Monday, March 23, 2020

Vertigo Winter's Edge #2 - Nevada (1999)


Vertigo Winter's Edge #2 - Nevada (January, 1999)
"New Year's Demolition"
Writer & Creator - Steve Gerber
Art - Phil Winslade
Letters - John Costanza
Inks & Colors - Chris Chuckry
Associate Edits - Joan Hilty
Edits - Karen Berger & Shelly Roeberg

In our recent looks at Void Indigo, I'm finding myself in sort of a Gerber-state-of-mind... and so, I was reminded of a story I wanted to tell ages ago on the podcast... but, never got around to.  That is, the story of the time Steve Gerber... duck-napped his creation Howard the Duck from Marvel Comics... and had him show up in this Nevada story for DC Comics/Vertigo (by way of Image Comics).  It's a long, twisted, and sort of confusing tale... but we'll do our best to navigate it as best we can.

Before we start, a few bits regarding Steve and his Duck.  In the early 1980's, Mr. Gerber sued Marvel Comics for the rights to Howard and/or a whole lotta dough.  Ya see, there was a feature film hitting theaters, Steve and Marvel were on the outs, it was a whole big thing.  Steve got himself some prominent council, and did his damnedest to get his Duck.


From Amazing Heroes #1
From The Comic Times #4 
In order to help pay his legal fees, Steve put out a new comic book... Destroyer Duck (via Eclipse Comics).  Well, he wasn't alone... in fact, he was able to get Jack Kirby to handle the art chores... for free!  Amazing stuff.  Anyhoo, the story of Destroyer Duck is satirical, and has the titular character embroiled in a battle with a conglomerate called "GodCorp".

Steve did not win his lawsuit... and do-si-do'ed with Marvel for the rest of his life.

Now, what we're here for today.  First... what's Nevada and what does it have to do with Howard the Duck?  Well, Nevada was a six-issue miniseries written by Steve Gerber for Vertigo Comics which ran from May through October, 1998.  It wasn't ever supposed to be a thing.  Ya see, it all started as a gag... way back in an issue of Howard the Duck in 1977 (#16 - September, 1977 cover-date), during the rather infamous... and far more interesting to discuss than to actually read, Dreaded "Deadline Doom" issue.


From The Essential Howard the Duck
 In "Zen and the Art of Comic Book Writing", Steve Gerber delivers us a fairly esoteric and sort of "out there" issue... which is filled with weird prose, essays and commentary regarding the comics industry at the time.  On one of the pages, we can see his explanation of the "Obligatory Comic Book Fight Scene".  In it, we see a Showgirl and an Ostrich fighting an evil-looking Lamp.


From The Essential Howard the Duck
It wasn't ever supposed to be more than that.  Just a gag... poking fun at some of the tropes in the industry.  Enter: Neil Gaiman.  Back in the early 1990's, he'd sent Steve Gerber a message via Compuserve... well, I'll just let him tell it:


From Neil Gaiman's Journal
After Gerber had a pitch for a Vertigo-take on the Inferior 5 declined, he decided to roll the dice with his Showgirl and her Ostrich... and, that's how we got Nevada.

So, how does this come back around to Howard then?  Well, this is gonna be a long one, that takes us through three different comic companies... Marvel, Image, and finally DC-Vertigo.  By the time we get there... well, I tell ya, sometimes the destination ain't worth the journey, but I hope you join me anyway!  It all starts in, of all things, a 1996 issue of Spider-Man Team-Up... where Mr. Gerber pulls a fast one, with a little help from his friends.

--
--

Spider-Man Team-Up #5 (December, 1996)
"Sideshow"
Writer - Steve Gerber
Pencils - James Fry
Inks - Chris Ivy
Colors - Tom Smith
Seps - Digital Chameleon
Letters - Bill Oakley
Edits - Tom Brevoort
Edits-in-Chief - Bob Harras
From Marvel Comics



Our first story opens in New York City, on what might appear to be a pretty boring night for a certain web-slinger.  Spider-Man arrives on the scene of a van that had been broken into, surrounded by folks giving some very odd first-hand accounts of everything that had just gone down.  They claim that there were kung-fu tortoise-looking guys... and a guy in a spacesuit that "waddled".  Hmm.  Also, on the spot is... Peter Parker?  Oh yeah, this is during the Clone Saga... blonde Ben is in the webs right now.



Reilly and Parker have themselves a chat... kinda lamenting their boredom, and discussing the apparent "mass hallucination" these bystanders all seem to have shared.



We shift scenes into a nearby apartment, where the Ringmaster from the Circus of Crime is worriedly closing his window.  He thinks to himself that the last thing he needs is for the Police to come around with questions.  After all, he's trying to stick to the straight and narrow at the moment.  Anyhoo, his worries are interrupted by a knock at his door.



It's... the Elf with a Gun!  If you're familiar with Steve Gerber's run on the Defenders... you very likely know who this particular li'l fella is.  The Elf shoots the Ringmaster... and the gunshot rings out through the nearby alley.



Peter and Spidey are on the case... with the former rushing into the apartment building to discover the gravely injured Ringmaster.  Ringo claims that the Elf not only shot him... but also stole something very dangerous from his apartment.  Our man assumes this is the Hypno-Disc.  Peter and Ben reconnoiter, and wonder what if the Circus of Crime is at it again.  I mean, no duh.



We now head off to Ohio, where Howard the Duck and Beverly are trying to get themselves a table at Donner's Restaurant.  This is mostly an overlong gag regarding the fact that Howard is a) a duck, and b) doesn't wear pants.  It's nothing we haven't seen before.



When finally seated, Howard goes to order a cheeseburger.  This really ticks off a rather rubenesque woman nearby.  Meat is murder... and not only that, "side-stream cholesterol" is disasterous to the environment.  Howard responds by... well, suggesting he might just kill him another "cow".



Beverly manages to nyoink Howard out of the restaurant... but fails to remember to take her newspaper with her.  Ya see, she wanted to know what times the movies were showing.  She forgets all about the cinema, however, when she spies a sign for the Cirque du Somnambulism... to which she suggests she and the Duck attend.  He agrees to go... just not tonight.



Meanwhile, at the Sunspot Hill Fairgrounds, the Circus of Crime has gathered... with their new leader, the Elf With a Gun.  We see here that the Elf didn't actually steal the Hypno-disc... but, rather a tiny sitar?  Okay then.  The rest of the carnies give him a hard time for his failure... and so, he shoots them all dead.



Then... to prove just how powerful he is, he plucks the bullets back out of the baddies, thus restoring them to life.  The snake-lady suggests that this makes the Elf a God.  He brushes that off.



Back at the Daily Bugle, Peter Parker is able to deduce that the Cirque Du Somnambulism is a new take on the Circus of Crime... and finds out they're putting on a show in Cleveland, Ohio.  He's able to nab a ticket from Robbie, and fills Ben in on all the deets.



Over at the E.S.U. Medical Center, the Elf With a Gun is paying a visit to the recovering Ringmaster.  He demands to know where the Hypno-disc is... to which, Ringo suggests the F.B.I. probably took it... and shipped it to Chicago!



Speaking of Chicago... there's this green-skinned, fin-headed cop that works out there.  Hmm.  Anyhoo, the Elf With a Gun makes a call out to the Chicago P.D., and is put on the line with Officer Drag... er, that green-skinned, fin-headed cop.  And, check this out... Dra-- that cop has the Hypno-disc in question!  The Elf suggests a trade... the disc for the sitar.  The green-guy accepts, so long as he can bring a Duck with him.  The Elf says it doesn't matter how many ducks he brings.



We pop back in on the Spider-Men, and see that Peter's on board a plane at JFK... Ben, is tagging along, webbed to the plane's undercarriage.



We hop over to Sunspot Hill, where Howard and Bev are about to head into the Circus.  Unfortunately, there's a sign on the tent informing them that tonight's show has been cancelled.  They peek inside anyway, and see: duh, the Circus of Crime.



Peter and Ben arrive on the scene right about now... and there's a bit of confusion over how they know (or don't know) Howard the Duck.  Ya see, Pete's tangled with him before... but, he ain't Spidey at the moment.  It's really quite annoying... haven't the foggiest idea how Marvel thought they'd be able to "stick" this particular landing.  I guess that's why the didn't!  Anyhoo, the Circus folk bail out in truck... and the heroes are in hot-pursuit.



The follow the truck to warehouse... and, we see here that they're not the only ones tailing these geeks.



I'm... I'm just gonna call him Dragon.  You know this is Savage Dragon, I know this is Savage Dragon... let's just get that out of the way.  The Duck he's with is... Destroyer Duck.  We'll talk more about him in a bit.  Anyhoo, Dragon busts in demanding the Sitar... Spidey busts in demanding the disc.  Howard and Bev kinda stick to the sidelines, and try to stay out of the potential lines of fire and fists.



The Snake Lady sends, well, a snake toward Dragon.  Spidey accidentally fires a wad of webbing into the guest-star's face for good measure.



The Elf starts firing like mad... only to have his shots returned by Destroyer Duck.  Bev hops in to grab the Elf, and gets pistol-whipped for her troubles.  Then... Howard lunges in, and finds himself face-to-face with... a Duck!  It's almost as though this scene is purposely being written as hard to follow.  Hmm...



Anyhoo, the Ducks meet... the dust settles, and Spidey and Dragon part as pals, with their bounties.



Peter, Beverly, and Howard all jam from the warehouse... narrowly escaping some pursuing members of the Circus of Crime.  Not sure where Dragon and Destroyer might've gotten off to!



Spidey gets his bearings, and decides to use the Hypno-Disc against the clowns, geeks, and carnies to hasten their defeat.



The human-bullet fella launches toward Spider-Man, but misses... and winds up flying directly into the KISS exhibit at the Rock and Roll Hall of Fame... after which, the Elf With a Gun gives us a "whatta revoltin' development" sort of look.



We wrap up at the Cleveland Airport, where Howard and Beverly are wishing Peter Parker a safe trip home.  After Pete boards, Howard runs down a list of unanswered questions from this evening's adventure: Who or what was the Elf?  What was up with that Sitar?  And, just who was that big green cop?  Well... we'll have some of those answers in the next part.



--
--

Savage Dragon/Destroyer Duck #1 (November, 1996)
Writer - Steve Gerber
Pencils - Chris Marrinan
Inks & Edits - Erik Larsen
Letters - Chris Eliopoulos
Colors - Steve Oliff & Olyoptics
Cover Colors - Reuben Rude & I.H.O.C.
Cover Price: $3.95
From Image Comics





Our second story opens on the set of a televised interview with Mr. Boyle.  He is one of the "Superfreaks" menacing the city.  And, don't look now, dude has a very familiar-looking trinket on his turban... could it be, a sitar?!  Anyhoo, Boyle is giving this interview to suggest that the "Freaks" don't mean nobody no harm.  Pretty good message... unfortunately, this interview is cut short, however, when a Freak called Needlenose jams his... well, needle-nose through the back of an observing officer's skull!  Needlenose then unwraps Boyle's turban, revealing his gigantic puffy, brain-filled dome... he then punctures it with his needle-nose.  I... uh, won't share a picture of that, it's actually rather disgusting.  Yes, even more disgusting than this stabbing.



Boyle's brain, well, pretty much explodes... and since this is being televised, it sends most of Chicago into fits of puking disgrosstingness.  Dragon's on the scene... dodging projectile vomit along the way.  He briefly tangles with Needlenose, before... well... snapping the nose right off his face.  Wow, this is much more violent than I was expecting!  I almost feel like I need a shower already.



The dust settles, and Dragon finds that strange little sitar on the ground (here it's just referred to as an "electronic device").  He deduces that Boyle was likely murdered for this piece... and asks a fellow officer what it might mean.  She suggests he ship it off to the F.B.I. for analysis.



We shift scenes to New York, where a... van is about to be broken into by a "waddling spaceman".  He is stopped by... well, not kung-fu tortoises, but the Teenage Mutant Ninja Turtles!  Remember, they had that really strange and dark volume coming out through Image Comics around this time.



They proceed to beat the hell out of the waddling space-suit man... but, nothing they do is all that effective.  Hell, the "spaceman" even attempts to kill himself with a jackhammer... and isn't even able to make a dent in his own suit!  After the skirmish, just like it did in our first story, the space-suit man waddles away.



We follow this character, now called "Specimen Q" as he walks all the way to New Jersey.  We learn that it's been trapped in this suit for a dozen years... and its only hope of escape is via use of a certain "key".  Hmm.  It enters an abandoned building, and steps on a newspaper... which points him toward his next destination: Chicago.



Speaking of Chicago... there's this green-skinned, fin-headed cop that works out there.  Whoa, deja vu.  Anyhoo, we pop into the P.D., where Dragon gets both a message and a package.  The message is to inform him that Ralph from New York called... and the package contains: the hypno-disc!  Ya see, he was expecting the sitar-key thing... but, Quantico must've mixed up the packages!



He doesn't get to lament this fact for long, however... as a UFO is reported as flying overhead!  Dragon's on the case... and whattayaknow, the pilot of this "UFO" is: Specimen Q!



Dragon continually batters the bot-looking-fella about the face, commandeers the rig, and... crashes it into the path of an uncoming train!  Wow, they don't mess around with the overblown action here, do they?  Anyhoo, Dragon and Q are thrown clear of the crash... where they continue their battle.



Finally, Dragon is able to crack through Q's armor... revealing the person inside to be: Destroyer Duck.



Dragon slaps the cuffs on the Duck, and begins reading him his rights.  We learn here that Destroyer had actually spent a decade on the police force as well.  Dragon is surprised, considering he'd never even heard of an anthropomorphic duck-cop before.



Dragon's partner, Alex arrives... and she's got one of those sitar-looking things.  Apparently, there were dozens of 'em in Specimen Q's UFO... however, these don't have the electronic components like the other one did.  The news arrives on the scene, and Dragon lies to them about the Pilot of the UFO... claiming that he just vanished after the crash.



This lie isn't lost on the Freaks of the underworld.  They realize right off the bat that Dragon's hiding something.  Dr. Brainard, of the... I dunno, "Freak School" knows Dragon must have captured Specimen Q... and knows that if Q were to talk, the entire Chicago underworld could be shaken.  Gregory Brainard, by the by, is a character Gerber created for the Silvestri/Top Cow Image books.  Anyhoo, Brainard's got a class to teach... and teach it, he shall.



Back at the Precinct, Dragon gets a phone call... it's the same call we saw him get in the Marvel ish.  The Sitar for the Disc... Cleveland warehouse, yadda yadda yadda.



Destroyer Duck calmly breaks out of his holding cell, and tells Dragon he'd like to talk.  Dragon complies... even takes the Duck out for a burger.  It's here, the uninitiated get their quick and dirty intro to Louis "Duke" "Destroyer" Duck.  Ya see, he's from another world... and came into this one in order to avenge a friend... who'd been exploited and then killed by the evil conglomerate known as Godcorp.  We also find out that Dr. Brainard got into his head... tossed him into that stasis suit... and used him as a sort of guinea pig for the past decade-plus.



After a short peek into some goings on with the Freaks, we rejoin Dragon and Duke at the warehouse in Cleveland.  We can see a web-slinging superhero and some others showing up from the other side.



I'm... I'm just gonna call him Spider-Man.  You know this is Spider-Man, I know this is Spider-Man... let's just get that out of the way.  Whoa, deja vu all over again!  Anyhoo, Dragon and Duke bust in demanding the Sitar... Spidey busts in demanding the disc.  



A Snake Lady sends, well, a snake toward Dragon.  Spidey accidentally fires a wad of webbing into the co-star's face for good measure.



The Elf Nuggo the Gnome (?) starts firing like mad... only to have his shots returned by Destroyer Duck.  Bev A redhead hops in to grab the Elf Gnome, and gets pistol-whipped for her troubles.  Then... Howard a Duck lunges in, and finds himself face-to-face with... Destroyer Duck!  It's almost as though this scene is purposely being written as less hard to follow than the first time we saw it.  Hmm...



Anyhoo, the Ducks come face to face... which, for whatever reason, gives Nuggo the idea to create a whole slew more Ducks!



Before we know it, the whole joint is absolutely crawling with ducks... anthropomorphic and otherwise!  Spidey and Dragon each take their bounty... ya know, the sitar and the hypno-disc... then, curiously, Dragon and Duke each sling a person over their shoulders before running out the place.



Here's a closer look... because, this is the reason we're assembling here today.  Dragon and Duke each have someone slung over their shoulder... a couple of characters with "no friends" "over there"... and, with all the clones shambling about the joint, nobody will ever know the difference anyway.  Hmm.



Back in Chicago, Duke and Dragon get a better look at the sitar.  Duke reveals that they were created by Brainard, and are called "neurotisms"... they muck about with brain chemistry... and are likely why Destroyer Duck remained so docile over the past decade-plus.



Over the next several pages, Duke and Dragon fight with the Freaks... it's just a fight scene, so just imagine a bunch of weird-looking people punching other weird-looking people... for like a half-dozen pages.  It all ends with Brainard making his escape... which really ticks off Destroyer Duck.



Once the dust settles, we head back to the Chicago PD, where a pair of characters are preparing to enter the Witness Protection Program.  A certain anthropomorphic Duck... and a human woman... their feathers and hair, respectively, have both been dyed black.  Beverly the woman takes the new name "Rhonda Martini".



Howard.. er, the Duck decides to take the name "Leonard".  Dragon informs them that they're going to be relocated to Buffalo, NY.  How... Leonard isn't a fan.



We wrap up with Dr. Brainard thinking he'd pulled a fast one... celebrating his freedom and all that jazz, when suddenly there's a knock at his door.



Why it's Nuggo the Gnome... With a Gun!  Blam.



--
--

And finally... The Nevada story from Vertigo Winter's Edge #2 (1999):



It's New Year's Eve, 1998 (8:37 PM local time) and our story begins on the Las Vegas Strip... and, it's quite a scene.  Our gal, Nevada (dressed as Father Time with a long beard and a 1998 sash) along with her Ostrich, Bolero (who's dressed as Baby New Year with a 1999 diaper) are part of a crazy parade.  She happens to know that when the clock strikes 9, which would be midnight on the East Coast, somebody is going to blow up the Camelot Hotel.  She posits this might be to take some attention away from Times Square.



Nevada gets into it with a couple of no-goodniks... one of whom appears to be welching on paying a debt.  She gets in his face, and informs him that taking money out of her pocket is also taking food out of Bolero's belly... and, her ostrich ain't a fan of goin' hungry, see?



She tells him that it's up to him to tell Bolero he isn't going to eat tonight... to which, we learn that the Big Bird has gone missing!  Nevada and a shaggy haired fella are in hot pursuit.



Nevada decides to ask some of the parade-goers if they'd seen her ostrich... one of whom is... wait for it... Leonard the Duck!  Yup, this single panel is the reason for all of this nonsense I've put you all through!  Sorry bout that, gang!



Finally, Nevada is able to find someone who'd seen her Big Bird.  She's informed that Bolero was nabbed by a dude in a Devil Mask and pulled into the Camelot Hotel!



Our gal leaps the guardrail and heads into the Camelot to track down her bird.  She finds the Devil Man, who tells her that he's going to kill Bolero as revenge for Nevada impaling his brother.  I'm... gonna assume that happened in the miniseries?



What's our lady to do?  Well, she runs this geek through with a novelty spear...



... and escapes the Camelot on Ostrich back, just in the nick of time!



We wrap up with Nevada and Bolero meeting back up with that shaggy-haired dude... with the promise that "the demolition" will continue in Nevada II... whiiiiiich, never came out.



--

So... that was a long strange trip, wunnit?  I apologize if the destination wasn't worth the journey... but, I personally had a lot of fun working my way through this one with y'all.  This has been one of those pieces of "Weird Comics History" I've long wanted to share here on the blog... I just wasn't quite sure how to approach it.  I'm hoping this was the best way of doing so.

Where do we begin with a review?  This, for the most part, is almost something that is so agenda-driven that it defies review.  I mean, as far as "story" goes... it was literally all a means to an end,  wasn't it?  So very bizarre... but also, if you knew what you were supposed to be looking for... so very fun.  I'm sure if you were working at Marvel back in 1996... so very frustrating, as well!

Asamattafact, here are a few pages from Sean Howe's Marvel: The Untold Story that covers this particular moment in comics history:



So far so good, right?  In the very next line, however, Tom Brevoort makes it clear that this agreement (the inclusion of Dragon and Destroyer Duck in a Marvel book) is contingent on nothing that will occur in the upcoming Savage Dragon/Destroyer Duck one-shot coming back and biting him in the butt.



And there ya go... the ol' switcheroo is pulled!  Steve Gerber more or less "ducknaps" Howard.  Taking things like rights and whatnot out of the equation and looking at things "lineally", Howard the Duck is now Leonard the Duck... and is living somewhere comfortably just outside the reach of Marvel Comics.  The Duck that Marvel has is just an empty clone.



Gotta feel for Tom Brevoort in this situation.  Sounds like he was trying to do a solid for a creator he respected... and, that trust was shattered by this... and I hate to say it, petulant little stunt.  Brevoort even feared for his job... which, I mean, Marvel was a weird, wobbly, and bankrupted place back in 1996... and he certainly didn't have the stroke he has there now.  Can't fault him for being freaked out!  This was a real cruddy thing for Gerber to do.

Though, in fairness, it would appear that Steve wasn't actually the mastermind of the plan.  In a piece included in Savage Dragon/Destroyer Duck #1 titled "the never ending battle.", Erik Larsen fills us in on some of the details.  Looks like he planted the seeds of this caper!



Gerber corroborates this... and basically lays all of his cards on the table in his own missive in Savage Dragon/Destroyer Duck #1 called "Fowl Play".



The story isn't quite over yet... Steve Gerber would eventually return to Marvel Comics... and to Howard the Duck with a Marvel-MAX limited series... ya know, the "mature" line, which more or less meant "Fit in the F word just as much as you can!"... and Howard's mini was certainly no exception.  I only mention it, however, because... in issue #4 (June, 2002), we meet a certain showgirl... and her pet ostrich.  This ain't Nevada though, it's "Utah".  I think this is about as circular as this one's going to get.



Only had to blur out a couple of F-Bombs on that page... Steve must've been slackin'!  Anyhoo... let's finally tie a bow on this overlong piece.  As a story... this was weird, confusing, and really not much more than a means to an end.  As a stunt... it was petulant, a real jerk-move, but also... I dunno, kinda brilliant?  A real "FU" to "corporate comics", which probably would've meant a ton more if Larsen and Gerber didn't return to Marvel for work not long after.

The Nevada story... which was my way of back-dooring all this Howard talk into the blog... was "fine".  Really not a whole lot to talk about there.  It was a short and dark little holiday ditty... maybe next December we'll cover the rest of the Winter's Edge Special?  Who knows...

Anyhoo, if you've read this far, you have my sincerest thanks!  I hope you all enjoyed.

--

Leonard the Duck Pin-Up:


Sunday, March 22, 2020

DC NEAR-MISS: Void Indigo #1 (1984)


Void Indigo #1 (November, 1984)
"Book Two: Spikes and Demons, Part One - Killing to be Clever"
Writer/Creator - Steve Gerber
Artist/Creator - Val Mayerik
Letters - Carrie McCarthy
Associate Edits - Laurie Sutton
Edits - Archie Goodwin
Consulting Edits - Jim Shooter
Cover Price: $1.50
From Epic-Marvel Comics

Void Indigo... again?  Already?  Another DC Near-Miss?  Already?  Can ya tell I'm having a ton of fun with this feature?

First, I wanna thank the folks who reached out after reading our look at the Void Indigo Marvel Graphic Novel the other day.  There, I asked if anyone would be interested in seeing my take on the rest of the short-lived series... and it was "thumbs up" all around!

Today, we're going to look at the first (of two) issues of Void Indigo released through Marvel Comics' EPIC Imprint... and yes, this is the issue that was once referred to as "a crime against humanity".  We're going to go deep on that... and even take a look at the silly "lawsuit" Bob Ingersoll "filed" against Jhagur in Comics Buyer's Guide back in the long ago.  We'll go line by line and address his concerns.  Maybe we'll agree with his arguments... maybe we won't!  Maybe we'll think this would've worked as a revamped Hawkman... maybe we won't!

This review is going to be especially interesting for me, personally... it's been a very long time since I'd last laid eyes on these pages... and, lemme tell ya, after an initial cursory flip-through... I'm not exactly sure what we're in for!  I gotta say, I remember liking it back when I was an "edgier" early-twenty-something.  Now, as a forty-year old... I'm wondering how well this "aged"?

I was thinking back to how I came to own these two issues... and I remember, not being as well-versed in things like the "cheap-o bin"... I thought I'd have to pay out the nose for 'em.  I actually asked a fella at a local comic shop if he had them... and, unsurprisingly he'd never even heard of it.  He told me he could order them... and, check this out... quoted me $10 a pop!  Told me for an even $50, he'd throw the Graphic Novel in too!  Whatta pal!

I... did not bite.  Not knowing much of anything, I did consider it though!  Instead I kept up the hunt, and not too long after came across both books in a dollar bin.  Ya know, Void Indigo might actually be, in some part, responsible for the personal-phenomenon that is: my cheap-o bin addiction!

Before we head into the spoilery synopsis I wanna drop in a disclaimer.  Now, even though I alluded to the fact that Void Indigo is wickedly violent last time around, I didn't actually give a proper "content warning".  I sincerely apologize for accidentally leaving that out (I'm usually really good about that sort of thing).  That said, this article is also going to be looking at some violent and explicit stuff.  I'll do my normal best at censoring the naughty stuff... but, still... there's gonna be stuff not everyone's going to want to see!

Now, even if you don't wanna check out the synopsis, I'd definitely  encourage you to take a peek at the "lawsuit" (and rebuttal) toward the bottom of the piece.

Let's do it!

--



We open in Hollywood, where it looks like a man is being rather rough on a "lady of the evening".  It's downright brutal... she bolts out of the back of his "party van", after making some sort of "discovery".  He's in hot pursuit, and when he catches up (it doesn't take him but a few steps, he holds a straight razor to her throat.  There's a skirmish... naturally... and it's here that we learn that this fella is actually a woman... and this lady of the evening, is actually a man named Larry.  Okay... what's the point of any of this?



Well the woman... do we call her a potential "Jane" instead of a "John" to this prostitute?  Whatever the case, she laments the fact that all she wanted was a little bit of happiness tonight... and since she ain't gonna get it here... she slits Larry's throat... and hops back into the party van...



... only, she's not alone in there!  Inside she herself is killed by... our main man, Jhagur!  The drumming of "Void Indigo" beats through his head... and he refers to this "Jane" as one of the four Dark Lords he's here to track down and kill.  He runs past poor dead Larry, and out of the area.



We shift scenes to the Appaloosa Bar, where Linette Cumston works.  She's getting a lift home from a fella named Jess... who, immediately starts groping her.  She warns him that the last dude who tried anything wound up getting his foot burned clean off.  Yeah, that's one'a those scenes that's difficult to forget!



Back at the apartment, Jhagur is cleaning his blade in the sink when Linette arrives home.  He tells her that there's one more Dark Lord down... to which, she is kind of beside herself at the fact that her roommate/lover (?) just committed murder.  Jhagur doesn't get why she's surprised... after all, she sewed him his "warrior's garb" (which we saw), and helped him find his sword (which we didn't).  He proceeds to tell her that he "listens to the Void, and does as he's told"... not sure that'll hold up in court, but I ain't about to argue with him.



Across town, we meet the Mulgrew family.  Now, Pete Mulgrew is the construction worker who recovered the bejeweled spike in the Graphic Novel.  He plans on selling the relic in order to cover the balloon payment on his home... and, in fact, has only been able to sleep soundly since he found it!  His daughter, on the other hand, is pretty haunted by the thing... she sneaks into her parents room, and plucks the spike out of daddy Pete's nightstand.



The next morning, the police are taking a look at what remains of the scene from the open.  They deduce that this woman slit the prostitute's throat... and was then hacked up herself by a third person.  Pretty excellent CSI work there, no?  Anyhoo, the dead-Jane has a note nailed to her forehead... it reads, duh, "Void Indigo".  They eventually run the plates on the party van, and discover the wheels belong to another woman altogether.  A detective named Wallerstein is on the case.



Back at the apartment, Linette is woken up by some bad dreams.  Unable to fall back to sleep, she decides to head out to the pool to try and relax.  There, she runs into her neighbor, Delfine... and she sorta-kinda reveals that she's having some problems.  Delfine's suggestion is... visiting a psychic!  Ya see, this one time, a physic laid hands on her... and all of her troubles went away.



We rejoin Wallerstein in Beverly Hills... where he's meeting with a redhead about the situation the night before.  We learn that the dead woman from the open is named Brita... and this new redhead, Amanda, doesn't know a whole heck of a lot... or, at least she's playing it that way.  Doesn't know what Brita might've been up to... and certainly doesn't know what "Void Indigo" might mean (well, I kinda believe her there).  Anyhoo, Wallerstein leaves... and Amanda immediately hops on the phone to call a "Taro" to reveal that they might have a problem.



We now jump to a diner, where Mick Jhagur is bellied up to the counter, having breakfast with Pete Mulgrew.  If you recall, during the Graphic Novel, Jhagur kind of lost his mind when Pete showed him the spike... nearly beat the poor fella to death.  Anyhoo, he apologizes... and warns that the spike is dangerous... it might cause anyone to react so violently.  Ol' Pete takes this as a threat... and doesn't want Mick to screw with his pointy-payload.  He jumps out of his seat... and warns our man not to screw with him... and also, that he's got a gun at home.



Speakin' of Mulgrews... we rejoin Pete's daughter, Colleen.  She's still haunted by the spike... and, in fact, is carrying the thing around with her.  She's approached by one of her gal-pals and starts talking a bunch of nonsense.  Her friend thinks she's been reading too many Stephen King books... before Colleen actually produces the bejeweled spike!  Her friend is rightfully freaked out... and then, Colleen reveals that she (that is, Colleen herself) will die by this spike.



Over at the CAL-TV newsroom, a couple of nudnick reporters are... well, being nudnicks.  A lifestyle reporter, Debbie Tokugawa, enters the room... and is roundly mocked... for some reason.  They tell her about the Void Indigo Killer... and she raises an eyebrow before excusing herself to the archives.  She tosses the David Trepper (Koth from the Graphic Novel) tape into the deck... remembering that, when she interviewed Dave's mother (also back in the Graphic Novel), she mentioned that the phrase "Void Indigo" was among his mutterings.  She makes a call to chat a bit more with Mrs. Sarah Trepper.



So, ya weirded out yet?  Because... you're about to be.  Linette Cumpston arrives at Raka the psychic's house.  She is greeted by Raka's grandmother... who collects the cash-money before ushering our gal into "the dream chamber"...



... where... oh boy... we get to lay eyes on Raka.  She looks kind of like a diseased Poison Ivy... and, frankly, I don't like looking at her one bit.  This is a page I'd like to cover with my hand... but won't, because that means I'd have to actually touch it.



Linette strips down naked, and steps into Raka's pentagram.  She, Raka, claims to have never met a "Delphine" and presses Linette's hand into her cheek.  She, again Raka, suddenly knows just about everything about Linette... and everything starts to go abstract.  The women embrace... and as they spin, they begin to take the form of the bejeweled spike... they are then hammered into Ath'Agaar's head!  Raka reveals that Linette's "position in the cosmos" is "poised between slayer and victim"... which, duh, I think we already kinda knew that.



Linette wakes up... and she's laying on a nearby beach.  She's greeted by Raka's grandmother, who has brought her some tea and cookies.  Linette doesn't have the foggiest idea what she'd just experienced, and honestly, I can sympathize with her.  Grandma informs Linette that Raka would like to see her again the following Wednesday.  Our gal ain't so sure.



Back in Beverly Hills, we meet Taro... ya know, that dude Amanda called after her visit from the Detective.  He tells her not to worry... and that everything is going to be okay.  This is, just before he sends a hitman over to her house to kill her.



Back at the apartments, Linette pays her neighbor, Delphine a visit.  Delphine, who is eating like an entire cake one-handed, invites her in... and our gal balls up her fist... and punches the gal right in her cake-hole.



After this, she heads upstairs to chat up Jhagur.  She asks for a bit more clarification on the murder of Ath'Agaar... to which, our man tells her about the bejeweled spike.  I mean, they've lived together for over a year at this point... and Jhagur kinda lost his mind upon seeing the spike again... is this really the first time they're having this conversation?!



Back at the Mulgrews... Pete is tearing apart the house looking for his precious spike, and boy is he ticked off when he finds out his daughter took it!  She appears in the doorway, spike in hand... and it looks as though she's been possessed.  She refuses to hand it over...



... and in fact, appears to plunge it into her own body, causing a tremendous explosion.



Now... here's the thing... these last few pages of the issue are almost definitely out of order.  The next page has Colleen-in-Angelic-Form fighting Jhagur... and the page after that has Jhagur arriving on the scene in his "Mick Jhagur" form.  I know there was a month of EPIC books, where the last few pages of each issue were out of order (ElfQuest #2 is another, if I recall right)... maybe that's what this is?  Or maybe this is all just way too deep for me to follow?



Whatever the case... the battle rages, and our issue concludes with Angelicolleen lunging directly into Jhagur's blade... claiming that she will consume him, both in ecstasy... and flame!



--

The Trial of Void Indigo #1 (my "rebuttal" and review in BLUE):
IN THE COURT OF COMMON PLEAS
CUYAHOGA COUNTY, OHIO

ROBERT M. INGERSOLL      :      CASE NUMBER OH-RU12?
On behalf of himself and all      :      
others similarly situated      :      JUDGE I. M. PEEVED


Plaintiff
      :      


-vs-
      :      
JHAGUR      :      CLASS ACTION COMPLAINT AND


Defendant
      :      JURY DEMAND


Okay, right off the bat, "OH-RU12" as the case number did get a laugh out of me!
ALLEGATION OF JURISDICTION


1)       Plaintiff, Robert M. Ingersoll, was, at all times relevant to this cause of action, a resident of Cuyahoga County, Ohio.

2)       Plaintiff Robert M. Ingersoll brings this action on behalf of himself and all others similarly situated, the class comprised of the Human Race. Class Plaintiff, the Human Race is so numerous, that joinder of all members of said class is impracticable. (And if you doubt that you just try and find a court room big enough to fit the whole human race. Come on, I double dog dare you!)       Further, there are in this cause of action questions of law and fact common to all members of the Human Race. Further the claims and defenses of Robert M. Ingersoll are typical of the claims and defenses of the Human Race. Further Robert M. Ingersoll will fairly and adequately protect the interests of the Human Race. (You don't think I'd sell out my own species, do you? And for those of you who claim that lawyers aren't really members of the human race, it's not to late to limit the class a little, you know.)      

3)       Defendant Jhagur was at no time relevant to this cause of action a resident of Cuyahoga County, Ohio. (Indeed, as defendant is a comic-book character, it isn't likely that he resides anywhere on the planet Earth. As further proof, Plaintiff cites the fact that if Defendant's world is even remotely like the one portrayed in his comic, he obviously lives on some dark, evil alternate plane of existence far removed from the one wherein the Human Race resides; people who allow the mentally retarded to be killed being called "compassionate," notwithstanding.)      

4)       At all times pertinent to this action Defendant starred in a comic book entitled Void Indigo, the first issue of which Defendant knew would be distributed in and read in Cuyahoga County, Ohio, that is, unless, Defendant had some sort of Springtime for Hitler thing going and was trying to make the book tank by avoiding one of the major cities in the country.

FIRST CAUSE OF ACTION

5)       Paragraphs 1 through 4 are incorporated herein by reference as if fully rewritten.

6)       In Void Indigo #1, Defendant portrayed the Human Race with several false and defamatory statements, the specific nature of which are set forth more fully in the paragraphs which follow.

7)       Defendant posits that Void Indigo #1 takes place in a world and time of "barbarism and cataclysm." A world where, "Humans have turned cruel, petty... [and have] forsaken all ideals, except power and survival. Worse, they [the Human Race] lie to themselves, look only to the light, cannot bear to face the darkness of their nature." (I apologize to the Court for the grammar of the above passage, or lack thereof. I was quoting from the source material so had to do it exactly as written, even if it made me sic.)

If you've read my discussion of the Void Indigo Marvel Graphic Novel, you might've noticed that this aspect of the story caused me to groan... well, not "groan" exactly... I think my exact words were more along the lines of "oy."



Yeah, looks like it was "oy".  Now, this little bit of preciosity really lowered the "stakes" of this story.  I wanted it to be something more than a "social commentary"... especially since so many comic writers seem to be in agreement that the world was pretty damned perfect until January 20, 1981.  This sort of nyoinked all the "magic" out of this series... and, in my opinion, really limited its potential as well.

8)       Defendant Jhagur in his comic Void Indigo # 1, hereinafter "The Work," furthered his inaccurate depiction of the world and the Human Race by giving specific, depraved examples of "Human" behavior and of "Human" beings. Said examples are described below.

9)       On pages 1 through 3 The Work depicts a male prostitute, who is wearing woman's clothing and passing himself off as a woman. (Don't ask me why. No reason was given. I can only conclude that it was felt the inclusion of cross-dressing would make the scene seem more "cruel and petty.") Said individual is having an argument with a customer over the price of services to be rendered. The customer is a female, who is wearing man's clothes and is passing herself off as a man, presumably for the same reasons as the man was wearing woman's clothes. The argument escalates, until the woman in man's clothes takes a razor blade and slits the throat of the man in woman's clothes.

Ingersoll posits that the cross-dressing involved in our opening scene might've been included to make the bit more "cruel and petty".  I'm not so sure that's what Gerber was going for here.  Honestly, I kinda feel like that might be giving Gerber a bit too much credit!  Personally, I think the cross-dressing was included simply for the shock value.  This was meant to get the reader's attention right off the bat... and let them know they're reading something very different from anything they might find in a (relatively) mainstream "Marvel" comic.  It also facilitated the "reveal" being the image of a bare boob.



I know we're in more "enlightened" times now, and such a scene wouldn't (or shouldn't) elicit as much of a scandalous reaction.  Gotta take ourselves back to the pre-Grim and Gritty days... and try and imagine how this might've been received by a reader of the day.  I mean, "V" for Void Indigo isn't too far up the alphabet from "X" for X-Men... heck, it's even closer to "U" for Uncanny X-Men.  These books might've been right next to each other on the shelves!  There's no "explicit content" warning on this book... in fairness, there's also no Comics Code Authority stamp... but really, I'm not sure who would've noticed!

10)       Page 5 depicts an Urban Cowboy who hasn't yet realized that John Travolta is passe, and who makes rather lewd advances on a female. Specifically, after the female, Linette Cumpston, tells the scuzzoid that she has, "no interest in sleepin' around," he still paws her breast, because he doesn't think she has answered his hedonistic question yet. (It's not that he won't take no for an answer, it's just that he doesn't understand words with more than one letter in them.)


Yes, this scene did appear.  I'd like to think it was only there to facilitate Linette sharing the story of the "burnt off foot" from the Graphic Novel... but, I still can't shake the feeling that this was yet another scene included to up the shock-value.  To tell the reader that they're reading something "Mature".

11)       Page Six introduces Defendant Jhagur, an amoral "hero" who kills the murderous female in man's clothes from earlier in the book and justifies his own murder with the following logic, "Those whom I choose to execute, the world will not miss." No one in the book is capable of making any sort of intelligent reply to the man's reasoning. (It should also be noted that our "Hero," Jhagur, killed the woman by gutting her like today's market-price special, then driving a large nail into her forehead. Subtle, old Jhagur isn't.)


Interesting and cogent point from Ingersoll here.  Jhagur, who is presumably the "hero" of this story, uses some pretty flawed logic in exacting his revenge.  Like I mentioned in the synopsis, "not sure if that'll hold up in court"... and I'm not talking the Court of Common Pleas in Cuyahoga County, Ohio either!

12)       Pages 7 introduces the Mulgrew family. Father Pete is a construction worker, who has a balloon payment due on his mortgage. In order to meet it Pete plans to sell an artifact that he found in a construction site, where he worked and with which he walked off without telling anyone that he had found it. The fact that under the law said artifact belongs to the owner of the property where it was found, so Pete is guilty of theft doesn't seem to cause Pete much concern. (Concern for the law seems a bit too much to expect of any of the sleeze which inhabit this comic book.) Daughter Colleen seems to be the only likable, innocent person in the entire book. Naturally, she isn't. She is particularly sensitive to the evil emanations of the artifact, i.e. she is inherently evil. By story's end Colleen turns into a flaming, nude harpy-like monster suitable for cliff hangers but little else. (Subtlety doesn't seem to be within The Work's capabilities either. Unfortunately, there is no cause of action applicable for kick-in-the-face writing.)


I'm not sure I follow the criticism here.  At no point is Pete depicted as being morally sound... perhaps altruistic in the "would you steal a loaf of bread to feed your starving family" sort of way, but... he's certainly not a good (or even halfway likable) dude.  As for Colleen, she's little more than a plot contrivance... really can't fault her depiction here for that.  She's the (seemingly) innocent "vessel"... she's only here to push the plot forward.  That said, I do appreciate Bob's suggestion that Colleen's transformation is "suitable for cliff hangers but little else".  I feel like that's a criticism we can levy at a whooooooole lot of comic characters!  Might have to keep that line in my back-pocket for future use...

13)       Pages 8 through 10 show the police. They are, to a man, surly, profane, and taken to pointlessly quoting Bob Dylan songs. Not a likable one in the bunch, although their taste in music isn't bad. (Keep that last sentence in mind. It is the first, last, and only good thing anyone can say about any character in Void Indigo.)


Gotta disagree here... Bob Dylan suuuuuuuuucks.  The rest, however, I guess Ingersoll's got a point.  This gives me the same sort of "douche-chills" I got when I saw Superman quoting Thoreau during the insufferable first chapter of Grounded. 

14)       Delphine appears on Page 11 and reappears on Page 26. Plaintiff would call her a walking eating disorder, if he felt that her legs could possibly carry her own girth. Delphine would have to drop about two hundred pounds before someone could call her simply "fat." Her twin sister, Goodyear, gives us those neat aerial shots of the Super Bowl. When Delphine lies around the house, she really lies around the house; which is good, that way she covers up last years dishes, which are still sitting, unwashed, on top of the bureau. Delphine's house looks like the model for the "Day After the Day the Bombs Fell" issue of Better Hovels and Beer Can Gardens. Delphine also talks with her mouth full, which isn't surprising; it's never empty. Unfortunately, the same cannot be said for her head. Delphine, if the Court hasn't guessed by now, is a slob, and would be a less agreeable companion than Jack the Ripper on a blind date.


Yes, Ms. Delphine is... uh, excessively Rubenesque.  Lemme give Gerber the benefit of the doubt here... or, at least try.  Plaintiff suggested (in Point 8 of this "filing") that a major theme of Void Indigo is human depravity.  Depravity can be depicted in several ways visually... among them, and I mean it's sort of lazy "low-hanging fruit", is ugliness.  This woman, Delphine, is depicted as being rather unpleasant to look at.  Another bit of visual shorthand for depravity is a "rottenness"... and, ya know being this large tells us that Delphine is rather unhealthy.  While I don't much like looking at Ms. Delphine, I can't really get all that annoyed by her.

15)       Amanda Tower, a friend of the cross-dressing murderer that Plaintiff Jhagur killed earlier, appears on Pages 12 and 13. Ms. Tower has an underworld connection named Taro and does not cooperate with the police to investigate her friend's death. She seems unconcerned that her friend was used as a body double in a Ginsu commercial. Mercifully, she is murdered by Taro on Page 25. Mercifully for Ms. Tower, that is. At least she has escaped from the Defendant and The Work.



I don't see what's the big deal here.  Have comics never featured someone lying to a police officer to protect someone?  This is a very weak point... probably only included to drop the (admittedly clever) gag about Amanda being lucky to escape the work by being murdered herself.

16)       Page 18 features two sexist, racist news men, who delight in making sexist, racist comments about a fellow reporter, because she happens to be oriental, female, and ambitious. They are not nice men. So what else is new?


This criticism I'm wholly on board with... this scene was wayyy over the top with its unsubtle racism and sexism.  Like wildly unsubtle... to the point where it feels like a sixth grader's attempt at establishing characterization.  :ike it was just crammed in here as a lazy (the laziest) way of telling us these two fellas suck.  Interestingly, Plantiff posits that Colleen Mulgrew was the only likable and innocent character... when, I think Debbie might better fill that role.

17)       Pages 20 through 24 introduce Raza, a nude, tattooed physic healer, who magically disrobes her female clients then embraces them passionately, while telling them to "Use me for the pain." And that's in her more lucid moments. Raza isn't exactly unpleasant, just like walking in the rain isn't unpleasant, but she is far from being a positive depiction of a homo sapiens.


Yeah, this entire bit was pretty gross.  I find it interesting that Ingersoll describes Raza as being "tattooed".  In just looking at her, I just assumed she was diseased... maybe she has some sort of flesh-eating bacteria?  She's really just incredibly disturbing... and the scene overall makes me very uneasy.  It was when I got to this scene, in fact, that I second (and third)-guessed even continuing with this review.

(There is more. Unfortunately, I cannot show it all to you. My word processor threatened to turn it self off, if I outlined even one more scene or character.)

18)       Void Indigo #1 is collage of unbalanced, unpleasant, obscene, dishonest, hedonistic, and basically sick, ambulatory refuse anthropomorphically posing as "human beings." And those are just the good guys. It paints the totality of the human race in the bleak terms of Defendant's conception of the cruel, petty, barbaric and cataclysmic world in which he thinks we live. Void Indigo #1 forces the reader to share in Diogenes's search for even one honest man, but with even less hope than Old Diogenes ever had. It portrays the Human Race as debased and depraved and criminal without even one redeeming or marginally good characteristic or member. (No, really! There ain't one nice person in the whole stinking book! Not even a cute little dog or something. Cockroaches avoid this book as being unsanitary.)       This one-sided, labored achromatopsia is the Defendant's written and published description of the Human Race found in Void Indigo #1.

Some big words in that paragraph.  Achromatopsia?  Yowie-Wowie, I bet that got a few high-fives around the office!  That said, however, I'm having trouble disagreeing with Ingersoll... which, ya know, when I started this project, I was about 90% sure I'd be "rebutting" each and every one of his claims.

(Reading the book is not unlike diving head first into an outhouse, and makes anyone who has read it want to bathe immediately. In lye! While I do not mind stories which are unrelentingly depressing and which dwell exclusively on the dark side of humanity, I believe such stories should make a point so as to justify its forcing me to wallow in human excrement. It should not exist solely for the purpose of portraying depravity for the shock value, as Void Indigo does. But what do I know? I also think a story should entertain, which is more than can be said for Defendant Jhagur.)      

19)       The matter published in Void Indigo #1 concerning the Human Race is false and defamatory.

Is it though?  Looks like I actually do get to disagree... at least a little.  I mean, nothing presented here (outside the mystical spike and red-skinned alien resurrection stuff) is completely outside the realm of possibility insofar as human behavior.

  • People Cross-Dress (far more taboo/transgressive in ye old 1984)
  • People Kill
  • People Lie
  • People Steal
  • People Threaten
  • People can be racist
  • People gorge themselves on food
  • People... uh, visit psychics
While I'll agree 100% that the way these behaviors were depicted in this comic were for pure shock-value... I can't deny that they do exist.  Whether or not it belongs in a comic book... well, that's not for me to say one way or another.


20)       At the time of the publication, Defendant knew that the matter was untrue or could have ascertained that it was untrue with the exercise of reasonable car, such as by looking out the window, for crying out loud!

21)       By reason of the published lies in Void Indigo #1, Defendant Jhagur has libeled the Human Race, injuring its reputation and has suffered great pain and mental anguish to its damage in the sum of fifteen fantasticatrillion impossibidillion dollars and thirty-seven cents.

22)       WHEREFORE, Plaintiff demands judgement:

      First, that the rights of Robert M. Ingersoll and all other members of the Human Race in and to the libel of the Defendant be determined.

      Second, that the Court decree that Robert M. Ingersoll and the Human Race are entitled to damages of fifteen fantasticatrillion impossibidillion dollars and thirty-seven cents.

      Third, that this Court direct the Defendant to pay the amount of damages specified and that he publicly apologize for defaming the Human Race in print in Void Indigo #1. (And if it's within the Court's power, that it direct the Defendant to trade in himself for a Smurf doll, so that he can never again appear anything even remotely as bad.)      

      Fourth, that Robert M. Ingersoll be awarded out of any recovery the expenses, costs, and disbursements incident to the prosecution of this action, including reasonable attorney fees. (I may not sell out my own species, but there's no reason that I can't make a few bucks off of them, is there? Or am I acting too much like a Void Indigo character?)      

JURY DEMAND

23)       Plaintiff hereby demands a trial by a jury of his peers as to all issues in this action. He specifically rejects a jury of the Defendant's peers, as there is no way he wants to meet twelve people like that.


So, there's the Ingersoll vs. Jhagur case from Comics Buyer's Guide... and, ya know... I feel like it was mostly done in fun... though, Bob clearly actually does not like this comic book.  I'm... not sure I can blame him.  In moving from gorgeous painted Graphic Novel to... what looks like watercolors directly from blue-pencil, Void Indigo loses a bit of its special-ness.


Some very rushed-looking art
This no longer feels like "Angry Art"... it now just feels "Angry".  Kind of like the bark of a toothless dog.  Perhaps it's just "edgy" for its time... and can really only be fully appreciated back in 1984... perhaps it's actually just not all that great?  I hate to say it, but... I really didn't enjoy this as much as I expected to.  There were bits that I appreciated... and I feel like, if we remove all of the bitterness, anger, and attempts at being subversive, Void Indigo might've been the sort of story that stood the test of time.

To bring it back around to the realm of this blog's scope: Couldja see this being a new take on Hawkman?  Yeah, there'd probably be a lot left on the cutting-room floor had DC accepted this proposal!  Still, I will say... as unpleasant as this was... it wasn't nearly as boring as Hawkman!

Overall, I swear I remember thinking this was some sort of "high concept" genius-level stuff back in the day... unfortunately, I'm just not quite getting that feeling today.  In the interest of completionism, we'll take a look at the second (and final) issue... along with Steve Gerber's plot for issues #3-6 real soon.

--

Interesting Ads:


Related Posts Plugin for WordPress, Blogger...