealing himself to be, ya know... Eclipso!  She frantically tries to get away, even resorting to transforming into her Rampage persona.  Her hulk-out is short lived, however, as Eclipso nails her with some black energy.


A little ways away, Will careens back to Earth... splashing down in (I assume) Metropolis... bay?  harbor? gulf? a body of water is what I'm trying to say.  He crawls out of the drink and drags himself to a pay phone to contact the Justice League Embassy in... France?  Not sure why he wouldn't call the domestic league, but whattayagonnado?  Maybe they're still salty at him for turning down membership.


Back at S.T.A.R., Eclipso has Kitty shackled to a wall... which makes me wonder why S.T.A.R. has wall shackles in their labs to begin with.  He reveals that he's wanting to use Starman as a storage device... which, I thought we already knew... Oh well, I guess "Part Four" wasn't going to write itself.  Kitty ain't keen on hearing the news, and reacts accordingly.


After some more threatening small-talk, Starman finally arrives... putting yet another hole in the wall of S.T.A.R. Labs.  This, sigh, actually messes with Eclipso's plan, as it was reliant on Will entering... through the front door.  Ay yai yai.


Starman blasts the Black Diamond out of Eclipso's hand and breaks Kitty free of her bonds.  The Black Diamond winds up under a table, and so we get to watch... Eclipso, God's vengeance... or something, crawling under a table to retrieve it.  Not his best look my friends.


From here, our battle resumes... Will and Eclipso each get some good shots in.  Kitty foolishly grabs Eclipso by the arm... and gets back-handed for her troubles.  Will yells "Kitty! Stay Back!" about three panels too late... she's already kayoed.  It looks as though everything is coming up Eclipso, until... 


... Power Girl (and her bouffant) arrives!  I know we joked about it on the podcast, but ho-lee cow, I'm not sure how she fits through a door with that hairdo.  It's a good thing Will put that giant hole in the wall.  Anyhoo, after complaining that the French JLI Embassy staff speak... French... the fight continues... Eclipso blasts Power Girl, Kitty recovers and blasts the baddie with a conveniently-wall-mounted gun... then, Starman and Power Girl play "volleyball" with Eclipso's limp body.  Oof.


Now with the upper hand, the heroes start thrashing ol'clipso.  The battle ends with Starman appearing to thrust his... midsection in Eclipso's direction and nailing him with light.  The moon-face vanishes from the Gordon visage.


Time passes, and Bruce Gordon recovers.  He's back in his lab coat... apparently still in the employ of S.T.A.R. Labs, for whatever reason.  It's revealed that Will's problematic power is due to... "Super-Hero Puberty".  Yup, really.  Power Girl is quite tickled by the thought, and razzes poor Will about his pending acne and body-hair growth.


Kitty don't take too kindly to Power Girl's "flirting", and tries to refocus the discussion.  Power Girl quickly grows bored, and takes her leave.  Not before giving Will a peck on the cheek though.


With Power Girl gone, Will turns his attention to his... girlfriend (?) Kitty Faulkner.  She immediately pulls away and jumps down his throat.  She says there's no way she can compete with a woman like Power Girl... totally not getting that Will Payton isn't anywhere near being in Power Girl's league.


Will finally gets through to her that he's in it for the long haul, ya know, unless he gets killed sometime within the current calendar year... and the issue... story... and series (!) ends with the couple in a loving embrace, and what I can only assume to be a Beavis and Butthead style laugh.


--

Welp...

Out with a bang, am I right?

Now, this whole chapter just feels "off".  I can't say that this feels like it was rushed toward cancellation, because the story is anything but (excepting the final scene, but more on that in a bit).  As a whole, this story feels like it should have filled two issues.  I'm completely talking out my backside now, but it's almost as though the Lobo and Power Girl asides were just stuffed in to keep the series going to cancellation.

Eclipso's plan to use Will as a storage vessel for energy...was less interesting the second time around.  The fight was pretty pedestrian.  If Will just needed to use his gilded pelvic thrust to defeat Eclipso... why did it take him so long to try it?  Seems so anticlimactic.  I feel like Strazewski was struggling to get through this... almost as much as I'm struggling to get through this review!

It's not to say this story was outright bad... just uninteresting... and a pretty poor way to close out the volume.  Speaking of "closing out the volume"...

The ending with Will and Kitty hashing thing out... oh boy, that felt tacked on.  It's like they finished up a few pages short... and needed to throw in this odd little aside.  Kitty flipping out on Will because she didn't "measure up" to a super-powered friend of his... eh, maybe if it wasn't so out-of-nowhere it would have read better... but, it really did feel like it didn't quite fit.  It felt unnatural... especially with how quick Will was able to diffuse the situation.  I know I can't be the only one who has had arguments with a significant other... if I had a dime for every time I was able to "fix" things with a couple of sentences... I'd have no dimes.

Overall... this really isn't a story you need to read.  If you're a fan of Will Payton (or Eclipso... or Lobo) you'll probably get something out of this.  Otherwise, you'd be perfectly fine letting this one pass by under your radar.

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Letters Page (and Farewell):

 

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Interesting Ads:

 

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The Darkness Continues...














Also remember you can follow along on Twitter using the hashtags #BestEventEver and #EclipsoTDW25




Wednesday, June 7, 2017

Starman #44 (1992)


Starman #44 (March, 1992)
"Star Shadows, Part Three: Dark of the Moon!"
Writer - Len Strazewski
Penciller - John Calimee
Inker - Roy Richardson
Letterer - Bob Pinaha
Colorist - Tom McCraw
Editor - Paul Kupperberg
Cover Price: $1.25

We're officially past the midway point of the dark journey that is #BestEventEver... if you squint a bit, you might just be able to see some light at the end of that there tunnel...

All joking aside, this has been a really fun event to take part in.  I really want to (once again) extend my thanks to the community for allowing me in with their moon-faced reindeer games.

An updated listing of all the participants will be allllll the way at the bottom of this piece, and will be finalized once... well, everything's final!

--



Picking up where we left off, Lobo has soundly pounded Starman into the ground... and Eclipso has made his presence felt.  What he doesn't realize is that he just made Lobo's bounty-hunt all that much easier in the process!



Before we know it, we've got ourselves a three-way-dance.  Lobo cinches Eclipso in a headlock for a little while... Eclipso breaks free and diamond-zaps Starman.  It's all quite riveting.  They briefly stop fighting and stare at one another... this would be the point in an indie wrestling match where the crowd would applaud.  Starman pleads with Bruce to fight the darkness... Lobo promises there will be some fraggin' going on.



And the fight resumes.  Lobo continues to kick butt, because that's kinda what Lobo does.  Eclipso is pelted into a crater, and Payton gives chase.  At this point, Bruce Gordon is briefly able to break through the darkness, and speak.  He reveals to Will that Eclipso has been manipulating the two of them to bring them together... as, if there powers combine... they can produce black light!  He also explains why Lobo might be after his hide.  It's that Lords of Chaos thing from the Phantom Stranger mini (1988), but you already knew that.  Anyhoo, they decide to team-up against their common foe.



It's not long before Gordon's face returns to its mooney visage... and before Lobo comes a'calling.  It's pretty neat... Lobo pulls a headlight off the ol' spacehog to light the way.  Starman sucker punches him, then gives him the nyah-nyah treatment... showing just how ugly this character can be.  I mean, he's downright homely.



Starman continues cheapshotting Lobo... knocking the headlamp out of his hands.  In the total darkness the combined forces of Will and Eclipso shine some light in Lobo's direction.  Lobo calls Starman a "hippie"... and I'm not sure I've ever seen a hippie with a mullet.  Maybe a leftover hippie who joined the work force or something... business in the front and all'at.



Starman and Lobo resume their tussle.  Will hurls a blast at Lobo, who sidesteps it!  The deflection causes the light to hit Eclipso... rendering him into a pile of smoking dust!  Welp, that's good enough for Lobo, the turtle just wanted Eclipso offed.  The Main Man grabs the tatters of Eclipso's tunic as proof and hops on his headlightless hog to claim his credits.



Once Lobo's outta sight (dy-no-mite) Eclipso pops his head out of his hidey-hole.  Ya see, this was all a ruse to get Lobo gone.  Will naively suggests they take care of their initial business... and Eclipso's all "stupid boy, don't trust Eclipso", because, duh.



He blasts Will with his diamond-eyes (you like dub-step?) before revealing his true intentions.  He is going back to Earth to, get this, get Kitty Faulkner?  Wha---?



The issue ends with Starman collecting himself and going Earth-bound himself... though, with a threat as big as Eclipso, he knows he's going to need some powerful help.  Don't look at the next cover lest the power-ful guest-star be spoiled.



--

Welp, it was a fight scene.  Not much to discuss here, right?

Wron... er, no... that's right, actually.  Just a fight.

I guess to differentiate it from, ya know, all other book-length battles, we can mention that Will and Eclipso had to briefly put their differences aside to take down a common foe.  Hmm, now that I read that back, that doesn't really differentiate this from the rest.

Um, pulling a fast one making Eclipso appear to be dead was... a good idea, I guess.  Not mindbendingly original, but a good enough way to take the stupidly-powerful Lobo off the stage.  Can't think of another way they could've done that.  1992 Lobo was not to be messed with... I don't see him "doing the job" for Will Payton in the penultimate issue of his series.  Hey, I set up a sentence in such a way that I could use the word "penultimate", how 'bout that?  Here's hoping I used it right!

Um, other than that... Eclipso (duh) turns on Will.  Tsk, tsk... c'mon Will this is the, er... penultimate... issue of your series, you really oughta be smarter than that by now.  His plan of heading back to Earth... ehh, really feels like we're taking the long way around here, though, I suppose he had to leave Earth in the first place to Eclipso-up.  I dunno, this whole thing feels a bit time-filly.

The art is back under the pencil of John Calimee... and it's, ya know... pretty uneven.  It looks like he's got a keen eye for Lobo... but his Starman and Eclipso feel a bit "off".  Very flat.

Overall... it's a fight scene.  If you like fight scenes (and Lobo) you'll probably like this.  If not... this bugger's safe to skip.

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Letters Page:


 

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Interesting Ads:



--

The Darkness Continues...








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Also remember you can follow along on Twitter using the hashtags #BestEventEver and #EclipsoTDW25




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